Tag Archives: clouds

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Tuolumne River Canyon Below Glen Aulin

November 22, 2011 G Dan Mitchell 1 Comment

The Tuolumne River enters Tuolumne River Canyon below the Glen Aulin High Sierra Camp.

This photograph looks west from a rocky point along the Tuolumne River just below Glen Aulin in the Yosemite National Park back-country. In September I spent a total of four nights in this specific area and photographed in and around the granite bowl that rises from the river near the foreground rocks and spreads to the right of the area shown here. The photograph was made very late in the afternoon – it had been raining when I arrived at Glen Aulin but, as often happens in the Sierra, the clouds dissipated later in the day and the skies were starting to clear before sunset.

While my favorite Sierra landscape is at the elevations where the last small trees give way to alpine tundra meadows and the rocky slopes of the highest peaks, there is also something very compelling about these lower (from my point of view) elevation areas, and especially about this particular spot along the Tuolumne. Looking west from this point along the river I had the distinct feeling that I was standing more or less on a boundary between the higher and more alpine zones (exemplified by the Tuolumne Meadows area) and the beginnings of the lower areas in which I feel like I’m heading towards the Central Valley. Here, all of the really tall peaks are behind me (OK, some are to my right…) and before me the land overall drops towards the Valley, the slightly hazy light and air of which is in the far distance in this photograph.

Making this feeling even stronger for me is the fact that very close to Glen Aulin, the Tuolumne abruptly changes from a generally meandering river that descends very gradually for the most part past large meadows and forests to one that drops precipitously into an increasingly narrow and steep canyon surrounded by granite slabs and domes and peaks that begin to take on an appearance that reminds me of Yosemite Valley.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dust Storm, Death Valley

November 11, 2011 G Dan Mitchell Leave a comment

A building dust storm begins to obscure the sky above Death Valley, California.

In retrospect, there were hints that this tremendous dust storm was coming prior to its actual arrival. Very early in the morning I had been photographing at another location and the light and atmosphere were a bit unusual. The dawn and very early morning light was beautifully warm, but the distant peaks were slightly obscured by a sort of atmospheric haze that is hard to describe but which I now recognize as being associated with incoming dust storms. Soon, large and impressive clouds began to appear high in the deep blue sky, but at about the same time the air closer to the bottom of Death Valley started to look increasingly opaque.

I left my early morning shooting location and began my trip home from Death Valley. After a stop at Furnace Creek – to treat myself to a real breakfast after days of camping – I headed north towards Stovepipe Wells. As I headed north I began to see the obvious clouds of blowing dust accumulating along the Grapevine Mountains, and shortly before the turn to Stovepipe I encountered the boundary between the relatively clear air and the murk of the dust storm that was growing directly ahead and off to my left.

Before entering the cloud – I had not choice since my route went that direction – I pulled over within perhaps a quarter-mile of the edge of the storm. Not wanting to risk dust getting into my camera, I unpacked my gear inside the car and decided to just use the lens that was already fitted to the camera. I stepped outside to find that lines of wind-blown dust were already streaming along the ground and that the atmosphere had taken on the strange and electric feel of these storms. Off to my left, the dust was beginning to kick up among some low, dark hills across a nearby wash, while a gap in the dust clouds momentarily left open a window to the bright sky and high clouds above.

Related: See my posts on Photographing Death Valley

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Badwater Salt Flats, Evening

November 2, 2011 G Dan Mitchell 4 Comments

Black and white photograph of rough patterns in the dried salt desert floor at Badwater Salt Flats, Death Valley National Park.

This is another of the “rediscovered photographs” that I uncovered while reviewing many years of raw files recently. Periodically I go through all of the old archived raw files, partly to cull out a few that I know that I’ll never use, but also because I know that whenever I revisit the old files I discover some photographs that I had forgotten or had never understood at the time I made them. Revisiting the old file archives, I’m sometimes shocked that I passed over certain images.

This one is from the salt flats at Badwater in Death Valley National Park. Technically, this was not shot at precisely “Badwater,” but it is close enough. I was out on the flats in the late afternoon, shooting as the sun dropped behind the Panamint Range. In my view, the best light – with the exception of days when clouds might tower above the Panamints – comes starting right about at the time that the sun passes the line of the ridge as it descends at the end of the day. This takes the incredibly bright and harsh sun off of the playa and provides softer light in the shadow of the range. However, this also presents a problem that almost everyone who has shot here must understand, namely that the illumination by the bright blue sky turns the “white” salt a surprisingly intense blue color. I’ve seen people handle this in a variety of ways: keep the intense, almost gaudy, blue color; do a lot of color correction to get colors that more closely correspond to what we recall seeing; mostly include the sky with its more intense colors; or let the colors go and do a black and white rendition.

Although I’ve “done” this subject in color a number of times, somehow this one seemed to call out for black and white. For one thing, it allowed me to use the interesting shapes of the evening clouds as a dramatic backdrop to the rough and broken shapes of the playa salt polygons. It also allowed me to try an interpretation that focuses on the dramatic potential of the scene.

Photographs: Nature, Photographs: Northern California, Photographs: Owens Valley

Sierra Wave Clouds Above Owens Valley, Dawn

October 19, 2011 G Dan Mitchell 7 Comments

On this morning I was up well before dawn – I checked out of my motel in Bishop, California and was on the road while it was still dark, with a semi-plan of photographing aspen trees around dawn up in the northern portion of the June Lakes Loop. As I headed north out of Bishop and through Round Valley, the very first light arrived and I saw the dim outlines of Sierra wave clouds forming over and just east of the crest. Now, this was an interesting development!

As I continued north and the light increased, the clouds began to interest me more than the possibility of photographing more aspens – I could do that later, but such clouds are unpredictable and transitory. I could see that subtle color was beginning to appear along the edges of the clouds even though it was not yet sunrise, and I decided that I needed to find some landscape feature – almost any would do! – that could serve as a foil to these clouds so that I could photograph them as they began to pick up sunrise color.

A week earlier I had photographed at some small lakes out in Owens Valley, and it occurred to me that if I could get there in time that they might reflect the clouds nicely, though I was a bit concerned about how the lake and the mountains and the clouds would actually align. But not having any better ideas and having very little time, I decided to make the lake my goal and without much further thought took the turnoff, parked my car near the largest lake, grabbed my gear, and headed across the sage brush landscape to the shore of the lake. My initial thought that I might be able to include the Sierra range in the image with the clouds clearly wasn’t going to work due to their relative positions, so I circled a bit further around the shore of the lake and instead composed a scene that excluded all but the tiniest bit of the peaks of the Sierra.

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