Photographs: Desert, Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Gambel Oak Leaves, Autumn

April 3, 2013 G Dan Mitchell 2 Comments

Brilliantly colored autumn colors of Gambel Oak leaves, Capitol Reef National Park

This is a very different view of the autumn gambel oak leaves than another that I recently posted. That other photograph showed the perhaps more typical brown or tan phase of fall oak leaf color. This one, on the other hand, shows a particularly colorful specimen of these leaves, caught at perhaps just the right moment and in the right light in a canyon of Capitol Reef National Park early one late-October morning.

The angle from which you view these leaves matters a lot, as it often does with autumn leaves in general. The nature of the ambient light also makes a big difference. And did I mention the timing!? If you can get a bit of back-light behind the oak leaves, what might otherwise be a bit dull can begin to glow. And the soft, diffused lighting in this deep canyon setting allowed the light to fill in the shadows. These particular specimens possess very interesting color and shape patterns: there is an interior still-green section on many of the leaves that is just beginning to edge towards yellow-gold, and it is surrounded by brilliantly red and orange leaf edges. When I shoot in deep shade – and these plants were deep in the shade of this small canyon – I often find that the photograph seems unnaturally blue, given that most of the light is either direct or reflected blue sky. In most cases, in order to get a color balance that reflects what the eye saw – and our visual system compensates for the blue saturation – I have to alter the color balance a bit and move it away from this artificial-seeming blueness. However, in this case, if I adjusted far enough to neutralize the blue that you can still see on the more-or-less gray branches and twigs, the color of the leaves would probably defy belief!

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Urban/Street

Woman in Black, Sidewalk, Petals

April 2, 2013 G Dan Mitchell Leave a comment

The legs of a woman wearing black, cracked sidewalk, bright flower petals.

This is a photograph that I might not have gotten if I had been working in my more typical manner – e.g. shooting with a full frame DSLR and an assortment of lenses. Instead, I was shooting with a small rangefinder-style mirrorless camera and only a 14mm prime. (Roughly equivalent about a 24mm prime on a full frame camera.) Shooting this way encourages working quickly – with a single focal length there is much less to think about, and shooting happens more quickly and, in some ways, more instinctively.

For what its worth, the photograph was made while walking in San Diego’s Balboa Park, near a spot where these brilliantly colorful flower petals were falling from a nearby tree. I suddenly got the idea to shoot the lens and feet of the people walking in front of me, and it was serendipitous that this happened as we were walking through the flower petals.

Photographs: Desert, Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Juniper Tree, Towers at Base of Sandstone Cliff, Evening

April 1, 2013 G Dan Mitchell 2 Comments

A lone juniper tree grows among boulders at below sandstone towers at the base of cliffs, Capitol Reef National Park

I made this photograph midway through a trip of about 11 days that took us to a number of locations in Utah. Every such trip seems to have a sort of arc that includes the initial excitement and expectation of heading out into the world to photograph, a settling in period, perhaps a lull in the middle followed by a reconnection to the work, a sense that the trip is ending and there is too much left to do, and the final trip back to the “real world.” This photograph was made near the end of the “lull,” and might have marked the transition back to rededication to the work. On this mid-trip day, we had found ourselves perhaps a bit without direction and one of the members of the group had not been feeling well. At a low point in our energy but perhaps feeling that we should at least carry on and act like we were working, we went to a nearby area of the park in the evening.

At first we had no clear goal in mind, though we sort of stopped and looked around at a few spots, but without really making any serious photographs. Eventually we headed up into a large canyon, first photographing the walls near the start of the canyon and then photographing the canyon itself a bit as the light began to fade. This work went OK, but it didn’t seem to be quite “clicking.” But eventually, in my experience, you get to the point where you sometimes simply accept this as part of the work, trusting that if you keep looking and keep seeing you will eventually find what you are looking for – and that this is far more productive and useful than packing it up when it isn’t working. (Though, to be fair, there are a few times when packing it up and going and having a nice dinner can be a reasonable option!) In any case, we loaded up the vehicle and began to drive back out of the canyon. Looking up at the surrounding canyon walls, we were surprised to find some very unusual post-sunset light. During normal light these canyon walls look very dark and have the intensely “red” quality of the iconic Utah sandstone. But somehow this light seemed to have drained the color from the rocks, creating a de-saturated and almost slightly metallic effect. We quickly stopped an piled out with cameras and tripods and began shooting, and it seemed to me that the connection had been made once again.

Photographs: Central California, Photographs: Flight, Photographs: Nature, Photographs: Northern California, Photographs: Wildlife

Geese and Evening Sky

March 31, 2013 G Dan Mitchell Leave a comment

A motion blurred photograph of Ross’s geese against the evening sky above California’s San Joaquin Valley

Bird photographers might appreciate the thought I had that it might be appropriate to refer to these “BIF” photographs “blurred in flight” shots. (Among bird photographers, “BIF” is short for “birds in flight.”) I guess I could say that I’m photographing “blinds,” or “blurreds,” – or something. In any case, the experimentation with motion-blur abstractions of flying birds continues.

I photographed these Ross’s geese on New Year’s Day 2013, when I met a great group of friends out in the foggy Central Valley to “chase wild geese” and other migratory birds. I made plenty of the usual sharp photographs of birds, but I’ve felt for some time that those do not always succeed in creating some analog of the ephemeral and transitory character of these critters. Plus, I just sort of like the abstraction of they blurred shapes! Some might say that making blurry photographs is a sign of less the competent photography, but I have to say that this isn’t quite as easy as it might seem. There are a lot of things to consider as I make these images. There is a sort of exposure time sweet spot that blurs the birds sufficiently but which still holds enough of their shape to clearly show their nature. I want abstract shapes, but not so abstract that they no longer clearly suggest birds in flight. Secondly there is the matter of background. Ideally, I think I like to locate the flying birds against fairly plain sky with interesting color. This means tracking the birds as they take flight, close to the ground and with “stuff” behind them, waiting for the moment when they break clear of ground and brush and trees and appear against the right sort of sky, but only for a moment before they move too far away. Finally, as I shoot I watch the constantly evolving relationships of position and shape among the birds of the moving flock, and try to capture moments when they briefly align in interesting ways. This group had stretched into a sort of horizontal cloud of birds when I triggered the shutter.

G Dan Mitchell Photography

Gambel Oak Leaves, Autumn

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Woman in Black, Sidewalk, Petals

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Juniper Tree, Towers at Base of Sandstone Cliff, Evening

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Geese and Evening Sky

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.