Tag Archives: blue

Blue Frames

Blue Frames
“Blue Frames” — An old stone building with blue frames around doors and windows, Stirling, Scotland.

The main focus of our visit to Scotland earlier this year was waking the Great Glen Way from Fort William to Inverness, but that hike only took up about a third of our visit. Before the walk we spent several nights adjusting to jet lag, including stays in Glasgow, Oban, and Fort William. After the walk we had a night in Inverness, and multiple nights in Stirling, Glasgow, and Edinburgh… before a bit more than a week in England. Stirling, where I made this photograph, was our first serious non-hiking destination after the walk.

Like so many old towns — and Stirling is very old — the construction materials often reflect what was available locally. Here many of the old buildings are stone — they have been updated for modern tenants, but their appearance is far from contemporary. I love interesting geometry and color, and this juxtaposition of old stone walls with the blue-painted frames around the doors and windows caught my attention. Looking more closely, you may also see the remnants of older openings that have been closed off.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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River Thames, London

River Thames, London
“River Thames, London” — Barges pass on the River Thames near Blackfriars Bridge, London.

The photograph shows a fairly familiar view of the Thames and central London. There is a little story behind it though. We travel a fair amount — not extreme, perhaps, but we do get around. But when I get to a new city I often “set” my mental compass incorrectly, and it is very hard to break this “setting.” (After decades of visiting Yosemite’s Tuolumne Meadows, I’m STILL ninety degrees off!) The first time we visited London I more or less reversed north and south, believe it or not — and consequently I still have to perform mental gymnastics to account for this. And, yes, this is all leading to how I came to make this photograph.

On our first day in London this June we decided that we would walk from our lodgings to Borough Market, which was roughly a half mile away. Without really paying attention to maps we headed out and started walking confidently… and apparently in the wrong direction. (Patty will tell you that she knew, but she went along.) Anyway, some time later we were surprised to come upon “The Eye,” which anyone who has been to London knows is no where near Borough Market. Actually, it is in the opposite direction from where we stayed near Blackfriars Bridge. We reset and walked back along the River Thames toward where we had started… and I made this photograph along the way.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Wetlands, Winter Clouds and Fog

Wetlands, Winter Clouds and Fog
“Wetlands, Winter Clouds and Fog” — Winter clouds and fog mute the colors and details of a wetland landscape.

Who can resist the symmetry of clouds and their reflections in still water? I know I cannot. I have photographed such things many times, but more typically the photographs feature some kind of overpowering sky — thunderstorms or a brilliantly colorful sunrise or sunset. (In fact, I’ve made a few of the latter at this very location.) But here I wanted to focus on something different, a subject that suggests the quiet and stillness of this wetlands landscape.

It was a foggy winter morning. As the fog began to thin the high clouds and their reflections became visible, although the horizon just beyond the rushes was still obscured by tule fog. Aside from the sounds of birds, it was quiet. The air was nearly still, and the scene was almost static — though to be accurate, it was simply changing very slowly.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Shoreline Trees, Loch Lochy

Shoreline Trees, Loch Lochy
“Shoreline Trees, Loch Lochy” Tall shoreline trees at Loch Lochy, Scotland.

To this Californian, familiar with rugged Sierra Nevada landscapes and the dry and golden terrain of Western summer, Scotland was a surprising contrast. With the exception of the high, open terrain, much of the country we visited was lush and green and downright bucolic. The closest American analog that comes to mind for me is some of the coastal sections of Washington state or even some areas of southern Alaska.

The Great Glen Way follows a historic system connecting long lakes (or “lochs’) with sections of the Caledonian Canal. This provides a water route between Inverness and Fort William. In this photograph we see Loch Lochy, the first of the three lochs along our northward walk. (The other two are the much smaller Loch Oich and the gigantic Loch Ness.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.