Tag Archives: evening

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Detail, Face of The Watchman, Sunset

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Detail, Face of The Watchman, Sunset
“Detail, Face of The Watchman, Sunset ” — The last sunset light on a portion of the face of The Watchman, Zion National Park, Utah.

As this evening approached, I had a plan to be somewhere close to the Zion National Park visitor center above Springdale, where I had seen the nearly full moon rising behind the ridge near The Watchman before sunset the night before. With that timing of the moon in mind, I estimated that on this night, the moon might rise in roughly the same spot but just a bit later. In many ways, the prime time for doing photographs of the full moon is during the golden hour, when there is sufficient ambient light to permit the correct exposure for the moon. But there is no moon in this photograph – so you might wonder what the point is!

I did show up here to photograph the moon, and I did get some photographs of the moon rising over the ridge. But after making a few moon photographs, I began to scan my surroundings a bit more closely, and I saw that the line between the sunset glow and the deeper post-sunset shadows was slowly working its way up the face of the Watchman. So as light/shadow demarcation slowly moved up the face of the cliff below the summit of the Walkman Watchman (!), I turned my camera that direction and made a few exposures of the rugged rocky face as it was lit by the last light of the setting sun.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Desert, Photographs: Nature, Photographs: Utah

Green River Canyon, Evening

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Green River Canyon, Evening
“Green River Canyon, Evening” — Soft evening light on the canyon of the Green River as it winds through the desert terrain of Canyonlands National Park, Utah

I recently returned from a week in Utah which, perhaps surprisingly, was completely new to me as a photographic subject. More about that in a moment, but first a description of the photograph. It was made in Canyonlands National Park in the “Island in the Sky” area, looking west from a high viewpoint above the canyon containing the winding Green River, not far above its confluence with the Colorado River. The “Island” is a high and relatively flat plateau at around 6000+’ of elevation, surrounding on many sides by deep canyons, cliffs, and then several levels of lower plateaus. There are “edges” everywhere, and all of them provide stunning vistas into the vast spaces below and beyond. We ended up at this spot largely due to a photograph I had seen an a park brochure that included a view of receding mesas and canyons in evening light. We scouted it in the middle of the afternoon as we visited several places in this area of the park, and it seemed inevitable that I would end up at sunset. I initially imagined a scene with brighter colors from the sunset and the post-sunset sky, but instead I ended up with something that I think I like even more, namely softer light with haze in the atmosphere and somewhat gentler colors.

As I mentioned above, I have not photographed in Utah before. I had been through the state several times many years ago, but I think we more or less sped through on interstate highways – which don’t tend to follow the most scenic routes – and I had a very limited view of the place. While it is too bad that I waited so long to go there, it gave me the opportunity to have an experience that I don’t have nearly as often in California where I do most of my shooting. Because I live within a short drive of redwood forests, the Pacific coast, and places like Yosemite Valley and the Sierra and visit all of them frequently, I have to admit that I sometimes forget how extraordinary they are. I can drive right past Yosemite’s Tunnel View if the view is just a typical Yosemite Valley view. But on this trip, I more or less intentionally avoided investigating our destinations before we left. Consequently, I had opportunities to be surprised and astonished — like any good tourist! — by things that I was seeing for the first time. For example, I really had no idea what I would see at Arches National Park when we drove into it at just about the “golden hour” – and I was completely stunned by impossible structures and juxtapositions of sandstone columns and arches and towers and cliffs. I just got a quick taste on this trip… but I’ll be back.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Wildlife

Ross’s Geese, Sunset, Central Valley

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Ross's Geese, Sunset, Central Valley - Ross's geese in a Central Valley pond, sunset.
Ross's geese in a Central Valley pond, sunset.

Ross’s Geese, Sunset, Central Valley. Merced NWR, California. February 8, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Ross’s geese in a Central Valley pond, sunset.

Here I’m going to go with the slightly guilty pleasure of sharing a photograph with colors so intense they almost don’t fit in the color space of online jpg images! This was almost, but not quite, a last second “grab shot” as I looked up and saw a few geese remaining in this pond as the sun was slipping behind the ridge of the coast range. Not long before there had been thousands and thousands of these geese in the pond, but group by group they had all departed for wherever it is that the go at night… except for a very few stragglers, including this group. I like to think that they perhaps share my fondness for beautiful sunset light and had thus chosen to stick around a bit longer. ;-)

This isn’t a photograph that you can really quite plan. Because of the subjects that I had been shooting right before this, it happened that the sun was setting to the left of that compositionally-significant peak along the distant mountains. And fortunately everything was placed so that I could just barely keep the sun itself out of the frame on the left edge. And then I found myself looking at a small number of straggler geese still in the pond. I think I exposed perhaps three frames, and luckily for me they cooperated and assumed such interesting relative positions! One lone bird at the far left looking out of the frame; four of them near the opposite edge and lined up facing right; a group of three closely spaced and facing toward a central point; and one slightly separate from them and facing the opposite way from the bird at the far left. Wow. Talk about good fortune – or well-trained geese!

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Northern California, Photographs: San Francisco

San Francisco, Winter Evening

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San Francisco, Winter Evening - Downtown buildings of San Francisco, California stand beneath a winter sky at dusk.
Downtown buildings of San Francisco, California stand beneath a winter sky at dusk.

San Francisco, Winter Evening. San Francisco, California. January 1, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Downtown buildings of San Francisco, California stand beneath a winter sky at dusk.

On New Year’s Day 2012, we joined a group of “photo walkers” who were shooting some of the old military structures high in the Marin Headlands area across the Golden Gate and north of San Francisco. After meeting up with all of them and photographing these interesting old sites, we left them as they went off to photograph Rodeo Beach. (We realized that we would need to get back home a bit earlier since my plan was to leave for six days in Death Valley the next morning… and I had not yet packed!)

Since we were already in the area, we took a quick detour up to the Hawk Hill area high on Conzelman Road to check out that famous view across the Golden Gate Bridge toward San Francisco and points beyond. I don’t go here every time I’m in the area, but if I’m already there, it is about to be sunset, I have an extra half hour, and there is the potential for interesting light… what the heck! Once we got there I noticed that some winter haze was distinctly softening the light as the sun was just about to set, and this created a beautiful glowing gradient of colors in the sky and washed the City in pastel light. In this photograph I resisted the temptation to pump things (contrast and saturation) a lot, and intend tried to maintain the subtle coloration of the scene.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.