Tag Archives: black and white

Photographs: Central California, Photographs: Ocean & Coast

Rocky Coastline, Surf and Mist

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Rocky Coastline, Surf and Mist
Big winter surf raises spray and mist along the Big Sur coastline at the Rocky Point Bridge.

Rocky Coastline, Surf and Mist. © Copyright 2013 G Dan Mitchell – all rights reserved.

Big winter surf raises spray and mist along the Big Sur coastline at the Rocky Point Bridge.

As many times as I have photographed this subject, you might think that I would eventually have had enough of it and just pass it by. But when I visit the Big Sur coast it is almost inevitable that I’ll stop here at least briefly, and as a result I have photographed this scene in lots of different conditions — stormy surf, brilliant sun, fog, and more. Once I even angled the camera down just a bit to include the but of pasture that I usually keep outside the frame… and some cattle made an appearance in my photograph.

If you look closely through the mist raised by the gigantic winter surf you can make out the Rocky Point Bridge in the distance, one of the famous bridges on this old highway. It is not the most famous structure on this route — that reputation belongs to a different bridge a bit further to the south. On this morning there was big winter surf, and sometimes waves arrived that were big enough to almost overwhelm the foreground rocks.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: San Francisco

Pier, China Camp

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Pier, China Camp
An old pier at the historic China Camp State Park, San Pablo Bay.

Pier, China Camp. © Copyright 2012 G Dan Mitchell – all rights reserved.

DeAn old pier at the historic China Camp State Park, San Pablo Bay.scription

China Camp, along the shores of the San Pablo Bay lobe of San Francisco Bay has a remarkable history, one that I was unaware of until perhaps a decade ago despite living the Bay Area almost my entire life. The name recognizes that the location was a settlement of Chinese immigrants in the 1880s, and there was a substantial village here that developed a shrimp fishing industry. Although that began to fall apart early in the 20th Century, the last resident was still there late in the 1900s before the area became a park, saving it from industrial or suburban development.

Today it is a remarkably quiet place in the midst of a very busy Bay Area. Buildings and other elements of the earlier village still exist and have been restored, and it is interesting to ponder the lives of the people who lived there. This photograph features an old pier that extends out into the bay from the area of the remaining buildings.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Central California, Photographs: Nature

Clearing the Channel

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Clearing the Channel
Equipment poised to clear a channel in agricultural land, Central Valley.

Clearing the Channel. © Copyright 2013 G Dan Mitchell – all rights reserved.

Equipment poised to clear a channel in agricultural land, Central Valley.

As I queue up this photograph for posting in the next week or two at the website, it seems oddly appropriate that I’m sharing a winter photograph on the final day before autumn begins. My photographic interests evolve seasonally, and I’m usually thinking a season or two into the future. These Central Valley landscape, along with the migratory birds that visit them each year, become my focus in the late autumn and winter.

Aside from the current — and deeply concerning — climate changes, there are variations from year to year. In the Central Valley they might be seen in the onset of the first rain, the overall humidity of a season, and whether or not there is enough rain to leave flood pools in the lowlands. There were back in this year, and I made this photograph on a very foggy morning, when I came across a piece of equipment staged to clear out one of the flooding channels in an agricultural region of the valley.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Birds, Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Geese in Fog

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Geese in Fog
Geese feed in a California Central Valley pasture on a foggy morning.

Geese in Fog. © Copyright 2012 G Dan Mitchell – all rights reserved.

Geese feed in a California Central Valley pasture on a foggy morning.

As I work my way through the raw file archives from past years — a wonderful exercise in this pandemic-limited times — I don’t just think about the images as photographs. I also recall the experiences of making them — the feelings of the locations, the people who were with me, the surrounding non-photographic activities. During the past few days I’ve been thinking about the overall experience of a full day of photographing a subject such as these migratory birds, and as I do so I’ve considered how different it is from what many folks might imagine.

When people think of bird photography I believe that they relate to the “hunt” aspect of it — searching for a subject and focusing in on some amazing specimen or specimens. Sounds pretty exciting, right? But the truth about this sort of photography (and, to be honest, lots of photography) is that it tends to involve a lot more “not photographing” than actual photographing. A typical day of photographing a subject like this one involves quite a bit of just being there with my eyes open, hoping I’m in the right place at the right time. It tends to be a slow and quiet activity, punctuated by occasional bouts of intense activity. I’ve been in the field with folks who weren’t used to this, and I can often sense their anxiety of slowing down enough as they wait for something to happen. Over time I have learned to love these slow, quiet periods — like the very quiet scene in this photography. I often think nostalgically about them more than about the brief, intense moments.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.