Subalpine forest strewn with granite boulders in morning light, Lower Young Lake.
This photograph comes from late in last year’s backpacking season, on a mid-September trip to the Young Lakes Basin. As I have previously written, this area is a beautiful one to explore and is doubly beautiful for photographers since it is open to the western evening light. I made this photograph in the morning and not far from my campsite at the lower of the three Young Lakes. This sort of scene is no doubt familiar to anyone who has spent much time in the Sierra Nevada high country and has come to know these areas of mixed trees and meadows among fields of large granite boulders. I found this particular scene by leaving the trail behind and exploring more widely around the shoreline of the lake.
Morning light shines through the forest on the rocky shoreline of Lower Young Lake, Yosemite National Park.
The three Young Lakes are among my favorite places in the Yosemite back-country, and I visit them pretty much every summer. As I did when I made this photograph, I most often to in the last season – I like to visit after Labor Day weekend, when the crowds begin to diminish, the weather is a bit cooler, fall colors begin, and everything in the Sierra seems to slow down in anticipation of the coming winter.
On this visit I camped for something like three nights at the lower lake, and thus had time to photograph throughout the basin at different times of day. On this morning I got up early as I usually do, and spent a good part of the morning photographing along the shoreline of this lake, starting in the area near where most people camp and where the trail passes along the shoreline. A bit later I crossed the outlet stream and followed the rocky shoreline around to the far shore where the forest opens into rocky meadows near the main inlet stream.
In the photograph, the early light is coming from behind the trees in the shoreline forest and glancing off the tops of the boulders on the shore and in the shallow water. There were two photographic challenges in making this photograph. First, the dynamic range between the brightest sunlit spots on the rocks and the darker areas in the forest is extreme. In some cases I might resort to blending multiple exposures as a way to deal with this issue, but here I was able to recover enough detail from a single frame. The second issue relates to the color of the light. Specifically, while the sunlit areas have a fairly warm quality, the light in the shadows on the rocks and in the shaded areas of the forest turns out to be distinctly blue in a photograph. In fact, these areas end up looking much more blue than you would think if you were there – this has to do with the way our minds process what we see to make it more like what we think it should be… if that makes any sense. In any case, the decisions here ended up being about how much blue would be the right amount.
Dawn light on the peaks of Kuna Crest is reflected in a meltwater channel in the frozen surface of Tioga Lake at Tioga Pass.
On the weekend that Tioga Pass opened this year, I spent the “opening day” photographing along highway 120 in the park. That night I stayed in Aspen Camp in Lee Vining Canyon, a standby for me at almost all times of year when I photograph in the area and Tuolumne Meadows campground is not open. (That NPS campground typically opens a few weeks after the pass opens and then closes in late September.) The next morning I was up fairly early, planning to photograph more or less in the Tenaya Lake area a bit after sunrise. I drove up toward the pass and soon came to Tioga Lake, which lies next to the road just below the pass.
I had noticed the striking veined patterns formed by the melting ice the previous day but had not photographed them. When I saw them in the morning I spontaneously decided to stop and see what I could do with the subject, especially since it looked like the ice was starting to pick up a bit of color from the pre-dawn light. I quickly got out and set up and found a way to line up the melted channel in the icy surface with the peaks of the distant Kuna Crest inside the park. As the light began to strike this ridge its color reflected on the frozen lake and I made a few photographs before moving on.
Early season morning light on Ellery Lake near Tioga Pass.
I made this photograph on the same early-season morning on which I made the vertical format photograph of the same scene that I recently posted. Ellery Lake is alongside highway 120, the “Tioga Pass Road,” just beyond the eastern boundary of the park and the Sierra crest. To be completely forthcoming, I made this photograph from the side of the road! (The many individuals who know this area well, and who have probably stopped to look at the same scene, already knew that…)
To briefly recap, the road here curves around the upper end of the lake above this small bay. Looking across the bay, the rocky edges of the lake are visible along with the steep talus slopes ascending to the peaks around Mt. Dana beyond. The spot has a natural beauty in terms of the forms of the landscape, but I think it is difficult to photograph as a whole – the light is the tricky thing. The earliest morning light is block by high peaks to the east and the late afternoon light goes quickly from sun to shade as the sun drops below ridges behind the camera position, and this light can be fairly flat since it comes from directly behind. This photograph was made in the morning, but not close to sunrise at all – it was two or three hours later. Even here the scene isn’t without technical challenges, especially from the dynamic range that spans from the shadows behind backlit rocks and trees to the very bright snow fields at upper right.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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