Tag Archives: dawn

Dawn Light, Panamint Range and Salt Flats

Dawn Light, Panamint Range and Salt Flats
Dawn Light, Panamint Range and Salt Flats

Dawn Light, Panamint Range and Salt Flats. Death Valley National Park, California. February 21, 2011. © Copyright G Dan Mitchell – all rights reserved.

The first dawn light on the snow-dusted Panamint Range is reflected in shallow winter pools on the salt flats of Death Valley National Park.

This is yet another story of serendipity, I think, though it also does involve some advance work – which should please those who become uncomfortable with the idea that not every landscape photograph results from a slow and deliberate and well-planned process! ;-)

The general location of this scene is along a section of salt flat just below the Salt Creek turnoff from the main highway – it is the first area of obvious salt flats that you come to as you head south towards the Furnace Creek area. One one of my first photographic visits to Death Valley I recall stopping near this location along the road and trying to make a photograph pointing down the length of the Valley. It was not successful, but I’ve always been a bit intrigued by this location where the road has to curve around to the east to avoid this salt flat. A day or two earlier on this trip I had stopped along the road at almost this exact location during the “boring light” part of the day after shooting somewhere else. I had wandered – without any camera gear – down across the wash to a patch of brown salt grass and beyond to the edge of the salt flat. I had noticed a lot of things: the very alien nature of this landscape consisting of mud and caked salt and not much else, the surprising presence of some worms and larvae in this tremendously salty water, the fact that the water seemed to seep from beneath the wash, and the interesting shapes that the water created as it slowly spread along the edge of the salt flat.

Move ahead to this morning, the final one of this trip to Death Valley, and I was up well before first light. I had several ideas about what I might photograph, but had not made a firm decision yet since the weather was something of an unknown. I had a vague idea about heading north up the valley and photographing the first light on the hills along its western edge. I was keeping open the possibility that spectacular light might make it worth while to photograph Zabriskie. But I really didn’t know.

I drove to the Furnace Creek/Scotty’s Castle junction and pulled over to watch the light begin to grow. There were lots of clouds! It looked like a lighter area might evolve straight to my east, but I couldn’t quite see photographic potential in it. To the north things looked pretty bleak. There was some possibility that light could happen way to the south, but I wasn’t convinced. I decided to drive a bit south and see what might happen, and very soon I came back to this place where I had stopped earlier. The light wasn’t very promising – clouds to the east seemed likely to block the sunrise light even though there were some interesting cloud patterns overhead that were starting to become more transparent as the sky began to lighten.

Then I caught just a bit of light on some of the higher clouds above the middle level clouds and I started to wonder if the light just might make it through. I went to the back of the car and grabbed my camera with one lens already attached and mounted it on the tripod. I wasn’t sure if I’d want wide or tele for some of the possible subjects, so I grabbed two additional lenses and stuck them in a shoulder bag and headed down the wash, not really looking up too much, just heading straight towards these little areas of water that I remembered from earlier. As I got close to the edge of the flats I saw that, indeed, a band of sunrise light was coming in below the cloud deck to the east (something I have learned to watch for) and starting to light up the highest peaks of the Panamints. I knew that if this light survived long enough to make it down across the range that it was going to happen fast, so I quickly headed out onto the edge of the flats, more or less ignoring the larger scene and simply looking for an interesting reflecting pool. As I set up – working very quickly now – the first sun lit up the face of the panamints and revealed radiating cloud shapes above. I had perhaps two minutes of this light… and then the small gap along the eastern horizon must have closed up as the light disappeared and went back to gray.

G Dan Mitchell Photography | Flickr | Twitter | Facebook | Email
Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Fog, San Francisco, Dawn

Fog, San Francisco, Dawn
Fog, San Francisco, Dawn

Fog, San Francisco, Dawn. San Francisco, California. December 16, 2010. © Copyright G Dan Mitchell – all rights reserved.

Winter fog illuminated by dawn light engulfs the skyline of San Francisco.

The conditions changed radically during the half hour or so during which I stopped on my way to Muir Woods to photograph the San Francisco skyline from above the Golden Gate Bridge. I was initially concerned that the morning would be too clear, since I am usually more interested in scenes with varied atmosphere. When I arrived it was mostly clear, though there was a bit of low fog out over the bay and some low clouds clustered above San Francisco, especially the downtown area where the tops of buildings were in the clouds.

I made a series of photographs of the skyline using my longest lens – others may appear here before long. This was one of the last ones I was able to make as the clouds thickened and eventually blocked my view completely. (What had started as a largely bright and clear early morning eventually evolved into a very foggy scene.)

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography
Flickr | Twitter | Facebook Fan Page | Facebook | Friendfeed | Email

Dawn, Alkali Lake, Eastern Sierra

Dawn, Alkali Lake, Eastern Sierra
Dawn light on Alkali Lake and the peaks of the eastern Sierra Nevada near Convict Lake.

Dawn, Alkali Lake, Eastern Sierra. Owens Valley, California. October 10, 2010. © Copyright G Dan Mitchell – all rights reserved.

Dawn light on Alkali Lake and the peaks of the eastern Sierra Nevada near Convict Lake.

I posted a photograph very much like this one a month or so ago, but I like this place and the morning light so much that I’m posting this similar photograph. The location is on the shore of a small alkali lake out in Owens Valley/Long Valley, in an area that is full of hot springs. On this very cold early October morning, steam was rising from the many hot springs in the area as the sun rose, lighting the eastern face of the Sierra Nevada near Convict Lake, the sagebrush-covered hills below the Sierra, and finally the surface of the small lake.

For many years after I started visiting the east side of the Sierra Nevada I mostly ignored the high desert terrain such as the area around this lake. As time went on and I looked further east I began to venture out here, and I discovered a beautiful landscape that is affected by proximity to the Sierra but which is not really “Sierra Nevada” itself. The bulk of the eastern escarpment is a constant presence here, but the character of this place is more that of the basin and range country — dry, full of sagebrush, with playas and rocky outcroppings.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Glacier Point and Ground Fog in Ahwahnee Meadow, Autumn

Glacier Point and Ground Fog in Ahwahnee Meadow, Autumn
Glacier Point and Ground Fog in Ahwahnee Meadow, Autumn

Glacier Point and Ground Fog in Ahwahnee Meadow, Autumn. Yosemite Valley, California. October 31, 2010. © Copyright G Dan Mitchell – all rights reserved.

Thin morning ground fog floats above the dry autumn grasses of Ahwahnee Meadow below the granite cliffs of Glacier Point, Yosemite Valley.

During the cooler and wetter months of the year, ground fog often forms in the meadows of Yosemite Valley. Ahwahnee Meadow is one of the places I like to photograph these conditions, and since this was the morning after a damp and rainy day, I arrived here very early in anticipation of conditions that might produce the fog. It was very cold when I arrived, certainly below freezing by at least a few degrees. At first the fog was much denser and a bit deeper. I have photographs from this earlier pre-dawn period when a herd of deer passed through the meadow. Eventually, as the sun rose high enough that the light beams began to clear the mountains to the east of the Valley, the first light began to strike the upper slopes and walls of Glacier Point. As this happened and the air began to move and the temperature stopped dropping, the fog began to thin. This photograph was made shortly before the fog actually dissipated completely, and thin streamers of mist are broken up by clearer areas.

I have to admit that I do not know what the foreground plant is. (Hint: I won’t mind even a tiny bit if someone wants to write and tell me! :-) Cottony tufts are found at the top of long stems, growing out of odd shaped pods. I shot this with a very wide angle lens so that I could include some of this foreground foliage and the fill width of Glacier Point.

On a technical note, this image incorporates a blend of two exposures. Portions of the sky at the left side of the frame were very bright, while much of the rest of the scene was in shade and a lot darker. Almost the entire frame is from the 1/15 second exposure, but I have manually blended in a bit of the 1/40 second exposure in the area of cloudy sky at upper left in order to retain a bit of detail there. Also, though it should be obvious, this was shot with an ultra-wide angle lens – a 17mm focal length on a full frame DSLR. If you are at all familiar with this location in the Valley you will recognize that this is a bit of an unusual view.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography | Twitter | Friendfeed | Facebook | Facebook Fan Page | Email