Tag Archives: canyon

High Country Desert Canyon

High Country Desert Canyon
High Country Desert Canyon

High Country Desert Canyon. Death Valley National Park, California. April 6, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A back-country gravel road twists through the upper reaches of a colorful mountain canyon, Death Valley National Park

The gravel back-country road might be hard to spot in this photograph, but if you look closely near the lower right you may see it twisting around a bend before crossing the canyon behind the rocky prominence at the bottom of the frame. The road begins in desert sagebrush country, then rises to cross the Amargosa Range before descending, sometimes precipitously, down toward the main Death Valley.

Some things about photographing this subject are easy and obvious, but others are a bit challenging and require some attention and then some resistance to trying to turn the scene into something it isn’t. What is easy about this subject? I am endlessly fascinated by winding canyons with overlapping ridges that descend toward the bottom of the canyon, creating a back and forth weave of form. Here the canyon winds from right (at the top) to left to right to left to right to left and, finally, back to the left. And the colors and textures are remarkable, ranging from the very dark rocks at the bottom, through the much lighter slopes right above to the rather reddish rock in the far, upper portion of the canyon. What is hard about it? In many ways, it is easy to pass right through such an area and overlook what it offers, since there really is not single, central, and iconic “thing” to focus the attention. Instead, I almost have to remind myself to slow down, to stop, and to just look… and finally the way to photograph such subjects begins to reveal itself. In addition, because the color palette of this land is so subtle, including mostly pastel shades that subtly contrast with one another, it is important, I think, to resist the ever-present temptation to hype it up into something it isn’t.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Canyon Light, Big Sur

Canyon Light, Big Sur
Canyon Light, Big Sur

Canyon Light, Big Sur. Pacific Coast Highway, California. April 14, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A solitary tree stands on a hillside at the base of a rugged canyon filled with morning light and haze

I have driven past this canyon many times, even stopping to hike up into it on more than one occasion. I’m usually there in the morning, when the early sun is just clearing the top of the high ridge beyond the canyon, and backlight streams down into the canyon, sometimes so bright that it is almost impossible to look up into it.

This was one of those mornings. As I got to the Monterey Peninsula I was initially surprised by the amount of haze in the air, since it was supposed to be – and actually was! – a very windy day. This was good news, though, since I love atmosphere that is not crystal clear. A few fog clouds were trying to form over some of the higher hills, but mostly the air was just filled with this semi-opaque, luminous haze that gave form to the light passing through it. As I arrived at this spot I looked to my left out of habit and first thought that it might be too hazy to produce a photograph that showed the faint details that I was interested in. But since I was there and this was a lot more interesting than the view out over the ocean, I stopped and took a look, soon finding a composition that placed the solitary tree silhouette near the bottom of the frame and anchored the scene, the rest of which was very atmospheric and subtle.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Backcountry Road, Desert Mountains

Backcountry Road, Desert Mountains
Backcountry Road, Desert Mountains

Backcountry Road, Desert Mountains. Death Valley National Park, California. March 6, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Titus Canyon road twists through rugged desert landscape of Titanothere Canyon before climbing to its high point at Red Pass

I have driven through this desert back-country quite a few times during my visits to Death Valley National Park. This time was a bit different in two specific ways. First, in the past I have usually combined this route with an early morning shoot at a nearby location, shooting at this other location first, taking a breakfast break, and only then heading out on this drive. Consequently, I’ve always made the drive quite a bit later in the day when the light is much different – usually more hazy and with the sun higher in the sky. This time I started my day on this route, heading out just before dawn. Secondly, I made this a more leisurely passage. Sometimes in the past I have allowed myself to pass by too many portions of this region a bit too quickly, telling myself I had to move on in order to get to other things in time. This time I stopped a lot, and I often lingered at these stops for quite some time, poking around and looking for things to photograph that I might previously missed.

I mentioned in an earlier post that I have sometimes found certain aspects of the desert terrain to be quite difficult to “see” as photographs. I think that the limited color palette has been one issue (often spanning the range from gray to tan!) as has the tendency for things to have a rather uniform appearance – often it is hard to find one central and prominent feature to focus on. In addition, for a photographer who has tended to work in places with water and greenery, the desert possess some different challenges. More than on some previous visits, this time I think I realized more that it is absolutely critical to slow down and adapt to the different pace and rhythms of this world. This time, rather than looking and deciding to move on, I stopped and looked some more. And as I did I began to see that there are more of the patterns and juxtapositions and forms that intrigue me than I had realized.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Slot Canyon Walls

Slot Canyon Walls - The sculpted walls of a narrow and curving slot canyon, Zion National Park
The sculpted walls of a narrow and curving slot canyon, Zion National Park

Slot Canyon Walls. Zion National Park, Utah. October 22, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The sculpted walls of a narrow and curving slot canyon, Zion National Park

On the first non-travel day of my most recent Utah visit, since we were passing through Zion National Park on our way to points beyond, we decided to spend the better part of the day shooting there. For a few reasons, including that it was a bit early for fall color there, we chose to not go to Zion Canyon, but to instead spend the time along the Mount Carmel Highway that cuts through the park from west to east. Our object was to photograph the wide range of interesting subjects found there: sandstone of all shapes, textures, and colors; trees, both evergreen and those with fall foliage, and more.

We ended up spending most of the day along this route. An observer might have wondered a bit about us. We would drive slowly along the road in one direction, frequently slowing down and pulling over, looking around a bit, then either getting back on the road or piling out and heading off in various directions – either up into rocks or down into a wash or canyon. Eventually we worked our way to one end of the road’s passage through the park… and we turned around and headed back. We did this loop several times. Why? First, things that you might miss while driving one direction become easier to see when you head the other way. Second, and perhaps most important, light is not a static thing. It changes in may ways – intensity, color, angle, direction, what it strikes and what it misses – as the day goes on, so while the <i>landscape</i> might have been, arguably, “the same,” the <i>lightscape</i> was in constant flux. I made this photograph in a short section of slot canyon, contriving to find a point of view from which almost nothing but the twisting and overlapping forms of the rocks would be visible, along with just a bit of foliage.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.