Orange Pepper No. 1

Orange Pepper No. 1
Habanero peppers from the garden, awaiting their fate as pepper jelly.

Orange Pepper No. 1. © Copyright 2021 G Dan Mitchell – all rights reserved.

Habanero peppers from the garden, awaiting their fate as pepper jelly.

Not just orange peppers but habanero peppers, one of the hotter varieties. I ended up growing a habanero pepper plant in the vegetable garden this year and the darned this was extremely productive. If you know your peppers, you perhaps understand that you probably don’t need a whole lot of habaneros — a little of its heat goes a long ways. So, finding myself with dozens of them, I made jelly. Batch #1 was so good that I picked the rest of the crop, and most of them will end up in batch #2.

The path to deciding to photograph them is a bit contorted. A group of friends and photographers get together periodically (these days in the virtual world) to share photographs on some sort of theme. This month’s theme was the color orange. I have a ton of photographs of orange aspen leaves — not surprising for the guy who wrote a book on photographing aspen color! — but that seemed too obvious. So I set out to look for orange things in my neighborhood and home. A few things surprised me. The first was how vague and variable the concept of “orange’ becomes once you pay attention — at the fringes it bleeds across into red, yellow, and/or brown. The second surprise was how few of these orange things spoke to me as photographs. (Some did, and you’ll see more of them soon.) Then, just as I thought I was done.. right in front of me, on the kitchen counter, was this example of orange!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Streamside Trees, Red Rock Cliff

Streamside Trees, Red Rock Cliff
Narrowleaf cottonwood trees with a few autumn leaves beneath sandstone cliff along the Virgin River, Zion National Park.

Streamside Trees, Red Rock Cliff. © Copyright 2021 G Dan Mitchell – all rights reserved.

Narrowleaf cottonwood trees with a few autumn leaves beneath sandstone cliff along the Virgin River, Zion National Park.

The trees along the Virgin River in Zion National Park are a big attraction for me, especially as the autumn color transition begins. There is quite a variety of these trees, ranging from conifers to deciduous trees, from small to large, in locations ranging from open flats to ledges far up on the red rock cliffs and on the more open highlands far above. Landscape photographer friends like to joke that we just make pictures of “rocks, water, and trees” — and all of those play a big part in this landscape.

This little mini-grove lies a bit off to the side from a popular and busy Zion Canyon trail. Working in such a canyon, with its shade and diffused, soft light, is very appealing to me, and the contrasts between green foliage and red rock make it even better. These trees grow in one of the many bends in the canyon as it winds back and forth, and the sandstone cliffs form a sort of wide alcove here. The Virgin River — at a fairly low rate of flow — runs past in the foreground.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Sidewalk and Fence, Autumn Light

Sidewalk and Fence, Autumn Light
Autumn light shine through a fence to illuminate a sidewalk and fallen leaves.

Sidewalk and Fence, Autumn Light. © Copyright 2021 G Dan Mitchell – all rights reserved.

Autumn light shines through a fence to illuminate a sidewalk and fallen leaves.

Some years ago I went on a local walk that changed the way I think about these things. Like most of us, when I think of what I want to photography, my thoughts ofter turn to placed that are distant, exotic, and different from what I experience in my daily life. For me this means lots of fascinating landscapes — deserts, mountains, ocean, and more — or it may mean travel to distant urban areas. But on the day when I went on that walk, I carried my camera. When I walk for exercise I usually don’t pay close attention to my surroundings. Instead I tend to let my thoughts drift (a good thing sometimes!) and the focus is internal. But with camera in hand (and I mean literally in my hand, not just in the bag), I start to see things that I have overlooked. On that particular walk, on a winter day, I suddenly realized, for example, that there were shadows everywhere and that they were worth photographing.

Speaking of shadows, this is the season when they become more prevalent and more interesting. Because the Northern Hemisphere sun never gets very high in the sky, shadows are cast by almost everything and on almost everything. As I came around a corner on another walk-with-the-camera this week I was stopped in my tracks by the shape of the shadow from this metal fence, falling across a sidewalk and a few autumn leaves.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Fog, Surf, and Rocks Near Rocky Creek

Fog, Surf, and Rocks Near Rocky Creek
Morning light on fog and mist over the Big Sur coast near Rocky Creek.

Fog, Surf, and Rocks Near Rocky Creek. © Copyright 2021 G Dan Mitchell – all rights reserved.

Morning light on fog and mist over the Big Sur coast near Rocky Creek.

This post begins with a confession. I have probably photographed this particular scene too many times. I first photographed it quite a few years ago, on a morning when I happened to stop along the Big Sur coastline and notice this particular juxtaposition of features. On that first visit I came up with images that I still regard as quite good, perhaps even among my best from this area. At that point I figured that I was more or less done with the subject, though I continued to pause there and look. Which of course meant that eventually a day came when something new and different appeared there… and I made different sort of photograph of the location that also seems pretty good.

At about this point I started to consider the dangers of going back and re-photographing the same familiar subject. (Among other things, it can distract a photographer from finding new subjects since re-shooting the familiar thing can be easier.) I continued to stop and occasionally make a casual photograph, but mostly did nothing with those images, preferring to work on new subjects in the area. But when I visited on this early November morning the scene seemed particularly spectacular, with a combination of high surf, thin fog, and intense backlight… and I could not resist. So, here it is… yet another take on this scene.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.