Tag Archives: black and white

Sur Point, Cliff, Autumn

Sur Point, Cliff, Autumn
“Sur Point, Cliff, Autumn” — Looking south into brilliant autumn light over Big Sur cliffs and Sur Point.

This photograph was made from the same location as the one I shared yesterday and, obviously, it includes the same primary subject. That is Sur Point, just north of the town of Big Sur and the location of the historic Sur Point Lighthouse. I was in that area recently, spending a welcome day in the presence of big vistas, big surf, and the autumn coastal light.

The other photograph focused more on the sky above the Pacific Ocean, placing the Point and a bit of surf close to the bottom of the frame in order include more of that gigantic sky. As an alternative interpretation I also aimed the camera lower to produce a composition that included the dark foreground cliffs just below my position. The curve of the dark foreground seemed to lead toward the peninsula holding Point Sur and to contrast with the brilliant light in the misty, back-lit atmosphere above the water.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Sur Point, Autumn Sky

Sur Point, Autumn Sky
Precursor clouds from an incoming weather front in the sky above Sur Point.

Sur Point, Autumn Sky. © Copyright 2020 G Dan Mitchell – all rights reserved.

Precursor clouds from an incoming weather front in the sky above Sur Point.

The mound at the lower right in this photograph is Sur Point, the site of an old lighthouse facility along the Big Sur coast of California. The historic facility has been there for a long time. From what I understand it was originally so isolated that the families that manned the facility had to grow their own food, and they were resupplied only occasionally and by ship. The point sits on a low peninsula, connected to the mainland only by a low, sandy spit of land.

This photograph embodies several things that attract me to portions of this rugged (though today quite accessible) coastline. It sits at the western edge of a continent populated by a people whose history included (largely but not exclusively) arrival here at the far end of journeys from the east. (Today it just be acknowledged that an increasing number arrived by other paths and that before those of us with shorter histories here arrived others had been here for millennia.) Here, as we look over the eastern edge of the world’s largest ocean, there is a sense of vast, monumental space — something that I like and have not been able to experience as much as I would like during the pandemic.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Two Shores, Autumn Light

Two Shores, Autumn Light
Autumn light and atmosphere above water and California mountains.

Two Shores, Autumn Light. © Copyright 2020 G Dan Mitchell – all rights reserved.

Autumn light and atmosphere above water and California mountains.

Have I mentioned that I like atmospheric haze? Light coming from straight in front of the camera position? Reflections? The large landscape? Strong contrasts between light and dark? Well, I do.

I made this photograph while driving back from an early morning visit to California’s Central Valley. I’ve probably passed this location hundreds of times, and while I always look I rarely stop. I have mixed feelings about the place. On one hand it provides some monumental vistas and at times — such as spring, when the hills are emerald green — the scene is beautiful. On the other hand, it is a reservoir, formed by damming a lovely and, some would have argued, historic valley. (I have a long history with this place. I recall traveling across the now-submerged valley with my father in the pre-reservoir days when we took trips to Yosemite.) This time the light and atmosphere caught my attention, and I had to find a way to reverse course and get back to this overlook to make a few exposures.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Fisherman’s Shed

Fisherman's Shed
A shed used by fisherman at the historic China Camp, San Pablo Bay.

Fisherman’s Shed. © Copyright 2013 G Dan Mitchell – all rights reserved.

A shed used by fisherman at the historic China Camp, San Pablo Bay.

The subject is a small building on a pier at the historic settlement of China Camp, on the San Pablo Bay lobe of San Francisco Bay. Beginning in the 1800s this area was the home to many immigrants from China and the location of a thriving shrimp fishing and drying operation. Today it is an unusually quiet location along the edge of the very busy San Francisco Bay Area.

This is not a new photograph. In fact, an earlier version of it sits somewhere in my archive with a different title. Over the past few months I have been revisiting my extensive raw file archives, mostly to find images that I originally overlooked, but in a few cases to rethink my original reinterpretation of previously shared photographs. One of the changes here came from a conversation with my friend David Hoffman, who suggested a better way to crop the photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.