Tag Archives: distant

Photographs: Central California, Photographs: Nature

Wetlands, Clearing Fog

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“Wetlands, Clearing Fog” — Morning tule fog clears to reveal wetlands ponds, grasses, and distant winter trees.

I made this photograph during a fortuitous moment of light and atmosphere. We were in California Central Valley wetlands primarily to photograph migratory birds. The tule fog was thick when we began our work before sunrise. But later on, as we came to the edge of this pond, the fog thinned around us, producing a bit of clear air even as more distant surroundings remained shrouded in fog.

In direct sunlight the effect can be somewhat harsh and stark, but since everything around from this little area was still shrouded in fog and mist (even the sky above contained clouds) the overall light was still soft. I got down low to position the darker foreground water and grasses in front of the more distant wetlands terrain and the distant trees barely visible in the fog.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Mono Lake Basin, Photographs: Nature

Mono Lake, Mountains, Morning

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Mono Lake, Mountains, Morning
“Mono Lake, Mountains, Morning” — Early morning autumn light on Mono Lake and distant desert mountains.

Part of the challenge of photographing a familiar subject is finding a different perspective on it. This is especially true with “iconic” subjects that everyone has seen, and which we know by way of familiar views. If you think about any famous place you can probably visualize the scenes I’m thinking of — familiar views of familiar things. (I’m not against them. In fact, it is an interesting challenge to try to make those views different.) There are several familiar approaches to photographing Mono Lake. Yes, I’ve done them, too!

But this is not one of those familiar views. For one thing, the camera position here is not one that most people visiting the lake would think of or even know about. It is a pretty good distance from the lake — in fact the photograph was made with a very long lens. It is also elevated, up in mountains where sage meets aspens. I photographed in the early morning on a clear day, when the low morning sunlight was angling across the landscape from the right.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: New England

New Hampshire Hills, Autumn

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New Hampshire Hills, Autumn
“New Hampshire Hills, Autumn” — An autumn view across hazy New England hills in New Hampshire.

If I recall correctly, this was our first morning out and about on the Kancamagus Parkway, that popular fall color route in New Hampshire. We had driven over it late previous day when we arrived to check into a hotel, but there had been little time to stop and photograph. So the next morning we got up early and headed back up into the hills to start photography.

This is perhaps not the most colorful New England autumn photograph. In fact, I think it might be a bit more like my California landscape photographs in some ways. The colors are there, but they are muted by the early morning atmosphere and light. The photograph looks across a series of ridges and into the far distance where morning clouds have not yet lifted.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographs: Scotland, Photographs: Travel

Bay at Oban

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Bay at Oban
“Bay at Oban” — Looking across the bay at the Scottish town of Oban toward distant highland mountains.

They tell me the weather in Scotland is supposed to be gray, wet, and cold. It was anything but that on the first days of our May visit. (OK, it lived up to expectations a few days later.) For most of our first five days in the country it was pleasantly warm and brightly sunny. Some of the natives seemed grateful that we had brought our California weather along with us. Here in Oban the skies were blue with only a few occasional clouds, and views stretched to distant highland mountains.

Following our first night at a Glasgow Airport hotel after a very late arrival, we took the train to Oban for two days of relaxation and jet lag adjustment. The town was just about perfect for this low key part of the trip. It is a lovely place that sits right on the waterfront — fishermen, tour boats, pleasure craft, and ferries come and go constantly. The whole place was walkable. We visited the Oban Distillery and did a little whisky tasting. And we enjoyed the beautiful panorama of mountains and water.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.