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Photographs: Birds, Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Morning Dance, Sandhill Cranes

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Morning Dance, Sandhill Cranes
A quartet of sandhill cranes dances in foggy morning light.

Morning Dance, Sandhill Cranes. © Copyright 2020 G Dan Mitchell – all rights reserved.

A quartet of sandhill cranes dances in foggy morning light.

About a week ago I made my first visit of the season to areas of California’s Central Valley where I like to photograph migratory birds in the late autumn and winter. Many birds have already arrived, but a month or so from now there will be all sorts of them (migratory and year-round residents) up and down the Great Valley: geese, cranes, ibises, herons, pelicans, egrets, and more.

This first visit was a brief one — I arrived early but left at midday. I had been thinking of making the trip for a week or so, but had not seen the weather I was hoping for. Then I heard that there might be a bit of tule fog — that’s my kind of weather! — so I quickly decided to get up hours before dawn the next morning and drive over there in darkness. It was still too early in the season to find the vast flocks of birds that will arrive later, but I did spot some large groups of sandhill cranes. This quartet was holding forth near a larger group, and at this moment had begun a vigorous performance of the crane dance.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Ocean & Coast

Pacific Sky

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Pacific Sky
“Pacific Sky” — High clouds above the Pacific Ocean are harbingers of an approaching weather system.

Trips into the field to photograph have been difficult during the past few months. Aside from a fair amount of local photography — literally in the neighborhood — visits to more far-flung locations have been rare. I managed to get to the Sierra a couple of times. I recently went looking for migratory birds. And a week ago I did a down-and-back drive to the upper Big Sur coast, going just a bit further south than Lucia. I did not make a lot of photographs, but I stopped for a few… and it was just good to get out and photograph almost as if the world was normal again. (It most emphatically is not normal yet, but there are some reasons for optimism.)

I had “interesting” weather on this visit — which, of course, is the best kind of weather along the coast. Perfect blue sky days are, to be honest, a bit boring. On this morning I raced the lead clouds of an approaching Pacific weather system as I drove south, trying to stay just ahead of the more dismal light behind the actual cloud shield. I stopped here for this beautiful layer of offshore clouds, put on a wide-angle lens, and just took it all in.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Autumn Aspen Leaves Cluster

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Autumn Aspen Leaves Cluster
A cluster of Eastern Sierra Nevada aspen leaves in full autumn color.

Autumn Aspen Leaves Cluster. © Copyright 2020 G Dan Mitchell – all rights reserved.

A cluster of Eastern Sierra Nevada aspen leaves in full autumn color.

Here it is — finally — what I expect to be my final photograph from this year’s autumn aspen color in the Eastern Sierra Nevada. Like many of the others, I made this photograph while wandering about in a little grove that happened to be showing exceptional color this year. To some extent that color was because my timing was just about right, but it also seemed like a more colorful year than usual, with more of the red and orange leaves that I usually see.

When I’m in the field I often line up a sequence of potential photographic opportunities to explore as the light evolves. I might start with a subject that will work in pre-dawn light, then move to one that focuses on the first light of sunrise, and then be ready to photograph things that work in the light that arrives a bit later. That’s what happened with these leaves. The light on a major landscape subject that I was photographing had mostly run its course a half hour or so after sunrise, so I moved to this grove which was still in the shadow of a nearby hill. That light was perfect for making close up photographs of leaves, since the soft light reveals details in everything from shadows to highlights.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Ocean & Coast

Sur Point Lighthouse, Winter

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Winter surf below Sur Point and the Sur Point Lighthouse.

Sur Point Lighthouse, Winter. © Copyright 2013 G Dan Mitchell – all rights reserved.

Winter surf below Sur Point and the Sur Point Lighthouse.

As happens from time to time, I made a series of photographs of this subject on this winter day. One advantage of digital photography is that it is possible — and useful! — to make quite a few exposures of transient subject like water and clouds whose precise appearance is difficult to predict and for which precise timing is almost impossible. While I’ve seen photographers make hundreds of exposures of really active subjects such as moving water, this one wasn’t quite so difficult — just a series of waves moving up onto the beach and the varying qualities of the drifting spray. My first inclination was to share a different photograph from the set, which I did perhaps a few weeks ago. But now, in looking at the files more closely, I’ve changed my mind and I think I prefer this one.

At any time of year the light along this section of the California coast can be quite interesting. Because the coast doesn’t run on a perfect north-south line, instead angling to the east as you head south, for much of the day offshore features are backlit to a greater or lesser extent. (The sun also reflects off the ocean’s surface in wonderful ways, even at midday when the sun is directly south.) This meant that the rocky shape of Sur Point was deeply backlit, and exposing for the shadow details would risk losing details in the rest of the scene — so I decided to treat it as more of a silhouette. (Some details are visible, though hard to see in a web version.) In the end, that nearly black form may help enhance the visibility of the mist and spray being blown from the big winter surf.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.