Tag Archives: creek

Cottonwood Trees and Sandstone Towers, Morning

Cottonwood Trees and Sandstone Towers, Morning
Cottonwood Trees and Sandstone Towers, Morning

Cottonwood Trees and Sandstone Towers, Morning. Arches National Park, Utah. October 11, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Cottonwood trees grow in Courthouse Wash with sandstone towers in morning light, Arches National Park

This is not exactly an iconic spot at Arches National Park, a place that is overflowing with icons. Very early on this morning we had engaged in icon photography, from a location near the top of a hill that provided a truly panoramic perspective on huge swathes of the park and from which I had photographed beautiful sandstone structures in the first light and the backlit, haze-filled vista looking toward the La Sal Mountains. We finished there and started to move on, having only vague ideas about what to photograph next, but knowing that if we kept our eyes open we could hardly avoid finding other subjects.

Descending into a wash to cross a stream bed, we came upon a large number of cottonwood trees lining the waterway. These trees were just beginning to transition to their brilliant fall colors, so we stopped. At first I dropped into the wash and made some close up photographs of the leaves themselves, along with some close shots of trees against sky and the nearby sandstone cliffs. Finishing with that I climbed back up to the roadway and there in front of me was another row of colorful trees where the creek emerged from under a bridge, and beyond that some of the same towers that I had earlier photographed from their far side now appeared almost back-lit and with a rim of morning light along their left sides.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Abandoned Car, Desert Gully

Abandoned Car, Desert Gully
Abandoned Car, Desert Gully

Abandoned Car, Desert Gully. Death Valley National Park, California. March 4, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

An old and very weathered car abandoned to the elements in a desert mountain streambed.

There are many threads to the Death Vally story, and portions of these stories can be read by looking in the right places in the park. There is the geological story that involves seismic activity, a very old lake, and the surprising role of water in what is today a very dry place. Occasional remnants of their ancient presence tells the faint story of the people who lived here before Europeans arrived. And there is the story of extraction – prospecting and the mining of all sorts of materials, some of which has not ended even today. (There are a couple of inholdings within the larger boundaries of the park where mineral rights are maintained and mining work continues – a jarring sight the first time you encounter in while in a national park.)

Much of this work took place only a few decades ago, and the detritus of that period is still found throughout the park. A few examples are well-known, marked on maps, and even have directional signs and interpretive information displayed by the park. However, if you poke around even a little bit you’ll soon come across many other examples of old mines, tailings, buildings, automobiles, and more. (If you visit the park and see these things, please be very careful around them. They are deteriorating, and almost anything you do to disturb them will hasten that process and deprive future visitors of the experience that you are enjoying.) There is one such site that I have driven past many times, but where I have never stopped until this trip. Beyond the obvious artifacts that are visible from a passing road, the site continues. This time I stopped, got out of my car, and spent some time wandering up and old trail that heads up a gully and then switchbacks up a nearby hill. A ways up this hill, after passing some dilapidated buildings, I came to a gully that must have been the occupants’ automobile graveyard, since there were several very old, rusting vehicles in this gully, partially embedded in sand that must have washed down during rain.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Autumn Leaves, Sand

Autumn Leaves, Sand
“Autumn Leaves, Sand” — Autumn oak and box elder leaves lie on the pink sand in the bottom of a wash, Zion National Park

The thing that most often first catches my attention in the bottom of slot canyons, such as this small one in the Zion National Park high country, is the way that they twist between closely spaced vertical walls. There is virtually nothing quite like this in our experience. But the thing I notice first is not necessarily the thing I remember most. I often wonder how others might regard my photographs, since I know that they cannot share the full context of the images that I know from being in these places. (I’ve often said that we, as the photographers, are perhaps the least able to see our own work objectively, since we cannot easily put aside these non-photographic things that are no longer present in the purely visual medium within which we work.) When I think of these canyons I think of the sound, often deadened by the sand and perhaps by vegetation, and of the feeling of the air, which always different from the feeling of the air outside the canyon – most often cooler when the “outside” air is warm but also warmer when the canyon provides shelter from cool-season winds. And it those canyons with water flowing through them, there is the constant, though often gentle sound of water flowing and trickling.

I also usually end up slowing down and looking at many small things that might not first be seen – the leftover pattern of water than may have flowed through weeks or months earlier, place where the sand has been marked by the passage of a small animal or by grass moving across its surface in the breeze, the mixture of rocks that must have come from distant places, plants growing in odd cracks in the rock, patterns in the rock walls, the passage from one rock layer to another, and more. On this fall day it had been windy and lots of autumn “stuff” was littering the canyon floor, which here was pink sandstone sand, further colored by the glowing light reflected from the red rock canyon walls.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Aspens and Granite, Autumn

Aspens and Granite, Autumn - Aspen trees with golden autumn leaves grow among boulders on a rocky eastern Sierra Nevada slope
Aspen trees with golden autumn leaves grow among boulders on a rocky eastern Sierra Nevada slope

Aspens and Granite, Autumn. Eastern Sierra Nevada, California. October 3, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Aspen trees with golden autumn leaves grow among boulders on a rocky eastern Sierra Nevada slope

Before my single day of eastern Sierra Nevada aspen photography this season, I had been concerned about the quality and timing of the color – and reports by some other photographers who visited just before I was there were not encouraging. Reports mentioned trees that had turned earlier than usual (true) and trees that turned without producing special color and so forth. Compounding my concerns just a bit was the fact that my schedule required me to be there a bit earlier than the time I would typically regard as being prime for aspen color. But I’d rather shoot one day of less-than-stupendous aspen color than miss the entire show, so up into the eastern Sierra above Bishop, California we drove.

I was pleased to find that there was actually a lot of great color. Some of the usual “hot spots” that people seem to flock to were perhaps not as amazing as they can be, but after photographing the aspens for some years I have found some odd little personal places where I could find good color – and in a few places color that was downright excellent. I photographed these trees rather late in the day, perhaps after many people who prefer to photograph aspens in the sun had already left. I intentionally sought out an area that I knew would be in shade since I often prefer the muted and softer light this brings. Here the trees are not quite so thick since they grow on very difficult and rocky slopes. But what they lacked in density they made up for in color!

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.