Tag Archives: distant

New Hampshire Hills, Autumn

New Hampshire Hills, Autumn
“New Hampshire Hills, Autumn” — An autumn view across hazy New England hills in New Hampshire.

If I recall correctly, this was our first morning out and about on the Kancamagus Parkway, that popular fall color route in New Hampshire. We had driven over it late previous day when we arrived to check into a hotel, but there had been little time to stop and photograph. So the next morning we got up early and headed back up into the hills to start photography.

This is perhaps not the most colorful New England autumn photograph. In fact, I think it might be a bit more like my California landscape photographs in some ways. The colors are there, but they are muted by the early morning atmosphere and light. The photograph looks across a series of ridges and into the far distance where morning clouds have not yet lifted.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Bay at Oban

Bay at Oban
“Bay at Oban” — Looking across the bay at the Scottish town of Oban toward distant highland mountains.

They tell me the weather in Scotland is supposed to be gray, wet, and cold. It was anything but that on the first days of our May visit. (OK, it lived up to expectations a few days later.) For most of our first five days in the country it was pleasantly warm and brightly sunny. Some of the natives seemed grateful that we had brought our California weather along with us. Here in Oban the skies were blue with only a few occasional clouds, and views stretched to distant highland mountains.

Following our first night at a Glasgow Airport hotel after a very late arrival, we took the train to Oban for two days of relaxation and jet lag adjustment. The town was just about perfect for this low key part of the trip. It is a lovely place that sits right on the waterfront — fishermen, tour boats, pleasure craft, and ferries come and go constantly. The whole place was walkable. We visited the Oban Distillery and did a little whisky tasting. And we enjoyed the beautiful panorama of mountains and water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

A Storm Approaches

A Storm Approaches
“A Storm Approaches” — Forest trees stand in sunlight while distant ridges are darkened by the clouds of an approaching Sierra storm.

At first look this might just seem like a photograph of a row of trees. It is late in the day, and the warm light lends color to this forest at Tuolumne Meadows, and it looks like a pleasant early evening. But that bluish strip at the top of the frame tells a different story. Look closely and you can make out a peak, and the peak is backed by higher peaks that are partially obscured by the dark clouds from an incoming storm.

We hear all the time that photography is about light, and there’s truth to that claim. (I would hold that it isn’t always “just” about light, but subjects usually benefit a lot from wonderful light.) One of my favorite situations is the one shown here — something nearby in lovely, warm light, but in the background a darker and more dramatic effect.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Far Desert Mountains

Far Desert Mountains
“Far Desert Mountains” — High desert mountain ridges sretch toward the horizon under morning clouds.

I know I am repeating myself, but one of the most impressive things about Death Valley National Park is the sheer scale of the place — the distances are huge. The only place I’ve experienced that impressed me the same way was the near-arctic in the Yukon Territories and Alaska. Here mountains go on, range after range, into the far distance. (As a friend of mine might point out, the haze here is an obvious example of “atmospheric recession.)

This photograph is also an example of why I’m a big fan of long focal lengths for landscape photography. Some will tell you that “landscape lenses” have short to normal focal lengths, and that wide-angle lenses should be your standard tools. I beg to differ. The truth? While I own ultra-wide lenses, I use them sparingly… and my favorite landscape photography lenses are often telephotos. Here I used a very long lens to compress the distance and to isolate a small, interesting section of much larger terrain.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.