Tag Archives: and

Buildings, Lamp Post

Buildings, Lamp Post - A lamp-post in front of the Embarcadero Center and Maritime Plaza buildings, San Francisco
A lamp-post in front of the Embarcadero Center and Maritime Plaza buildings, San Francisco

Buildings, Lamp Post. San Francisco, California. August 4, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A lamp-post in front of the Embarcadero Center and Maritime Plaza buildings, San Francisco.

The buildings in this photograph are in the financial district of San Francisco, very close to the Embarcadero, the roadway that travels along the waterfront where all of the old shipping piers are located. The taller building to the left is part of the Embarcadero Center, a major landmark along the waterfront, and the darker building occupying much of the rest of the frame is the Maritime Plaza Building, one that I’m less familiar with. The lamp-post is… a lamp post.

This summer, while my wife has been involved in an ongoing musical event in The City, I’ve been taking advantage of this to spend more time that usual wandering around the downtown area and making photographs. I have a number of general ideas in mind for photographs, but one thread has been to shoot the large forms of these buildings at odd angles, often with fog or bright sky above. Recently I was thinking about some of the factors that attract me to shooting here. One is, obviously, that this is where the large urban downtown closest to me is located – it is an hour drive away and I can get there by public transit in not much more time than that. It occurred to me yesterday that San Francisco is perhaps the most likely place to find “interesting” weather this time of year here in otherwise mostly blue-sky-boring California – between full sun and dense fog, there are a lot of visually interesting conditions to be found here… occasionally all at once!

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Pelican Flock

Pelican Flock - A high key rendering of a photograph of a flock of pelicans above the Point Lobos State Reserve
A high key rendering of a photograph of a flock of pelicans above the Point Lobos State Reserve

Pelican Flock. Point Lobos State Reserve, California. July 16, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A high key rendering of a photograph of a flock of pelicans above the Point Lobos State Reserve.

I photograph birds sometimes – more these days than at some times in the past – but they are generally not my main passion in photography, with a few exceptions. The first of those, however, is photographing pelicans along the Pacific Ocean coast of California where these big, magnificent birds seem to stand apart from the other birds of the area. They are bigger, they often coast rather than flapping wings quickly, when seen they are most often simply passing by on their way to and from some unknown other place, and they overall seem to me to have an almost prehistoric aspect.

Most often when I photograph them I go to some place where I think they will pass and I wait. Places where a rocky peninsula extends a bit into the ocean can be likely spots, as are the top edges of certain bluffs above cliffs, where they seem to float past on updrafts from onshore winds. Often as I wait and watch for them I see other birds and I may photograph them, but I’m always watching in the further distance for the groups of pelicans, usually strung out in lines of a few birds to, sometimes, many – and as soon as I spot them the other birds are forgotten as I watch the pelicans approach. I understand that this year the California pelicans are stressed by some sort of environmental change and many have died and others seem undernourished. This may partly explain why I saw so few on this July visit to Point Lobos, mostly only stray groups of two or three that were separated widely from one another. But late in the day a huge flock came from the south and, surprisingly, rather than floating past quickly they moved slightly inland, where I think they found a thermal, and spent several minutes coasting in circles as they rose higher.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Home Bay, Drakes Estero

Home Bay, Drakes Estero - Fog rolls in over Drakes Estero beyond Home Bay, Point Reyes National Seashore
Fog rolls in over Drakes Estero beyond Home Bay, Point Reyes National Seashore

Home Bay, Drakes Estero. Point Reyes National Seashore, California. July 21, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Fog rolls in over Drakes Estero beyond Home Bay, Point Reyes National Seashore.

This little late-July visit to Point Reyes was an opportunity to re-learn a few lessons about going out to make photographs. I had driven up to San Francisco, where my wife was to be engaged in a music performance that would take the full afternoon and evening, with the plan being to drop her off and then drive on over the Golden Gate Bridge and out to Point Reyes. Point Reyes is often a cold and windy place, even in the summer, but this was a very warm period and it looked like the coast might be clear of fog or at least see the fog bank lurking just offshore until the evening. With this in mind, it seemed like it might be a good time to either visit the Limantour Beach area or else hike out towards Drakes Bay.

I should have sensed that things were about to evolve in ways that I had not planned for when, during a brief stop at the Point Reyes visitor center, the rangers announced that the road to Limantour was closed since a fire had just started in the area! With that option gone, I figured that Drakes Bay would be my objective, and I had images of afternoon and evening light on this day of little or no fog. I drove on out to the Estero trailhead where it was, in fact, quite sunny, though a bit windy. I loaded up my camera pack with a few lenses and a tripod, and set out on the trail towards Drakes Head, thinking I might be able to make it there for late afternoon light. As soon as I started hiking I began to see the telltale puffs of incoming fog clouds above me, and soon I came around a bend in the trail to see that the fog had already moved in to my west and over Drakes Bay. Fortunately, I like for, and in most cases I would rather photograph in “interesting” weather than in so-called perfect blue sky weather. At a point where the trail descended to cross a dike at the head of Home Bay, I saw this conjunction of near and far forms, with the distant bluffs under the incoming fog, so I stopped to make a few photographs before moving on. To make a potentially long story a bit shorter, the temperature quickly dropped and the wind picked up to levels that made photography increasingly difficult. I managed to work with one other scene that included a curving snag in front of the bay, but it was already becoming difficult to find a calm moment in the wind to click the shutter. I kept going, finally reaching the trail junction that heads off towards Drakes Head, only to realize that I would never get all the way out there in time to return before dark. Cutting the hike short after a bit more than an hour and a half of hiking, I began to retrace my steps back to the trailhead.

In the end, this is really the only photograph that I came away with – despite carrying that fully loaded camera pack out and back! But this reminded me of a first lesson, namely that it is worth the effort even if I only come back with a single shot that I like. This one, to me, evokes the relative isolation and quiet of this spot in the upper reaches of the calm waters of Drakes Bay, with the fog bank beginning to assemble across the distant bluffs. A second lesson is that sometimes on a photographic quest, it is OK to simply enjoy the surroundings. A practical photographer can remind himself or herself that scouting is a good thing, and that things not photographed this time may well be on a future visit. And a long-time hiker can – and did – remind himself that sometimes it is just fine to leave the camera in the pack and just enjoy the wind and the space.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Glass Facade

Glass Facade - The reflecting glass surfaces of a downtown San Francisco Tower.
The reflecting glass surfaces of a downtown San Francisco Tower.

Glass Facade. San Francisco, California. July 9, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The reflecting glass surfaces of a downtown San Francisco Tower.

This is another photograph exploring the unreal nature of large urban buildings, especially those almost entirely covered in glass. As in a few of the other recent photographs of this subject, I chose to move very close to the base of the building and shoot almost straight up, lining things up so that the upper edge of the building is barely within the boundary of the frame. The building is an otherwise not-all-that-unusual one along lower Market Street in San Francisco. (I’m terrible about identifying the buildings – I really need to start taking some notes or at least photographing addresses!)

There are three things that caught my attention about this building and this composition. First, the glass wall at the right, which is perpendicular to the main facade of the building, produces a reflection that creates a false impression that the building is symmetrical. But what you “see” of the “right side” of the building is actually the left side in reflection – the actual extent of the building to the right cannot be seen from here. Second, reflected light from windows in another building casts patterns of lighter areas on the vertical, fluted columns that extend straight to the top of the building – and this is also reflected in that perpendicular wall on the right. Finally, while the surface of the building is essentially the reflected image of the sky, the differing reflectivity of alternative vertical rows of windows creates a subtle banding in the lightness of the sky reflection.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.