Point Sur Lighthouse Station

Point Sur Lighthouse Station
“Point Sur Lighthouse Station” — The historic Point Sur Lighthouse Station with Pacific Ocean fog in the background.

There are several striking hills, rocks, mounds like this along California’s coast, almost isolated from land yet tenuously connected by a low peninsula. I think of them as reminders of where the coast was long ago and of the continuous eroding away of the land. This one is Point Sur, between the Carmel area and the town of Big Sur. It houses the historic Point Sur Lighthouse Station — no longer active, but today a state park.

A drive down the Big Sur Coast on the Pacific Coast Highway makes it clear how rugged and isolated is this section of California’s coast. Even today it can feel remote, and the route is subject to frequent closures due to weather and slides. When the lighthouse was established over a century ago, there was no road here, and access was generally by ship. It was not until decades later that an early road to Big Sur was established.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Woman in Red, London

Woman in Red, London
“Woman in Red, London” — :A woman in red sits on a ledg to check her phone in London.

I confess that I barely, if at all, remember making this photograph, nor can I say precisely where in London I made it. I grabbed it while in a particular mode of street photography that is the antithesis of how I might photograph, say, a landscape. I shoot handheld. I carry a small camera with a single small prime lens. I work very quickly, often not even slowing down to frame the subject, and continue on. In this case, I shot “blind,” holding the camera down at my side. (That created a little problem. More below.)

There are a few things about this photograph that could make some viewers a bit uneasy. First, I did not ask for permission and I doubt the subject was even aware that I made the photograph. There was no time, and if I had asked, the photograph would have been a very different thing. (BTW, sometimes I’m in public and I see that I might end up in someone’s photograph like this — and I remind myself that it is OK since I do it, too!) Second, the original image had a serious problem. It was badly tilted, perhaps as much as 20-degrees. I liked the image, but I had to crop radically to get the framing I wanted, and there were still problems. How did I fix it? For the first time, I allowed an AI tool to generate some content in the corners of the frame. Still not sure how I feel about that, but it seems worth experimenting with at least.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Farm, Clearing Fog

Farm, Clearing Fog
“Farm, Clearing Fog” — Soft morning sunlight comes to a small mountain farm as fog clears.

On this summer morning I headed over the mountains for the coast, planning to drive north from Santa Cruz and photograph foggy coastal scenes. However, it turned out that there was too much fog for what I had in mind, so I had to recalibrate. There are many lonely little roads that run inland from the Pacific Coast Highway, and I decided at random to explore one of them. I headed up a small valley, crossed some hills, and eventually wound through a narrow valley whose bottomlands held this small farm.

Today a lot of agriculture takes place on large corporate farms, especially here in California where the Central Valley is filled with those gigantic agribusiness operations . But if you poke around a bit off the grid, there are still these little farms in quiet little places. I pulled over and quietly watched the morning sun start to break through the thinning fog.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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London Eye

London Eye
“London Eye” — Looking upwards at the London Eye on a cloudy day.

I usually have a good sense of direction, and I can often navigate without maps. But I also have an occasional directional problem. When arriving in a new place I sometimes make an incorrect assumption about the compass directions. Once I do, it is darned near impossible for me to fix it. London is one of the places. For some reason, the first time I visited I reversed north and south, and I’ve struggled since then to get it right. I’ve gotten a lot better — when I look north across the River Thames these days it looks like it is north. But this photograph came about due to the residue of my prior confusion.

When we set out from our lodgings to walk to the nearby Borough Market, I went with my gut instead of logic and headed out confidently in the wrong direction. (To her credit, Patty suspected that I was going the wrong way, but went along.) We walked and walked and instead of finding the Market we were (or I was) surprised to walk up to the London Eye, which is in exactly the opposite direction!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.