Tag Archives: distant

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Window Formation, Desert Mountains

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Window Formation, Desert Mountains
“Window Formation, Desert Mountains” — Desert mountains beyond a teardrop-shaped window in a rock wall, Death Valley.

Death Valley National Park is full of popular and famous attractions that are quite accessible — Mesquite Dunes, Badwater, Zabriskie Point, to name a few. But there’s far more to this immense park than the popular spots. There are equally worthy things to see everywhere, including in some rather remote locations. This is one of those sights, and the odds are that you would be alone here if you were to visit.

The feature is an impressive tear-drop shaped “window” in a wall of rock that stands on the inside of a sharp bend in the canyon. Beyond, further canyon walls rise above the wash, and in the far distance we see the highest peaks of the Panamint Range, including 11,000’+ Telescope Peak.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Distant Mountains, Reflection

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Distant Mountains, Reflection
“Distant Mountains, Reflection” — Manly Lake reflects distant mountains and morning haze.

The scale of Death Valley is monumental. It is one of the few National Parks where you encounter distances so great that faraway features disappear into the light and haze. The absence of familiar reference points like trees makes it harder to comprehend these distances. It is perhaps a mile to the nearby hills in this photograph, but the distant mountain range is many tens of miles away.

We arrived before sunrise to photograph the colorful dawn light. Later I turned my camera away from the main scene and back toward these hills whose forms were reflected in Lake Manly. Beyond, the distant Amargosa Range glows softly through the haze in the early morning light.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Manly Lake, Mountains and Clouds

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Manly Lake, Mountains and Clouds
“Manly Lake, Mountains and Clouds” — Distant desert mountains and clouds reflected in the surface of Manly Lake, Death Valley.

Lake Manly, the ancient body of water that occasionally reestablishes itself on the floor of Death Valley in wet years, has many moods. Before sunrise or at sunset, if there are clouds, it can reflect intensely colorful light from the sky.. As sunlight strikes the peaks of the Panamint Range, their golden light colors the water. Later in the day, especially if it is hazy, the scene can become soft and pastel.

On this winter solstice morning we began photographing before sunrise and continued through all of the light phases. I made this photograph after the warm sunrise light had dissipated, and when haze made blue the predominant color. The symmetry of the reflections abstracts the shapes of mountains and clouds.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Mono Lake Basin, Photographs: Nature

Tufa, Island, Distant Mountains

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Tufa, Island, Distant Mountains
“Tufa, Island, Distant Mountains” — Shoreline tufa formations, an island, and distant mountains, Mono Lake.

This view looks roughly north across the expanse of Mono Lake and Mono Basin. The foreground formations are tufa towers, exposed as the lake’s level dropped decades ago when Los Angeles began taking the water from feeder streams. The main body of the lake lies beyond the tufa. What appears to be the far shoreline is actually Paoha Island, a volcanic feature. In the far distance are desert mountains of the basin and range country.

I knew some history about the fights over Mono Lake’s water, but I learned something new on this visit. A few decades ago Los Angeles Water and Power bought out water rights up and down the Eastern Sierra, drastically changing the environment — and in places turning former lakes into dusty wastelands. This taking dropped the level of Mono Lake by many feet (it was too late for Tule Lake in Owen’s Valley) until court orders and regulations forced an agreement that LA would begin to protect the watershed, with a goal of eventually restoring the lake to a level closer to its historic level. I thought that serious progress had been made… but decades later the lake’s level is still dangerously low.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)