Category Archives: Photographs: Death Valley

Photographs: Death Valley, Photographs: Desert, Photographs: Southern California, Photographs: Structures and Objects

Cook Bank Ruins, Rhyolite

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Cook Bank Ruins, Rhyolite - The ruins of the Cook Bank in the ghost town of Rhyolite, Nevada, with barren desert hills under a pre-sunrise sky.
The ruins of the Cook Bank in the ghost town of Rhyolite, Nevada, with barren desert hills under a pre-sunrise sky.

Cook Bank Ruins, Rhyolite. Rhyolite, Nevada. January 3, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The ruins of the Cook Bank in the ghost town of Rhyolite, Nevada, with barren desert hills under a pre-sunrise sky.

This was the closest to the winter solstice that I’ve visited Rhyolite, so I shouldn’t have been surprised by several things. First, the sun came up not only later, but also a bit further south along the horizon – and the light that would usually strike these ruins at sunrise was blocked for a while by a large hill that sits next to the town. Second, it was cold! Third, no one else was there at sunrise! This is a bit unusual since in the Death Valley high season (which arrives a bit later in the year), Rhyolite can be a pretty popular place… for a ghost town… in the middle of the desert… in Nevada. :-)

Because I have photographed here several times before and for the reasons mentioned above, I took a bit of a different approach to photographing the place this time. The winter light, some high clouds, and the different point along the horizon of the sun rise meant that the light was quite different from what I’ve occasionally had to work with in the past. At first I was a bit disappointed to realize that the direct dawn light was not going to strike the old Cook Bank and other nearby buildings. But when some clouds to the east obscured the direct light and high, thin overhead clouds begin to pick up color and fill in the shadows, I saw that other interesting lighting was going to make up for it. At the moment that I made this photograph, those clouds to the east (right) of my position beautifully softened what might otherwise have been some stark and harsh light on the pinnacles beyond the town. They also created an unusual and beautiful quality of light for a few moments – a reddish-pink quality from the light reflected from the clouds but with a few soft quality.

I decided to shoot from a distance with a long lens so as to control the position of the ruins against the background hills, and the longer focal length makes these hills more prominent than they would be if I shot the building with a shorter focal length from a closer position. This also allowed me to more carefully eliminate some distracting elements that invariably appear at old sites like this. (The first times I visited, access to most of the ruins was quite unimpeded. Now fences have been erected around some of them. Part of me regrets the loss of access, but the greater part of me understands that this will allow these buildings to be around longer so that more people will get to see them. I stayed behind the fences.) If you look around on the web a bit, you can find some wonderful old photographs of this town when it was a bustling place with thousands of residents, and when the Cook Bank was a very impressive and modern-for-the-time building.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Kit Fox Hills and Death Valley Buttes, Dusk

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Kit Fox Hills and Death Valley Buttes, Dusk - Post-sunset light on the Kit Fox Hills, Death Valley Buttes, and the slopes of the Grapevine Mountains, Death Valley National Park
Post-sunset light on the Kit Fox Hills, Death Valley Buttes, and the slopes of the Grapevine Mountains, Death Valley National Park

Kit Fox Hills and Death Valley Buttes, Dusk. Death Valley National Park, California. January 3, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Post-sunset light on the Kit Fox Hills, Death Valley Buttes, and the slopes of the Grapevine Mountains, Death Valley National Park.

The view of the eroded Kit Fox Hills and the larger masses of Death Valley Buttes beyond with ascending ridges and valleys of the Amargosa Range beyond is one that I’ve been working on for a few years now. During the day these formations are interesting, but in many ways not much more so than any of scores of other hills, washes, rocky ridges and so forth throughout the park and other desert areas. But sometimes the light does absolutely incredible things to these hills along the east side of the Valley.

I first saw this happen during a previous visit when evening clouds lit up in astonishing and almost surreal ways after the sun had set. As the sky to the west of Death Valley began to glow in the post-sunset light a wash of amazing and intense color began to fill the scene. I’m not even sure how to describe the color. Rose? Purple? Pink? Some combination of the three and more? At that time I was shooting from a small hill in a less visited portion of the Valley, and I I photographed a large “fan” along the base of huge mountains not far from Stovepipe Wells. While the colors in that photograph are, indeed, real, I have a heck of a time convincing people that this is the case. I end up doing so much explaining that I don’t show the photograph all that often!

This light is similar, though a bit less intense. The light was fading quickly at this point, and I only had a few moments of this particularly beautiful light, which might have been hard to see in person since it was getting late. I photographed this from yet another spot that it just a bit off the beaten track, though not far at all from some very popular areas. In fact, as I worked alone as the evening came on, I could swing my camera around and use my longest focal length to see hordes of people visiting and photographing another nearby feature, oblivious to the light in this spot far to their east.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Death Valley and Trail Canyon, Morning

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Death Valley and Trail Canyon, Morning -Dawn light comes over the Black Mountains to illuminate Death Valley and Trail Canyon at the base of the Panamint Range, Death Valley National Park.
Dawn light comes over the Black Mountains to illuminate Death Valley and Trail Canyon at the base of the Panamint Range, Death Valley National Park.

Death Valley and Trail Canyon, Morning. Death Valley National Park, California. January 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Dawn light comes over the Black Mountains to illuminate Death Valley and Trail Canyon at the base of the Panamint Range, Death Valley National Park.

Sometimes I don’t know at the time of exposure whether or not a photograph might end up as a color or a black and white image. However, I saw this scene as being black white as I made the photograph. It was made just a bit later than a photograph of a similar scene that I posted recently, and by this time the intense dawn color was gone and replaces by more subdued tones and far less saturated color. However, by now the early sun light was beginning to directly strike the lower slopes of the foreground canyon.

The large canyon in the foreground at the base of the two dark ridges is part of a complex sometimes called Trail Canyon. At one time there was a road up the canyon to the area near where I made the photograph – from what I hear it provided access to a mine down in the canyon. Some years ago the road washed out in several places, and the park’s policy now is to mostly let these old tracks simply slide into oblivion, thus allowing the terrain to revert to wilderness. This canyon, like many along the lower reaches of the major mountain ranges of the park, intrigues me with its huge gravel fan and in the way that it breaches the incredibly rugged mountains of the Panamint Range.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dunes, Eureka Valley, Morning

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Dunes, Eureka Valley, Morning - Morning light and haze at the Eureka Valley Dunes, Death Valley National Park, California.
Morning light and haze at the Eureka Valley Dunes, Death Valley National Park, California.

Dunes, Eureka Valley, Morning. Death Valley National Park, California. January 6. 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Morning light and haze at the Eureka Valley Dunes, Death Valley National Park, California.

This seems like a typical desert scene, right? Hot, arid, a bit of summer haze… It may look that way, but it was 28 degrees when I made this photograph!

At the tail end of my early January photography visit to Death Valley National Park I went north from the Ubehebe Crater area on the long gravel route up to the remote Eureka Valley Dunes, which are described as the tallest dunes in the United States, being nearly 700 feet tall. I decided to visit here at the end of my trip for several reasons – first, believe it or not, I had not been to this major feature in the park before. Second, because the trans-Sierra passes were still open in the strange weather year, by going out the north end of the park I figured I could shorten my drive back to the Bay Area a bit.

I arrived the night before, just in time to shoot a little bit as the last light came and went. Then I spent a very cold night “camping” in the back of my car. I was up reasonably early, but it was so cold that it was very hard to get out of the sleeping bag. Finally I did so, and I put on all my warm clothes and marched around the camping area trying to warm up a bit. Finally, after the morning sun topped the tall ridge to the east, the light arrived and my world began to warm up a bit. Eventually I packed up and started my trip back out to civilization. But first I wanted to stop a ways out in the valley and do some long shots back towards the dunes. This is one of those photographs, made from a ways down the road using a long lens.

Somewhat surprisingly, when I finally got back in my car a bit after 9:00 a.m. and long after the sun arrived, I finally thought to check the outside temperature on my car’s thermometer. At about 9:15, out in the valley, and in the sun… the temperature had finally risen… to 28 degrees!

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.