Tag Archives: brown

Loading Dock Doors, Townsend Street

Loading Dock Doors, Townsend Street
Loading Dock Doors, Townsend Street

Loading Dock Doors, Townsend Street. San Francisco, California. July 8, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Early morning light on the wall of an industrial building with black loading dock doors along Townsend Street, San Francisco.

This photograph was made very near to where I made another I posted recently, one of a pair of freeway overpasses near the San Francisco Caltrain station. After making that photo, I headed back on Townsend toward the station and as I walked along a row of industrial buildings these loading dock doors and the bright light from the morning sun caught my attention. So, in a suitable old-school approach, I pulled out the camera with the 50mm prime and found a way to frame the scene.

If you are into this sort of thing, you might relate to a few small details in the scene that I like. One is the faint shadow of the two overhead electric lines that cuts a diagonal from upper right to lower left, which also happens to be along the same dimension over which the sunlit diminishes. Aside from the predominant shades of tan on the wall and shades of gray elsewhere, there are a couple of bits of yellow-orange on the curb and the sign near the far right.

If you can read the signs – hard to do at this small size – you will understand that it would be a very bad idea to park here. :-)

G Dan Mitchell Photography
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Pelican Flock, Waddell Creek Beach

Pelican Flock, Waddell Creek Beach
Pelican Flock, Waddell Creek Beach

Pelican Flock, Waddell Creek Beach. Waddell Beach, California. May 30 2011. © Copyright G Dan Mitchell – all rights reserved.

A flock of pelicans turns toward Waddell Creek Beach along the Pacific coast of California.

This group was photographed a few seconds before I photographed the single overhead pelican that I posted a couple of days ago. Here the flock had turned back towards the land in preparation for rising to the edge of a much higher bluff just to the north.

Since I so recently described the circumstances of this shoot, I’ll keep this text short!

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Redwood Trunk, Detail

Redwood Trunk, Detail
Redwood Trunk, Detail

Redwood Trunk, Detail. Muir Woods National Monument, California. April 29, 2011. © Copyright G Dan Mitchell – all rights reserved.

Detail view of the convoluted textures of the bark of a coast redwood tree, Muir Woods National Monument.

I’m fascinated by the patterns of tree trunks and bark, and I often try to find ways to make photographs of the thick and rugged bark of coastal redwoods – but not always with a lot of success! The subject is trickier than it seems at first. Even during the daytime these forests can be quite dark – and occasional beams of direct light pose their own problems along the lines of harsh shadows. When shooting close up, relatively small apertures are needed since some amount of DOF is required to get the closest parts of the thick bar, and the deeper parts along the frame edges decently in focus. Low light and small apertures means long exposures, and even a bit of air movement will move leaves, bits of grass, or (in the case of this photo) spider webs. And when a bit of interesting filtered light does make it down through the forest canopy, it is often there and gone within a few seconds. (On this same day I came across a beautiful shadow on the side of one redwood that included the shapes of some nearby alder trees. It was wonderful! It was also gone 10-15 seconds later when I got my camera into position!)

I photographed this bit of bark shape and texture along the main trail at Muir Woods on this late-April morning. As is my usual plan, I had arrived very early – before the park actually opens – and was able to wander around without the typical crowds that appear once the post-breakfast tour buses arrive from nearby San Francisco. In this spot it was quite dark, but there was just a bit of filtered and reflected light to bring out the textures and colors of the redwood bark.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Power Plant Wall, Night

Power Plant Wall, Night
Power Plant Wall, Night

Power Plant Wall, Night. Mare Island Naval Ship Yard, Vallejo, California. April 16, 2011. © Copyright G Dan Mitchell – all rights reserved.

Night photograph of the exterior wall of the power plant at Mare Island Naval Ship Yard.

I have wandered past this building on many previous night photography sessions at Mare Island and have photographed quite a bit nearby, but this is the first time I have photographed it, at least from this perspective. (The iconic power plant smokestack above this building has been a subject of mine in the past.) The first thing that caught my interest about this building is that wonderful bundle of pipes that emerges near the upper left area and then heads off to who-knows-where in both directions. As I looked at the side of the building and imagined what it would look like in a long exposure under this artificial light, the rectangular shapes of the painted sections of the concrete wall seemed like they might also be interesting. And only after I made the photograph and looked at it in post did I realize that there was enough light in the scene – and perhaps inside the building – to faintly light some parts of the interior seen through the windows. The many shadows coming from different directions are produced by multiple overlapping light sources nearby.

To give you an idea of how dark it was on the scene, there was not enough light to focus. Usually I can get just enough by using the live view feature on my camera and finding an edge or a reflection somewhere that provides a line that has enough light, but not here. I finally ended up using one of the standard night photography tricks: I took a very small pocket LED light, walked over and set it against the wall, walked back to my camera to focus on this point of light, returned to the wall to retrieve the light, walked back to the camera and made my exposure.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.