Tag Archives: clouds

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Rocky Creek Bridge, Big Sur Coastline

May 18, 2011 G Dan Mitchell 4 Comments

Bluff, cliffs, seastacks, and fog-shrouded coastal hills along the Big Sur coastline of California.

The bridge in the distance beneath the rounded, fog-topped hill is the Rocky Creek Bridge. (It is sometimes mistaken for the famous Bixby Bridge, which is a bit further south along the coast highway.) I’m very familiar with this area, having photographed from here many times. In fact, later on this morning I was up in the hills beyond the hilltop home while investigating a gravel road that heads back up into the mountains here.

I wanted to juxtapose a range of near and far bits of the bluffs above the shoreline cliffs in this scene. While the coastal meadows will turn brown very soon, on this mid-May date and in this relatively wet year they were still green. The coast highway travels along the upper part of the bluffs, often between the cliffs and the hills rising above. Beyond the bridge you can see the roadway rise to pass around another hill before descending toward the next creek to the south.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Golden Eagle Hotel

May 1, 2011 G Dan Mitchell 6 Comments

Man sitting on steps in front of tattoo parlor below the Golden Eagle Hotel, San Francisco.

Last summer, on one of my “walking shoots” in San Francisco, I wandered into a less-than-lovely area of The City – though it has its points of visual interest, for sure. I named this photograph after the Golden Eagle Hotel at least partly because I assume that the dilapidated green apartment building above the colorful (in many senses) shops at street level comprise the “hotel.” Another reason is that I wasn’t sure I wanted to title a photograph “Tattoo” or “Naughty Laundry!” (I don’t know what the “Naughty Laundry” place is, and I probably am better of keeping it that way! :-)

In a sense, every photograph I make is “about” something, though often they are simply about the qualities of the subject or subjects themselves. You could certainly look at this image that way. I was certainly intrigued by the juxtaposition of the very colorful and closely packed shops and the very drab apartments above. The building itself, which may have seen better days, is interesting to me architecturally. What is with the little round windows, with their thick frames, between the conventional rectangular windows? And despite having some interesting San Francisco qualities, the building is terribly run down. A close look reveals peeling paint, wires running here and there, painted over spots of what might have been graffiti, and so forth.

Then there is that guy sitting on the step of “Goldfield’s Original Broadway Tattoo Studio.” There are no other people in the scene, and my recollection is that there really weren’t many people around. He sits, face downward and headphones on, apparently completely engrossed in whatever technology he holds in his hand, and apparently also completely disassociated from his environment. You can find a lot of people like this today.

Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Ship Yard Structures, Artificial Light and Moonlit Fog

April 25, 2011 G Dan Mitchell 2 Comments

The light of the full moon illuminates fast-moving fog clouds above Mare Island Naval Ship Yard structures lit by artificial lighting.

Since I haven’t posted photographs of these structures for a while, I’ll share a bit of explanation. The location is the Mare Island Naval Ship Yard, across the water from Vallejo, California. Mare Island is a decommissioned ship yard whose history goes way back into the 1800s, when it was the largest naval ship yard on the west coast. There is a ton of history to the place that I only know vaguely, but it was, among other place, the ship yard where a number of nuclear submarines were produced. (That and certain other dangerous residues are also part of the legacy of the place, unfortunately.) The ship yard has not been active since the 1990s, with the exception of some current work to dismantle a ship from the “ghost fleet” parked near the Carquinez Bridge.

The very old buildings and the remnants of some quite large industrial facilities draw night photographers from around the San Francisco Bay Area and beyond. (On my recent visit there were three groups photographing the place, including one from Sacramento.) There are almost endless subjects for night photography, ranging from very old to very new buildings, interesting structures like those in this photograph, old residences, and the general clutter found in any industrial area. All of it is lit by a varied array of lights including just about anything you can imagine: the full moon, light from nearby Vallejo, neon, fluorescent, tungsten, sodium vapor and probably other types of light.

In this photograph, huge overhead structures are lit by garish artificial light, while the overhead clouds are lit by the full moon. If I understand correctly, the structures supported huge cranes on tracks, and were used to move very heavy materials to the waterfront for installation in ships. They haven’t been used in a long time, and they are deteriorating in a way that is fascinating to photographers!

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Post-Sunset Glow, Amargosa Range

April 24, 2011 G Dan Mitchell Leave a comment

Post-sunset light from bright red clouds casts a reddish glow on the Amargosa Range, Death Valley Buttes, and the Kit Fox Hills.

I think this might be the second in what I could call the “impossible color” series from my late-March trip to Death Valley. (The previous image was a photograph of a wash/alluvial fan at the base of Tucki Mountain, photographed on the same evening.) The lurid and unreal colors are not the result of post-processing gone horribly wrong – the light was actually this color for a short period. The sun had already gone down behind the Cottonwood Mountains to the west of my shooting location in the middle of Death Valley not far from Stovepipe Wells. It had been an interesting sunset with the usual increase in warm colors and some attractive clouds in the sky.

What happened next was something that is probably familiar to those who have done a lot of landscape photography, though they recognize that it is not something that you can quite predict. After the sun had set and dusk was coming on, some final light from far to the west, where the sun had probably already dropped just below the horizon, began to strike high clouds above Death Valley. (I could sort of see this coming, since I had noticed increasing color in the sky further to the east.) As this happened, these clouds began to glow with an intense red color that was mixed with the normal bluish tones of dusk light and surface features took on this purple/red glow for just a brief moment before the light faded.

(Those who look very carefully may notice that the sky above and to the east of the mountains is a lot bluer than the mountains themselves. The color had already left the sky to the east, and at this point was coming from the sky directly overhead and to my west.)

I’m still trying to sort out the complex geology of this area and the ways that features are named. The larger range containing these peaks is called the Amargosa Range, though it encompasses many smaller named sub-ranges – I think these might be part of the Grapevine Mountains, roughly in the neighborhood of Thimble and Corkscrew Peaks. A dark peak in front of the main range at the very far right may be part of Death Valley Buttes, and the banded foreground hills are sometimes called the “Kit Fox Hills.”

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.