Tag Archives: cliff

Detail, Red Cathedral

Detail, Red Cathedral
“Detail, Red Cathedral” — The eroded and fluted face of the Red Cathedral, Zabriski Point, Death Valley National Park.

I have recently posted other photographs made in the area of Zabriskie Point in Death Valley, including one other of this feature sometimes known as the Red Cathedral. It stands to the right of the more famous and recognizable parts of the Zabriskie Point Landscape where, for example, Manley Beacon is one of the most well-known visual icons in the park.

This detail photograph was made using a long lens very shortly after the first morning light had arrived on this feature. In my experience, getting good light on Red Cathedral can be a tricky thing. Parts of it face away from the sun and towards Death Valley and because its face is deeply fluted it can be tricky avoiding blocked shadows. But increasing exposure too much creates problems with saturated colors on the brightest strata that cut through its face. If you shoot it in the morning, light somewhat softened by some high clouds can be helpful, and that is what I had on this morning – the sun light is direct, but it is also filtered a bit by passing through broken clouds to the east.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Hikers, Titus Canyon

Hikers, Titus Canyon
Hikers, Titus Canyon

Hikers, Titus Canyon. Death Valley, National Park. March 28, 2010. © Copyright 2011 G Dan Mitchell – all rights reserved.

Hikers in Titus Canyon, Death Valley National Park.

There are essentially two ways to get to this portion of Titus Canyon in Death Valley National Park – you can either do a very long drive from near Beatty on gravel roads or you can walk a short distance up from the base of the canyon along the eastern side of Death Valley itself. I’ve done both. The road is quite an experience – in any other park it would probably be regarded as a very special thing, especially the last portion above Death Valley where it twists and turns down a slot canyon that is in places barely wide enough to a vehicle yet so tall that it can be hard to see the tops of the canyon walls. (It is not exactly a bad road, but it isn’t trivial either. There are some very exposed sections where it crosses the mountain ridge and descends past Leadville. Although there are reports of people using lesser vehicles, take seriously the recommendations for reasonably high ground clearance and some from of all-wheel drive.)

However, on this visit I simply parked my car at the base of the canyon, shouldered my camera equipment, and walked up the canyon a ways. There is, of course, much that you probably won’t see if you enter the canyon this way, largely because the road is so long that you won’t likely cover much of it on foot. However, I think that you can more clearly sense the scale of the lower slot canyon when traveling of foot. I included two hikers who happened by to give a sense of that scale to the landscape.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Trees and Granite Cliffs

Trees and Granite Cliffs
Trees and Granite Cliffs

Trees and Granite Cliffs. Yosemite National Park, California. September 15, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Trees ascend rocky slopes to the base of steep granite cliffs, Tuolumne River Canyon, Yosemite National Park.

There are still a few more photographs to be found among those I made during my weeklong mid-September backpack into the Yosemite back-country. I spent several days photographing in the Glen Aulin area and this is one more of the photographs from that area. In the evening the sun sets down canyon from Glen Aulin, and we had travelled to a spot where we could see down into the upper reaches of the canyon as the sun set. While I was photographing some closer subjects, I looked up and saw the light from the west back- and side-lighting trees at the upper edge of the forest before it gives way to steep granite cliffs.

One of the great pleasures of this trip was having the opportunity to spend a number of days in each location. We spent three days in this area at the start of the trip and I had the better part of two additional days on the way back to my car. In many cases, I might initially wonder how I could possibly spend that many days shooting one small area within walking distance of my camp. But many days later I had discovered more and more potential subjects… and I almost felt like I was running out of necessary time!

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Autumn Aspens and Cliff Face

Autumn Aspens and Cliff Face
Autumn Aspens and Cliff Face

Autumn Aspens and Cliff Face. Eastern Sierra Nevada, California. October 8. 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Two aspen trees with a few remaining autumn leaves grow against a cliff near North Lake, California.

I photographed this little scene on my first real morning of aspen photography this season in early October. I arrived quite early at North Lake, driving up the snowed in gravel road right after it had apparently been reopened. It was unplowed but other vehicles had clearly been up there, I have four-wheel drive, and I wanted to see what I would find before too many others arrived later in the day. There were few people there when I arrived, which was a bit unusual since this area is often crawling with photographers, individually and in workshops, at this time of the year. But the fact that the road was still snow-covered and that the storms had affected the aspens seemed to keep people away.

I parked before arriving at the lake, shouldered my gear, and walked up to the lake. I bypassed the popular spot near the outlet stream – been there, done that! – and keep walking along the road that skirts the right side of the lake. Everything was still frozen and it was very cold – and I regretted not bringing my winter boots along! The aspen photography was not quite what I had hoped, but there were other subjects, among them the fresh snow – an unusual sight for early October!

In looking for subjects other than the “regular” views of North Lake – which can be spectacular and well worth photographing, too – I often walk slowly along the lake-side road and keep my eyes open along the rocky cliffs that line it. Because the direct sunlight doesn’t hit this spot until later in the day, it is often possible to find softer morning light and even some light reflected from across the lake. On this morning I found that many of the aspen leaves had fallen or turned brown as a result of the storm, but a few were left and the stark white trunks of the trees against the rocks seemed like an interesting subject.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.