Welcome to Oz

Welcome to Oz
“Welcome to Oz” — Street scene near Il Mago di Oz, and eccentric shop in the Italian town of Orvieto.

We’re back (figuratively) in the Italian hill town of Orvieto again for this photograph. The title comes from the sigh behind the white metal bench, and it refers to a nearby shop that I’ve shared in a previous photograph. The shop (“Il Mago di Oz”) is a strange and fantastical collection of, well, just about anything its proprietor thinks fits the theme.

Besides its connection to Land of Oz, the photograph includes features that are common on backstreets in Italian towns like this one. The building is weathered in an attractive way, it sits directly on the edge of the narrow street paved with stones, there are plants, and the light is softened in the shadows of buildings along the passageway.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Weathered Wall

Weathered Wall
“Weathered Wall” — Abstract patterns of paint, stucco, and weathering on a wall in Orvieto, Italy

There’s really no obvious way to tell from the image that it was made in Italy — though once you know that you may recognize that beautifully worn and weathered walls are part of the landscape there. I spotted this detail as we walked through the small hill town of Orvieto during the summer of 2023.

While I usually prefer to think of such weathering as “picturesque,” you could be forgiven for regarding it as run-down, too. To be honest, the exteriors of buildings in big cities are not always pristine, and this is especially so when we get away from fancy downtowns and into regular neighborhoods. After years of visiting such places it finally occurred to me that people in these places might surrender exterior beauty, but that they transfer their aesthetic impulse to interiors. In any case, I’m happy to find subjects like this.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Desert Clouds, Evening

Desert Clouds, Evening
“Desert Clouds, Evening” — Sunset light colors evening clouds above Death Valley.

Let’s call this a moment of peace and calm in a world that sometimes seems too tumultuous. I photographed this cloud formation above Death Valley on a quiet evening, alone in a high place above the valley as the day ended. I was there to photograph the landscape, but at this moment it was the cloudscape that caught my attention.

It isn’t news that clouds are fascinating. While they often appear as supporting acts in landscape photography, sometimes they form temporary “cloudscapes” on their own. That ephemeral quality is part of their magic — one moment there might me nothing there, but soon they silently assemble into fascinating shapes and juxtapositions, only to dissolve and re-form a moment later.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Sunrise, Lake Manley and Panamint Mountains

Sunrise, Lake Manley and Panamint Mountains
“Sunrise, Lake Manly and Panamint Mountains” — Sunrise on the Panamint Mountains reflected in the ephemeral waters of Lake Manly

This is a photograph that is normally not possible in Death Valley — The image of a snow-capped mountain range reflected in the extensive waters of a gigantic lake. These are the Panamint Mountains, rising to over 11,000 feet on the far side of Death Valley. This winter the playa was covered by the shallow waters of ephemeral Lake Manly.

It was hard to resist the symmetry of this scene with the reflection in the still water was a near duplicate of the distant scene. I made the photograph after the morning sun had arrived on the higher peaks, but before it had worked its way down to the valley floor, thus the dark band across the middle of the image.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.