High Country, Dawn

High Country, Dawn
Just before sunrise, soft light and colorful sky above Yosemite high-country peaks, forest, and meadow.

High Country, Dawn. Yosemite National Park, California. July 27 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Just before sunrise, soft light and colorful sky above Yosemite high-country peaks, forest, and meadow.

Sometimes landscape and nature photographers enjoy complaining about certain things required to be in the right places at the right times in order to make photographs of their intended subjects. So, here is a story. The previous day I had been out photographing until the light was gone, and then had to travel back to my dark camp. By the time I finished camp business, it was quite late, and by the time I got to sleep it was less-than-a-full-night’s-sleep until the time I would have to get up. But get up I did, well before dawn. I dressed in the cold and darkness, soon heading out with no coffee or breakfast while the sky was still dark. Before long I began to find potential subjects, even though the light was not yet quite “there.”

Now, behind that story (complaining? false heroism?) is another truth: I feel fortunate to be able to do this! As I ventured out, I found myself almost entirely alone. Even though I was driving on a very popular high country road, I saw almost no one else. Before long the bluish earth shadow line began to drop toward the horizon behind these peaks, and I stopped at a little meadow I know well. Although it is next to the roadway, it was almost completely silent and still, and the meadow plants were covered with dew. I photographed as this brief show of sky color began to fade, and as I finished I thought about the number of people who only come to these places in the middle of the day, and who therefore miss the color and the quiet and the solitude. Is it worth getting out of my sleeping bag in the predawn darkness? Yes!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Early Season Alpine Terrain

Early Season Alpine Terrain
A lakeside meadow is begins its short summer period of growth as snowpack melts along the Sierra Nevada crest

Early Season Alpine Terrain. July 26, 2017. Eastern Sierra Nevada, California. © Copyright 2017 G Dan Mitchell – all rights reserved.

A lakeside meadow begins its short summer period of growth as snowpack melts along the Sierra Nevada crest

I think I can use this photograph to tell a story or two. In late July of this much wetter than normal year, I visited the Sierra in the area roughly between Tuolumne Meadows and Lundy Canyon over a period of four days. After five years of California drought, the balance tipped the opposite direction this past winter, and did so with a vengeance. Many areas got as much a twice the normal amount of precipitation this season. Many areas opened late, lots of facilities were damaged, and a number of places (such as Tuolumne Meadows campground) were still not open when I visited. But I managed to find a high elevation campsite just outside the park, and I decided to mix a little hiking with my photography.

This lake is perhaps a couple of miles from a trailhead that offers two relatively easy ways to get there. I took a familiar one along a north-facing slope above the shoreline of a big lake, because it is shorter than the alternative and in some ways easier. Or so I thought. It turned out that the snow from this big winter is still thick in areas above 10,000′ of elevation — like this one — and more than half of my little hike turned out to be on snow. There was also water everywhere — waterfalls and cascades visible high up on mountain slopes, streams dashing madly down below, flooded meadows, and more. My second challenge turned out to be this water — and I finally came up against a creek that I wasn’t willing to try crossing while hiking solo — a bit too dangerous. The lake in this photograph lies in a subalpine basin below peaks on the Sierra crest. The snow had just (for the most part) melted out of this sodden meadow near the lake’s outlet stream, so I decided to make a few photographs that included the large blocks of granite standing in the meadow along with the very tall alpine ridge in the background.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Tidal Flat Reflections

Tidal Flat Reflections
Blue sky reflected in channels on tide flats, Point Reyes National Seashore

Tidal Flat Reflections. Point Reyes National Seashore, California. July 23, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Blue sky reflected in channels on tide flats, Point Reyes National Seashore

In late July I spent a day at Point Reyes National Seashore, a location that is probably just within a reasonable one-day out-and-back drive for me. (And, yes, on occasion I indulge in completely unreasonable drives to photograph certain special subjects, but that’s a story for a different post.) From looking at weather forecasts, I was hopeful that I would arrive early enough to grab a fresh pastry at Point Reyes Station (success!), make it out to the Seashore before the fog cleared (success!), and then photograph as it cleared away (less success!). I never did break completely out of the fog, and the final destination of my daylong hike was pretty thoroughly socked in.

But along the way there was some interesting light, combined with some fortunate timing. My hike took me along Drakes Estero, the large, shallow estuary that extends inland from the beaches surrounding Drakes Bay. I had not checked the tides before going, but it turned out that I arrived at a rather low tide, and the water had retreated far enough to leave the mudflats high and dry, broken only by twisting channels where a bit of water remained. The fog directly overhead darkened the mud flats, but the water reflected the blue sky from an area of clearing further in the distance. Once again, it was good fortune that made a photograph possible — these abstract blue patterns could only occur at low tide, with fog overhead, and with blue sky at the fog/clear boundary nearby.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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From Tufa To Mountains, Dawn

From Tufa To Mountains, Dawn
Predawn light above high desert mountains, reflecting on the surface of Mono Lake

From Tufa To Mountains, Dawn. Mono Lake, California. July 26, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Predawn light above high desert mountains, reflecting on the surface of Mono Lake

Mono Lake is famed for several things, among them the remarkable tufa towers found in several locations along the shoreline of this great land-locked lake east of the Sierra Nevada. And, yes, this photograph includes a few of those towers — a small group that lies far enough from the shoreline to make them less accessible and interesting to most photographers. (No, that isn’t Nessie — or a band of Nessie lookalikes — at the lower left corner.)

But tufa towers are not my primary or strongest association with this place. Mine include more ephemeral things — the sense of huge space, the expanse of the sky (accentuated by the distance and smallness of surrounding mountains), the deep quiet that is broken only by the sounds of birds and wind. In my experience, to understand those things about this place you must find a quiet place away from other people and perhaps just “be” there quietly, long enough to let its stillness begin to affect you, too. On this morning I arrived in Mono Basin before dawn, ending up at a spot that is not typically regarded as being iconic. Being early, I was in no hurry, so I set up my camera and tripod and just looked for a while before beginning to make photographs of the predawn light from beyond the eastern mountains as it reflected on the breeze-ruffled surface of the lake.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.