Tag Archives: decay

Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Red Tile and Door

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Red Tile and Door
Red Tile and Door

Red Tile and Door. Mission District, San Francisco, California. February 20, 2010. © Copyright G Dan Mitchell – all rights reserved.

A stripe of bright red tiles and dilapidated doors in San Franciso’s Mission District.

This photograph was made early in 2010, and is one that I dredged up from the “archives” during the year-end process of reviewing all of my thousands of 2010 raw files. I had been in San Francisco with some spare time and I found myself in the Mission. This area is a great resource for photography, so I set out on foot to look for subjects along the crowded streets of this neighborhood. A small girl behind the heavy screen door on the left (barely visible in this photograph) first caught my attention, but I also found the juxtaposition of horizontal and vertical lines interesting along with the very weathered and distressed doors and walls. The thin line of brilliant red tiles was striking against the dark and dingy background.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada

Fall Leaves, Lundy Canyon

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Fall Leaves, Lundy Canyon
Fall Leaves, Lundy Canyon

Fall Leaves, Lundy Canyon. Eastern Sierra Nevada, California. October 10, 2010. © Copyright G Dan Mitchell – all rights reserved.

Leaves transition from summer to fall colors in a deeply shaded area of forest in Lundy Canyon.

Since it was the second week of October, and the time at which I’ve seen Lundy Canyon aspens change color in the past, I headed up into the canyon on the last day of this visit to the eastern Sierra to look for aspen color. As I drove up the canyon from highway 395 I could see some brilliant color far above on the ridges above the canyon, but I wasn’t seeing much down in the bottom of the canyou. I continued up the canyon past Lundy Lake and the resort – closed up for the season – and then continued on the one-lane dirt road that goes on up to the trailhead, passing some flooded flats along the way. There is often color in these areas and then again in the grove of aspens near the trailhead… but not this time.

(Looking back on this “aspen season” from an early-December perspective, it was a bit of a strange one. It seemed to begin early at the higher elevations and there were stunningly colorful trees up high during the first week of October. However, storms soon came in and took down many leaves – and then there was a “dead zone” period of nearly two weeks before the color resumed at lower elevations. This visit to Lundy Canyon took place near the start of this slow period.)

After figuring out that the color I had coming looking for was not to be found, I started back down the canyon. I stopped briefly by the ponds but the light was not quite what I was looking for – it was still a bit too early in the afternoon and the light was harsh and coming from the “wrong” direction for my purposes. However, elsewhere in the canyon I decided that I had to photograph something before leaving the canyon for a planned evening shoot nearby, so I simply pulled out on a short dirt side road where I had earlier seen some tree trunks leaning against rocks. It turned out that I couldn’t find a composition there either – sometimes this is just the way it goes! However, I found these leaves nearby next to the path I had taken down to the river. I thought that the contrast between the green and yellow and the very dark forest floor might be interesting, so I put on a long lens (to minimize depth of field and to give myself some working distance) and I made a few exposures.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography
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Photographs: New York City, Photographs: Structures and Objects, Photographs: Urban/Street

Broken Window and Cinder Blocks, High Line Park

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Broken Window and Cinder Blocks, High Line Park
Broken Window and Cinder Blocks, High Line Park

Broken Window and Cinder Blocks, High Line Park. New York City, New York. August 14, 2010. © Copyright G Dan Mitchell – all rights reserved.

A broken window in a brick wall with cinder blocks behind, High Line Elevated Park, New York.

This odd window set against a solid cinder block wall was alongside the High Line Park in the Chelsea area of Manhattan. I am always intrigued by odd brick patterns, including those where someone has painted the bricks. The image of the smashed window “opening” to a solid wall was also compelling, and in a larger print there are some very interesting patterns, colors, and textures in the broken glass and the bits of paint on the window.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Commentary

Yellow Wall with Door and Numbers

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Yellow Wall with Door and Numbers
Yellow Wall with Door and Numbers

Yellow Wall with Door and Numbers. Mare Island Naval Ship Yard, Vallejo, California. May 30, 2010. © Copyright G Dan Mitchell – all rights reserved.

The wall of an abandoned building with a metal door and painted numbers and text at Mare Island Naval Ship Yard, Illuminated by gaudy yellow sodium vapor lamps.

It may be difficult (if not impossible) to make sense out of this image without some explanation. In a side alley off of Nimitz Street at the historic Mare Island Naval Ship Yard I previously found a large abandoned building that is lit at night by bright and garish sodium vapor lamps. When I photographed the building the first time I shot at the end nearest to the main street, and I ended up toning down the intense yellow tones that this type of artificial lighting produces when it shines on a subject like this building. This time I went further back into the alley and near the back of the building found a strange area around an old metal door where the weathered wall and window had been covered by strange marking apparently made with spray paint – numbered squares along the lower part of the wall and, above and out of this frame, seemingly random bits of numbers and text – with all of this interrupted by crossing pipes, conduit, boards, and general decay. With nothing in the frame but the wall, here shot straight on, the bizarrely lit surface seems to me like an almost complete abstraction.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Technical Data:
Canon EOS 5D Mark II
Canon EF 24-105mm f/4 L IS USM at 82mm
ISO 100, f/8, 8 seconds

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