Tag Archives: black and white

Levee Road, Fog, and Tree

Levee Road, Fog, and Tree
Autumn tule fog glows in morning sun, blankets a Central Valley levee road, and obscures an old tree.

Levee Road, Fog, and Tree. © Copyright 2022 G Dan Mitchell.

Autumn tule fog glows in morning sun, blankets a Central Valley levee road, and obscures an old tree.

The subject here is an old Central Valley tree along a levee road on a very foggy autumn morning. You may recall that my previous photograph of a fog-obscured tree from this location was in color — thought just barely, as I wrote about in that post. Color was similarly subtle (as in “nearly absent”) in this scene, too, so I went ahead and interpreted the scene in black and white.

The quiet and moody quality of this scene, of course, comes largely from the tule fog. But that is enhanced by the way it glows in the back light from the sun, seen just above and slightly to the left of the tree. The fog is very thick here, but not very deep, and even though visibility was probably little more than 100 feet, the sunlight was able to penetrate and light up the fog.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Woman in Central Park

Woman in Central Park
A women stands on a brick square in Central Park.

Woman in Central Park. © Copyright 2022 G Dan Mitchell.

A women stands on a brick square in Central Park.

As we walked through a busy section of Central Park on an October morning, I saw this woman walk through this square alone, pause as if taking stock of the surroundings, then eventually move on. Originally, the bright pink color of her outfit caught my attention, along with something about her demeanor, but I sacrificed that color for this monochrome rendering of the scene — since I like the way that a black and white image translates that color to almost white.

This is one of those photographs that asks more questions than it answers. I cannot tell you “what it means,” or even quite explain why it works for me. I think that there is something a bit noble about her, something about her standing apart from the rest of the crown in the park, but also something more than a bit uncomfortable about the image. and her place in it.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Watching the Parade

Watching the Parade
A figure in dark clothes waits behind baricades for the 2022 Manhattan “Columbus Day” parade to pass.

Watching the Parade. © Copyright 2022 G Dan Mitchell.

A figure in dark clothes waits behind baricades for the 2022 Manhattan “Columbus Day” parade to pass.

The light in urban areas is often special in different that what we find in the natural landscape. A feature in common among both types of landscape? The light matters. A feature that is different? The reflective surfaces in urban canyons reflect light in almost any direction to produce striking effects. Here we not only have some direct sunlight that backlights the main subject, but tons of reflected light creating fascinating patterns on the sidewalk and in the street.

A critique of this photograph could be, I suppose, that we cannot see the faces of the subjects. But in this case that is part of what makes it work. The central figure, dressed almost entirely in very dark colors, appears to be quite tall, an effect amplified by perspective and the smaller figures to the left. The person’s body language is fascinating, too, and I think I see a few parallels to that of the central figure in “The Scream” by Edvard Munch.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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The Urban Wilderness

The Urban Wilderness
“The Urban Wilderness” — People climb on a rock outcropping at The Lake, Central Park, New York City.

This photograph comes from a well-known, popular rock outcropping along the shore of The Lake in Manhattan’s Central Park. I made the photograph on an October morning as we killed time before heading to the airport for our flight back to the West Coast. We wandered across the park, down the East Side to the Columbus Day parade, and then back to our hotel. One thing that struck me about this scene was how familiar the appearance of the people climbing the rocks was — I could find a similar scene in the Sierra..

I enjoy the parallels between photography of the urban and natural worlds. There’s no denying that they are rather different, but I think there are similarities,. too, and I’m able to apply my experience photographing the natural world to urban photography. It is possible to see the human presence in the city as almost a kind of wildlife — and photographing people and wild life can be challenging in similar ways. The city also presents a landscape, and the same principles that work in wilderness can work here, too. ( I sometimes think that the particular landscape in this photograph, with those ridiculously tall and slender buildings, may have more I’m common with movie depictions of cities on distant planets!)


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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