Tag Archives: bend

The Last Leaves

The Last Leaves
The last autumn leaves on trees and bushes above sculpted rocks along a bend in the Escalante River.

The Last Leaves. © Copyright 2012 G Dan Mitchell – all rights reserved.

The last autumn leaves on trees and bushes above sculpted rocks along a bend in the Escalante River.

Fall is my favorite season. I’m not really a summer person — too hot! — but the warm early autumn days are just about perfect. I love winter, too, and part of the appeal of fall is the certainty that winter, the time of “interesting” weather is coming soon, too. And as fall moves on toward winter the first of the Pacific cold weather systems begin to arrive, and snow begins to arrive in the Sierra.

Before that happens, though, we go through the autumn color season. In recent years I have discovered that I can stretch it out for months. For me it begins with a few early changes by the beginning of September in the Sierra which culminate a month later with the spectacular aspen color. Then the color works its way west across the range and down into the westside valleys, before it finally begins to peak in November nearer the coast. There’s still a bit left in December… and sometimes even later. I photographed this scene deep in the canyon of the Escalante River along a rocky bend where the final colors of the season were just about spent.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Creek, Bend in the Canyon

Creek, Bend in the Canyon
A small stream bends and twists its way along the bottom of a deep sandstone canyon

Creek, Bend in the Canyon. Utah. October 24, 2014. © Copyright 2015 G Dan Mitchell – all rights reserved.

A small stream bends and twists its way along the bottom of a deep sandstone canyon

We spent the morning hiking down into this deep sandstone canyon, following its course as it twisted toward its confluence with a larger river below. Leaving behind the high tablelands, we dropped into upper, shallow section of the canon, and continued walking as it twisted and turned and worked its way deeper into the landscape. Finally we came to deeply shaded spot with a rock bench beneath a large overhang, where we stopped and pondered and ate for a while. We split up and each of us did a bit more exploring, but soon it was turn-around time — that point that we determine to be when we need to begin to retrace our steps in order to get back to where we started at a reasonable hour.

Heading back up a route on the return walk always feels different. The trip in is one of discovery, while much of the trip out is one of recognition — passing spots that we remember for a few hours earlier, taking time to pause in places we walked through quickly the first time, making a few detours here and there. While the terrain is the same, the light is not. By the late afternoon the deepest sections of this canyon were largely in shadow, and as we each picked our way back up the creek individually things seems slower and quieter.


G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Canyon Bend and Tree

Canyon Bend and Tree
Canyon Bend and Tree

Canyon Bend and Tree. Grand Staircase-Escalante National Monument. October 24. 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A box elder with autumn foliage grows along the stream at the bend in a red rock canyon

There are many patterns familiar to those who enter these canyons. In many cases, the creeks and rivers meander back and forth, and over time they may have cut paths deep into the sandstone layers that also meander in the same way. Walking along such a small creek, looking up, and realizing that a winding canyon hundreds of feet deep was cut but the little creek gives you a sense of deep time… and also a clear indication that such creeks are not always so gentle. The winding patterns also lead you on as you descend the creeks. Each time you round a bend like this one you get a view further along in the canyon… to the next bend, where the creek turns out of sight again. And you say/think to yourself, “just one more bend and then I’ll turn around.” So you keep going and round that next bend, where you can see a bit further into the canyon… to the next bend. And you say/think to yourself, “just one more bend and then I’ll turn around…”

This creek doesn’t follow the perfect pattern of consecutive meanders that are found in some canyons, but it did in this section where I found a single box elder tree growing at the edge of a rock that butted up against the wetter, sandy section of the water course. And far above, the gigantic walls of this canyon mirrored, as expected, the curves of the bottom of the canyon, and warm light bouncing among the canyon walls filtered down here to gently illuminate the depths of this red canyon.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

River Bank and Cottonwood Trees

River Bank and Cottonwood Trees
River Bank and Cottonwood Trees

River Bank and Cottonwood Trees. Yosemite Valley, California. October 30, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A thicket of small cottonwood trees leans toward the Merced River, Yosemite National Park

When I first encountered this riverside thicket of small trees, I half-regarded them as a nuisance, believe it or not. My attention was focused on cottonwood trees on the opposite bank of the river and a bit downstream, and I was looking for a good vantage point where I could set up my tripod to photograph them. While I was intrigued by these closely-spaced trees and their beautiful autumn foliage, my initial orientation to them was affected by how difficult they made it to find a good spot for my tripod with a clear view of the other trees! (Yes, I did eventually find a small spot down by the edge of the water from which I could make that other photograph.)

After passing them I looked back and saw the way that the trees varied from almost perfectly vertical in the middle of the thicket to banding almost horizontally over the river closer to the bank in an attempt, I suppose, to find unobstructed sunlight. I knew there was a photograph in this scene but it was a bit tricky. Framing it the way I wanted required the use of a longer lens, but that introduced depth of field challenges. Initially I saw it as a color photograph, especially since the leaves on these cottonwoods were at their peak of intense autumn gold. However, working on the photograph later, it seemed to me that the color wasn’t the main story in this scene, and that a black and white rendition might do a better job of highlighting the varied yet related forms of those tree trunks, and still capture the beautiful side-light coming from across the river and down the Valley at this very late afternoon hour.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.