Tag Archives: dusk

Evening Fog, Autumn

Evening Fog, Autumn
Evening Fog, Autumn

Evening Fog, Autumn. Yosemite National Park, California. October 5, 2008. © Copyright 2008 G Dan Mitchell – all rights reserved.

Evening fog forms on an autumn evening above a ridge near Olmsted Point, Yosemite National Park.

I made this photograph on a memorable evening back in 2008 while returning to the SF Bay Area from several days of autumn aspen photography on the east side of the Sierra. After shooting aspen subjects like crazy for several days, I more or less thought that my photography for this trip was finished as I ascending Tioga Pass to enter the park on my way home. In fact, I didn’t really do much photography around the pass or at Tuolumne. But as I drove I noticed that low clouds were forming over peaks and ridges, created by condensation in very moist post-rain air as the temperature dropped quickly as sunset approached. Now this was starting to seem a bit interesting!

As I came to Olmsted Point the clouds were so thick that I couldn’t really see a thing. You never know for sure how these atmospheric conditions are going to develop, and while part of me was disappointed that perhaps there would not be a photography opportunity, another part of me (the tired part!) was almost a bit relieved that I could perhaps get on with task of driving home. But as I rounded the very next bend, where the road rises to a high point just west of Olmsted, things opened up just a bit and light from a clear area a bit further to the west was making the fog glow a bit. So, with a combination of reluctance and excitement, I pulled over, hoisted my gear, and walked off into the forest and granite landscape to make this photograph.

(After making this one, I was certain that my work was done, as the light was fading fast. As fate would have it, a mile or two further on there was a tremendous view of the fog filled valley below, in soft dusk light and with Clouds Rest looming above. Yup, had to stop one more time for that one, too…)

G Dan Mitchell Photography
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Alpenglow, Trees, and Granite

Alpenglow, Trees, and Granite
“Alpenglow, Trees, and Granite” — Alpenglow light on trees among granite boulders below glacially-carved Yosemite cliffs..

This is one of my favorite locations in the Yosemite back-country and, in fact, in the entire Sierra Nevada range. This beautiful sub-alpine basis contains three lovely lakes and is surrounded by varied terrain that includes distant views, peaks and ridges towering above, lodgepole pine forests, meadows small and large, and an open view to the west that often provides stunning light late in the day.

As is usually the case, I was camped at the of the three lakes – this time for several days of photography – and I had headed to the upper lake late in the day to do some evening photography. I have photographed there quite a few times, but I still haven’t come close to exhausting the photographic potential of the place. On this evening I knew that I wanted to be ready to photograph the golden hour light, but I was also interested in the smaller groups of trees that grow among the granite boulders and I wanted to see what might develop as alpenglow struck the glacial slopes above the lake.

There is a small, fun twist to the story of this visit. I took a semi-cross-country route to the upper lake from my camp at the lower lake, and because I knew that I’d be returning alone in deep twilight or after dark, on the hike up I was concentrating intensely on fixing a series of landmarks in my mind for the return hike. I was so single-minded about this that I made it all the way to the lake and my first intended subject (a small shoreline tree) without looking around much. It was only a moment after arriving that I got out of focus-on-the-route mode and looked around. I had walked right past the campsite of a couple of photographers without even seeing them, much less saying “hi.” Turns out that the photographers were John Sexton and Anne Larsen. After exchanging greetings and conversation, I went about my business of shooting along the edge of the lake. (If I recall correctly, John was shooting nearby as I made this exposure.)


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Trees and Sunset Sky, Olmsted Point

Trees and Sunset Sky, Olmsted Point
Trees and Sunset Sky, Olmsted Point

Trees and Sunset Sky, Olmsted Point. Yosemite National Park, California. June 18, 2011. © Copyright G Dan Mitchell – all rights reserved.

Trees growing on granite silhouetted against a colorful sunset sky at Olmsted Point, Yosemite National Park.

This astonishing, magical light occurred just at and right after sunset on the evening of June 18, the day that Tioga Pass finally opened for the 2011 summer season. I earlier posted a vertical format photograph of much the same scene, though with slightly different light – the other photograph was made about a minute after this one and the conditions were changing very rapidly.

The photograph was made from the popular Olmsted Point overlook along the Tioga Pass Road (highway 120), with its well-known view of subalpine Tenaya Lake. Since I have recounted the story of this light in some detail in an earlier post, I’ll keep this description somewhat short, but here is the genera outline. Earlier in the evening I had come here to try to photograph Mount Conness with a long lens. Initially the light was very unpromising, but I observed some things that suggested the possibility of sunset light so I stuck around. Just before sunset, as the sun dropped near the horizon to the west, the light came from below to illuminate the thin, high clouds and produce an amazing color show.

To make the series of photographs of these trees I simply pivoted my tripod around from the direction it had been pointing, towards Mount Conness. The trees are somewhat sparse here since the granite domes and slabs cannot support many of them. The speed of light and color transition was remarkable. At one or more points, as the clouds picked up the sunset glow, the brightness of the light suddenly increased noticeably. The brightest color moved across the sky from east to west, and here the color was just beginning to diminish ever so slightly overhead as it continues to intensify to the west and closer to the horizon.

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Last Light, Mount Conness

Last Light, Mount Conness
Last Light, Mount Conness

Last Light, Mount Conness. Yosemite National Park, California. June 18, 2011. © Copyright G Dan Mitchell – all rights reserved.

The final evening alpenglow illuminates the summit ridge of Mount Conness and the west face of Medlicott Dome in the Yosemite National Park high country.

This will be my final photograph of Mount Conness from the evening of June 18, the day that Tioga Pass Road opened this year and the day of one of the most spectacular Yosemite high country sunsets in recent memory. It will be the final both in the sense that I think I’ve now shared the best of the group of images of this sunset and in the sense that it was literally my final exposure of the evening.

The short back-story is that what started out as a fairly unimpressive evening (at least in the photographic sense) transformed over a short period into something extraordinary as the sun dropped to the horizon west of the Sierra and illuminated the clouds from below, creating rare and very special alpenglow conditions over a wide area of the Sierra. (During the week that followed quite a few people commented on this amazing light, which they had witnessed from locations as distant as Mono Lake on the east side and the Central Valley to the west.)

When I made this photograph the show was coming to an end. At this point the sun had already set a few minutes earlier – the exposure was made around 8:45 p.m. – and the light was low enough to require a six-second exposure. While it may seem like Mount Conness (the tallest peak near the left on the skyline) and other features are receiving direct sunlight, this is actually the remaining post-sunset glow in the western sky.

G Dan Mitchell Photography
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