Tag Archives: cliffs

Sea Stacks, Cliff, and Beach

Sea Stacks, Cliff, and Beach
Morning fog above a beach, cliffs, and sea stacks, and coastal hills, Mendocino, California.

Sea Stacks, Cliff, and Beach. © Copyright 2021 G Dan Mitchell – all rights reserved.

Morning fog above a beach, cliffs, and sea stacks, and coastal hills, Mendocino, California.

This photograph is not from this season’s California North Coast adventure — instead it comes from the visit before that during the last June of the pre-pandemic era. Our goal was the farther northern redwood parks, where we hoped to photograph the trees and rhododendrons, but first we stopped further south at Mendocino for a couple of nights.

There are worthy photographic subjects all up and down this remarkable coast, but it isn’t often that I’m so close to them that I can get up in the morning, walk out the door, and five minutes later be standing at the edge of a coastal bluff setting up my tripod. I was out early — of course! — and the area was fairly empty as I framed up this composition that looks toward the river that empties into Mendocino Bay. Morning fog obscured distant features, and the foreground landscape is formed by cliffs, bluffs, and the interaction of shadows, direct light, and the patterns of waves.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Rugged Shoreline, Big Sur Coast

Rugged Shoreline, Big Sur Coast
Morning fog along the rugged Big Sur shoreline.

Rugged Shoreline, Big Sur Coast. © Copyright 2021 G Dan Mitchell – all rights reserved.

Morning fog along the rugged Big Sur shoreline.

Because I live in the Greater San Francisco Bay Area I have the luxury of choosing to go to the coast on a moment’s notice, even if I only have a morning, an afternoon, or an evening for the trip. I can watch the weather conditions and choose to go if they look good (clearing fog!) or stay home if they don’t (boring blue sky!). Because I lean toward more dramatic conditions, I tend to choose times around the passage of a weather system — which can bring impressive surf — or else foggy days that look like they will clear.

Fog can be moody and interesting on its own, but a lot of the most fascinating light comes along the intersection between fog and clear sky as the fog begins to lift. The views begin to open up, but portions of the scene may still be muted or partially obscured. In the areas of lighter fog the light is directional but not overly intense and harsh. And along the mountainous edge of the continent along the Big Sur coast the fog often drapes itself across mountain ridges and moves as I watch it. That was the case here, as I photographed across a particularly rugged section of the shoreline toward a ridge and peninsula.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Morning Fog, Rocks, and Surf

Morning Fog, Rocks, and Surf
The surf rolls in on a quiet, foggy morning along the coast north of Santa Cruz, California near Waddell Creek.

Morning Fog, Rocks, and Surf. © Copyright 2021 G Dan Mitchell – all rights reserved.

The surf rolls in on a quiet, foggy morning along the coast north of Santa Cruz, California near Waddell Creek.

As we begin to come to terms with the near-end of the Covid-19 crisis in my part of the world — the San Francisco Bay Area — it begins to seem more possible to simply get up, make decision about a destination, and head out for the day. (I do understand that I’m particularly fortunate to live in a place where vaccination rates are very high.) Probably the most likely subject on my “Hey, I’ll go photograph today!” list is the Pacific Ocean coastline, which I can reach as quickly as a bit more than a half hour.

Objectively speaking, there was nothing all that special or unusual about this May morning. The fog, typical at this time of year, blanketed the coast and slid inland to the tops of coastal hills. As I drove a section of the Pacific Coast Highway north of Santa Cruz the fog began to break up in spots, though few people were there to see it on this weekday morning. After I turned around and started back I passed by this spot and noticed the pile of rocks extending across the beach in front of the shallow bay filled with waves leading to distant sea stacks and bluffs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Cirque In Shadow

Cirque In Shadow
A high country cirque in shadows, surrounded by a landscape of talus, cliffs and late-season patches of snow.

Cirque In Shadow. © Copyright 2021 G Dan Mitchell – all rights reserved.

A high country cirque in shadows, surrounded by a landscape of talus, cliffs and late-season patches of snow.

Over the past decade-plus I have traveled into the Sierra backcountry almost annually with a group of fellow photographers each summer. We’ve photographed from Yosemite to Sequoia-Kings Canyon and some non-park areas along the eastern edge of the range. Our practice has been to take a day or two to get to a suitable spot where we set up a basecamp and then photograph the heck out of the surrounding area. One plus of this approach, as contrasted with trying to cover more ground by moving daily, is that we get to become more intimately familiar with the rhythms of the place.

I made this photograph a few years ago on one of these trips. We camped in thin forest at a nice high-country lake mostly surrounded by rocky terrain. Over the course of the week we explored the surroundings, gradually uncovering what the area had to offer. This lake is one of several along the course of a small stream coming down from much higher country, and it lies in an east-facing cirque more or less at timberline. The late-season snow field in the talus field attracted me from the first time I saw it, and it was only after several visits that I decided to try photographing it in the deep shade from the surrounding peaks and ridges.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.