Tag Archives: california

Green Building, Windows

Green Building, Windows
Green Building, Windows

Green Building, Windows. San Diego, California. April 1, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A downtown San Diego building with windows and green walls

Right around April Fools Day we spent several days in San Diego. Oddly for a long-time Californian and a person who has visited that city before, I really don’t know San Diego that well. (Past visits have mostly been for various conferences and meetings, and I’ve tended to fly in, head straight to a hotel, do my business, head back to the airport, and leave.) On this visit – yes, for the first time – I spent some time photographing at Balboa Park, where there are a number of interesting subjects ranging from architecture to people. Lot’s of people!

We also walked around the downtown area of San Diego quite a bit, as that is where we stayed. Downtown San Diego has a character, as most cities do, but I can’t quite put my finger on what it is. Architecturally, much of the area near where we were seems to be that type that is alternately attractive on account of its wide streets and very modern buildings but also a bit sterile for much the same reason. The overall place, not surprisingly, seems to mix up some of the Mexican influence, a wannabe tropical quality that occasionally reminds me just a tiny bit of Miami, and a somewhat toned-down version of the over-the-top LA Basin atmosphere. We were out walking in the morning on a weekday when I looked up as we passed the back of this building, with its interesting color combination and various window patterns.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Woman in Black, Sidewalk, Petals

Woman in Black, Sidewalk, Petals
Woman in Black, Sidewalk, Petals

Woman in Black, Sidewalk, Petals. San Diego, California. March 31, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The legs of a woman wearing black, cracked sidewalk, bright flower petals.

This is a photograph that I might not have gotten if I had been working in my more typical manner – e.g. shooting with a full frame DSLR and an assortment of lenses. Instead, I was shooting with a small rangefinder-style mirrorless camera and only a 14mm prime. (Roughly equivalent about a 24mm prime on a full frame camera.) Shooting this way encourages working quickly – with a single focal length there is much less to think about, and shooting happens more quickly and, in some ways, more instinctively.

For what its worth, the photograph was made while walking in San Diego’s Balboa Park, near a spot where these brilliantly colorful flower petals were falling from a nearby tree. I suddenly got the idea to shoot the lens and feet of the people walking in front of me, and it was serendipitous that this happened as we were walking through the flower petals.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Geese and Evening Sky

Geese and Evening Sky
Geese and Evening Sky

Geese and Evening Sky. San Joaquin Valley, California. January 1, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A motion blurred photograph of Ross’s geese against the evening sky above California’s San Joaquin Valley

Bird photographers might appreciate the thought I had that it might be appropriate to refer to these “BIF” photographs “blurred in flight” shots. (Among bird photographers, “BIF” is short for “birds in flight.”) I guess I could say that I’m photographing “blinds,” or “blurreds,” – or something. In any case, the experimentation with motion-blur abstractions of flying birds continues.

I photographed these Ross’s geese on New Year’s Day 2013, when I met a great group of friends out in the foggy Central Valley to “chase wild geese” and other migratory birds. I made plenty of the usual sharp photographs of birds, but I’ve felt for some time that those do not always succeed in creating some analog of the ephemeral and transitory character of these critters. Plus, I just sort of like the abstraction of they blurred shapes! Some might say that making blurry photographs is a sign of less the competent photography, but I have to say that this isn’t quite as easy as it might seem. There are a lot of things to consider as I make these images. There is a sort of exposure time sweet spot that blurs the birds sufficiently but which still holds enough of their shape to clearly show their nature. I want abstract shapes, but not so abstract that they no longer clearly suggest birds in flight. Secondly there is the matter of background. Ideally, I think I like to locate the flying birds against fairly plain sky with interesting color. This means tracking the birds as they take flight, close to the ground and with “stuff” behind them, waiting for the moment when they break clear of ground and brush and trees and appear against the right sort of sky, but only for a moment before they move too far away. Finally, as I shoot I watch the constantly evolving relationships of position and shape among the birds of the moving flock, and try to capture moments when they briefly align in interesting ways. This group had stretched into a sort of horizontal cloud of birds when I triggered the shutter.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Surf, Weston Beach

Surf, Weston Beach
Surf, Weston Beach

Surf, Weston Beach. Point Lobos State Reserve, California. January 13, 2012. © Copyright 2013 G Dan Mitchell – all rights reserved.

Long exposure photograph of surf and boulders, Weston Beach, Point Lobos State Reserve

This part of a small series of photographs I made at Weston Beach, Point Lobos on a mid-January day. The location is very familiar to me, to the point that I recognize many specific rocks and formations here. I have photographed quite a few times, but I continue to find new things to see here. Part of that is from visiting in different seasons and conditions of weather and light, part from looking more closely, and part from thinking of different ways to photograph the familiar subject. More than once I’ve had a feeling that I was “done” with the location, only to go back and find a new way of seeing it to investigate.

I was playing with several ideas when I made this series of photographs. Obviously, I was working with long exposures that allowed the motion of the waves to blur in various ways, smoothing out the surface of the otherwise-rough water and turning shoreline waves into transparent mist. I was also working with a different sort of light than that which I would usually seek out here. More often I look for soft light, produced by some overcast, an early/late hour, or even fog. But it was very clear on this mid-morning visit and the light falling on the rocks was somewhat stark and harsh, especially when I shot almost into the sunlight. It seemed to me that the edginess of the brightly lit rock might be a counterpoint to the softness of the long-exposure blurring of the water. Obviously, I also went with black and white here. Also, a bit unusual for me, I worked with an ultra-wide angle focal length, getting quite close to the foreground but letting the distant subjects be small and accentuating that by placing the horizon very close to the top of the frame.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.