Tag Archives: blue

Fog and Blue Sky, Drakes Bay

Fog and Blue Sky, Drakes Bay - Fog intrudes on blue sky over Drakes Bay, Point Reyes National Seashore
Fog intrudes on blue sky over Drakes Bay, Point Reyes National Seashore

Fog and Blue Sky, Drakes Bay. Point Reyes National Seashore, California. August 18, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Fog intrudes on blue sky over Drakes Bay, Point Reyes National Seashore.

One more “minimal seascape” from my mid-August visit to Point Reyes National Seashore – a short visit of mostly an afternoon, on which I headed to Limantour looking for sun along the coast. That’s not quite what I found – but you can never be sure what the weather will do along this section of the Pacific coastline. Descending on the final bit of road to the beach, it was apparent that I was going to be dealing with fog. This photograph is looking more or less southwest, but straight to the west and to the northwest things were already completely socked in. After making this photograph I finished the drive to Limantour and then took a walk out toward some of the nearby estuaries – and that entire walk was under fog and in cold wind.

I have been doing a series of minimal seascape photographs for some time now, making a few more images of this type whenever I happen to be near the coast and conditions are right. These photographs are a bit trickier than they might appear. It almost looks like I could just point that camera out toward the ocean and make them – and, in fact, when I started this it almost seemed like it might be that easy. Before long I figured out that if I worked that way I would end up with… photos that looked like I just pointed the camera out toward the ocean. So I look for scenes, usually involving some sort of clouds, fog, or mist and often some interesting lighting that seem to create, for the most part, nice stable images that may have a bit more going on in them if you have time to look closely, and which also usually might evoke some sense of the calm and stability of the sea. Here I was mostly interested in the clouds, but I decided to anchor the sky to just a thin strip of water, darker blue but also partly obscured by the lower edge of the fog bank. I aimed toward a boundary area between the blue sky and the thicker fog, and captured an area of transition where both sky and fog are in play. Believe it or not, there was a fair amount of work to be done in post, including getting the right amounts of contrast and pushing the brightest parts of the clouds just far enough to create a feeling of light, but not so far as to look fake.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Drakes Bay, Fog

Drakes Bay, Fog - Fog bank suspended above the surface of Drakes Bay, Point Reyes National Seashore
Fog bank suspended above the surface of Drakes Bay, Point Reyes National Seashore

Drakes Bay, Fog. Point Reyes National Seashore, California. August 18, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Fog bank suspended above the surface of Drakes Bay, Point Reyes National Seashore.

What could possibly go together more naturally than fog and Point Reyes? Living in the San Francisco Bay Area, Point Reyes National Seashore is one of those treasures that is close enough that I can manage to visit frequently and throughout the year. However, I’m still trying to “get my mind around” the place as a photographic subject. Some aspects of it are relatively easy to see in photographic terms – these include some of the wildlife (such as elephant seals and tule elk), the tall and rocky coastal bluffs and the beaches often found below them, and certain beaches. Others are not, at least for me, so obvious. I find that some very beautiful things, such as the dense forests of short trees, hills covered with dry grasses and scattered bushes, and fog shrouded valleys, are not always easy subjects from which to make effective photographs.

This scene (if “scene” is the word for it) could be almost anywhere in along the hundreds of miles of the California Pacific coast, and it belongs to my “minimalist seascape” thread, something I’ve been attracted to for a while now. On this afternoon I had decided to go to Limantour Beach, hoping for sun and enough clarity in the air that I could make some photographs across Drakes Bay that I’ve been thinking about. Earlier in the day, things looked promising for that, but when I arrived the fog bank was hovering just along the shoreline and making its way inland nearby. Looking a bit more to the south, the sky was clear – and in between these areas there was a wonderful play of light between the areas covered by fog and the occasional gaps where more light still shone through.

I have been there a couple of times this month and on both occasions I had… fog!

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Person in Blue Shirt, Pigeon

Person in Blue Shirt, Pigeon - A person in a blue shirt and a pigeon share a Stockton Street sidewalk in San Francisco.
A person in a blue shirt and a pigeon share a Stockton Street sidewalk in San Francisco.

Person in Blue Shirt, Pigeon. San Francisco, California. August 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A person in a blue shirt and a pigeon share a Stockton Street sidewalk in San Francisco.

Continuing my fascination with the walls of San Francisco buildings… this one is on Stockton Street just above China Town, and near the base of stairs descending from an overhead portion of the street under which Stockton continues through a tunnel. After I made this photograph I realized that I had also photographed it last year, from almost the same position and also with figures in front of it. But I decided that I like the subtle pigeon (perhaps hard to see in this small presentation) in front of the doorway, the guy in the blue shirt and shorts sauntering into the frame, and the fairly harsh front-lighting and shadows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Three Towers, Morning

Three Towers, Morning
“Three Towers, Morning” — Three tufa towers in morning light, Mono Lake, California.

In mid-July I was in the Tuolumne/Tioga Pass area of the Sierra for a few days of photograph. In the end, I decided to stay over one extra night so that I could drive down to photograph around Mono Lake early in the morning before heading home. I was up before dawn, quickly in my car, and down to the shoreline of Mono Lake before sunrise. My first objective was to try to photograph sand tufa formations – not the more famous tufa towers. I found what I was looking for, and spend the sunrise period photographing them in first light. However, this opportunity quickly ended, so I turned my attention to the lake itself, along with its surroundings of low hills.

While the tufa towers are the iconic visual symbols of Mono Lake, I have some other and perhaps strong associations with the place. Most of them are connected to a time of day, early morning, when I most often visit. They involve near silence, broken only by the sounds of the many gulls and other birds that are found in and around the lake. In my memories, the air is still, and it is warm, the warm of early an early desert morning that holds the smell of sage and dust. And while the moment of sunrise is what I often go there to find, in the end it is the light that comes a bit later that sticks most in my mind. This light is bright – almost too bright to look into if the lake is hazy – and it is blue with distance. This is the light that I saw on this morning, with a bit of very light breeze forming slight patterns on the surface of the lake near three isolated tufa towers.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.