Tag Archives: building

Gated Pier

Gated Pier
Gated Pier

Gated Pier. San Francisco, California. June 13, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A metal gate blocks the entrance to a pier along San Francisco Bay

This is another in the recent series of photographs made along the San Francisco waterfront, walking along various less-visited areas and occasionally poking my head into places that are more industrial than tourism oriented. I’d have to review more closely to remember for certain, but I believe this one was in the China Basin waterfront area.

As I walked slowly along this section of the waterfront I paused frequently to photograph buildings and other features of the area. This is an area in transition, and taken as a whole this part of the waterfront ranges from old and dilapidated, through working piers, and right on up to remodeled and updated areas reoriented towards business or tourism. By comparison to some of the older working piers, this one seems awfully neat and clean, with the exception of some fabric pushed up against the wall at the far left. The stark lines and stark morning light, open to the vast sky above the bay caught my attention.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Building 237, Evening

Building 237, Evening
Building 237, Evening

Building 237, Evening. Mare Island Naval Ship Yard, Vallejo, California. April 5, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Evening light on Building 237 at the Mare Island Naval Ship Yard, Vallejo, California

This is one of a pair of buildings that has featured in several of my night photographs at the Mare Island Naval Ship Yard, where I’ve been photographing after dark for about a decade now. The location is the site of the former and now historic naval ship yard that was the first on the west coast of the United States, being established way back in the 1800s. It was decommissioned in the 1990s, and since that time the facility changed in many ways. Parts of the island are now open space, others have been turned into urban developments, businesses and others are using some of the old buildings and spaces—yet parts of the facility have been retained as a sort of informal historic site.

The buildings in the cluster of which this one is a part are very close to the “historic core” of the ship yard. Although many of the buildings give the appearance of being abandoned, some are in use and all are kept in a sort of state of suspended animation. Almost all of my photography here has been at night, when a diversity of light sources transform it in magical ways. During the day, much of it can seem quite mundane. Buildings that are wildly colorful when lit by brilliantly colorful sodium vapor lights and other colorful light sources often turn out to be quite drab in the day time. On this visit I managed to arrive before sunset, and I headed out to see if the golden hour light might offer some opportunities for a different sort of visual transformation of these buildings, and this one was photographed during the final few minute of daylight.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Rusting Building, Leadfield

Rusting Building, Leadfield
Rusting Building, Leadfield

Rusting Building, Leadfield. Death Valley National Park, California. April 1, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A rusting corrugated building, one of the few remaining structures at the ghost town of Leadfield, California

This is one of the few standing structures remaining from the boom town of Leadfield, in the backcountry of Death Valley National Park, in the Grapevine Mountains more or less midway between the Beatty, Nevada area and the main Death Valley. The standard story is that this town was the result of one of the biggest swindles and scams in the mining history of the area, and the story is often told of the main promoter salting the mine with ore brought in from other locations and producing brochures featuring boats on the Amargosa River… which is typically completely dry. In the process of preparing this photograph to share I did a bit of reading, and it seems like the story might not be quite so simple nor so dramatic. Apparently there was a history of prospecting and mining in this area before the town was created in the mid-1920s, and lead and perhaps silver were actually mined from the place. A range of problems led to its downfall—the distance the ore needed to be transported, problems with the sale of shares in the mines—but it may not be true that the mine itself was essentially just a scam.

This building is well-known to those who have visited the place, as it is one of two buildings that still stand. Both are located near the entrance to one of the mine shafts, and it seems likely that this was not a residence but rather some building related to mine operations. Today it is a mere shell, but I find it amazing that it still stands nearly 90 years after the “town” (which apparently consisted largely of tents) was abandoned. Even more amazing is to stand at this spot and look out at the surrounding landscape—a rugged and uncompromising mountainous desert terrain—and imagine what it must have been like to live and work in such a place.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Industrial Building, Mixed Lighting

Industrial Building, Mixed Lighting
Industrial Building, Mixed Lighting

Industrial Building, Mixed Lighting. Mare Island Naval Ship Yard, Vallejo, California. April 5, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Numerous sources of artificial light illuminate an industrial building from outside and inside

I like night photography for a number of reasons. I enjoy the very slow work, finding subjects and compositions in near darkness and then waiting patiently for long exposures to complete. “Normal” photography can be a slow and meditative process, but night photography must be. Given so much time to stand and wait, I cannot help but notice the stillness and quiet of the night, and to feel the cool and damp air. In fact, as a person who does night photography, these things are almost as much part of the experience as the visual elements.

In the visual context, there are a few things about the appeal of night photography that might not occur to a person who has not done it. When photographing in very low light, what we photograph is often very different from what we actually see. Often the subject is quite dark, even when lit by the moon or nearby lights, but the camera doesn’t care—a long enough exposure can collect more light that our eyes can, and a dim and drab subject can become bright. Also, the illusion that the camera stops time is not quite so strong when photographing at night. Over the course of a many minutes long exposure stars move, lights of cars appear and pass, clouds blur into soft streaks, and the edges of shadows from moonlight blur. In industrial areas such as this one, the lighting is a mixture of things glowing from within and lit from without, and the diversity of lighting—tungsten, fluorescent, sodium vapor, LED, mercury vapor, moonlight—paints the nightscape with wild colors. This building is an excellent example. The upper windows emanate a glow from yellow interior light. Relatively colorless light hits the upper walls, but the light takes on an odd blue/pink tone on the lower building, and the shadows head toward blue.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.