An old pier along the Embarcadero, San Francisco Bay, with structures of the Port of Oakland, California across the water.
I wonder how long it will take for me to feel that I have exhausted the possibilities of this walk along San Francisco’s Embarcadero? Here is (yet another!) morning photograph made it this area, once again with what is perhaps my favorite light in this location – the early morning glow of backlit fog/haze over the waters of the Bay.
I made this photograph on a very calm summer morning when there waters of the Bay were almost completely smooth, at least until a bit of boat traffic began to come by and a breeze came up. Interjecting itself into the left side of the frame is one of the old piers along this section of the waterfront. In the far distance, all the way on the other side of the bay and muted by the morning haze, are giant cranes used at the Port of Oakland.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
Late season clouds shroud snow-covered cliffs high above Yosemite Valley, California.
Among my very favorite conditions in Yosemite Valley are those of winter or late-spring days when there is snow along the cliffs high above the Valley and clouds float along the cliff tops alternately revealing and hiding trees, cliffs, and granite spires. The story behind this photograph is, as is often the case, one of being distracted from the obvious thing by some other small thing that I could have overlooked if I hadn’t looked in the right direction at the right moment.
I was in the Yosemite Valley area for a day, primarily to shoot wildflowers in Merced Canyon below the park. Between my morning and evening shooting along the Merced, I headed up into the Valley to see what I could find. Frankly, although it is always beautiful to be in the Valley, I wasn’t seeing much of anything that inspired me to make photographs. I enjoyed my time there, but eventually decided to go to a slightly different area to see what I could find. On my way back to the Valley from that other place, I passed through Wawona Tunnel, had some extra time, and decided to at least pull out briefly at tunnel view and have a look around. The scene is always tremendous, with the astonishing Valley and all of its impossible features spread before you – but it isn’t always worth trying to turn this into a photograph. I’m spoiled enough that I don’t always even take the camera out when I stop there, and this was one of those days. I left my gear in the car and just walked to the overlook to, well, look for a minute before driving on. I have a habit of looking all around when I’m in such a place since sometimes a subject can be found that is not the primary iconic thing. So I looked around… and high above and way off to the side I saw the clouds gathering around a few of the granite spires, with an occasional beam of light shining through. Ignoring the Valley itself, I now quickly returned to my car, put a long lens on the camera, put the camera on the tripod… and from the back of my car and in the parking lot (sigh… ;-) I made a series of photographs of these fog-shrouded snowy cliffs.
I understand that this weekend a number of photographers, including quite a few that I know, will assemble in the Valley for a “photo walk.” I won’t be there, since I have another thing that I have to attend to elsewhere. So consider this photograph to be my “best wishes for a great shoot.” Oh, and it is also a personal photographic celebration of the fact that Tioga Pass will open on Monday, making the high country my home away from home for many days over the next few months.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Brightly sunlit fog blankets rocky islands and high surf, Point Lobos.
The conditions were wildly changeable on this early afternoon at Point Lobos. I had originally been shooting at a more protected location in the park where it was mostly sunny, though with the sun partially obscured by high, thin clouds. After finishing with my shooting in that location I decided to head out toward the more exposed coastline just south of the “Point” itself before leaving, and when I got there I found that the fog back was perhaps only a few hundred yards offshore and was already beginning to obscure some of the rocks.
I hurried a bit to the south to a point where the view might be clear toward Bird Island and the Carmel Highlands, thinking that I might get some long distance shots before the fog closed it or, better yet, as it came in. Sure enough, I arrived at a good spot to work from while the rocks were still clearly visible against the backdrop of the fog, which was brightly lit from behind by the sun. I set up my tripod, mounted a very long lens, and attached the camera, and looked back at the view to find… that the rocks had virtually disappeared as the fog moved in more quickly that I expected. Still, by waiting for momentary clearing in the mist, I was able to make a few very foggy photographs of these large off-shore rocks, almost obscured by the incoming fog.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Coal Chute Point, the Pit, and the rugged shoreline of Point Lobos State Reserve, California.
(Shortly after posting this, another photographer wrote to suggest that I might consider renaming the image to “Point and Chute.” ;-)
For all the years – decades, actually, and more than a few – that I’ve been visiting Point Lobos, there are still places that I have not gotten around to visiting within the boundaries of the park. Among them are some headlands not far from Whalers Cove that I’ve looked at for a long time… and then always headed off to some other part of the reserve without visiting them. Earlier this week I visited Point Lobos with no particular goal in mind aside from making some photographs, and I somehow finally ended up in this picturesque area that offers some quite different views from those found in the areas that more directly face out into the Pacific. (While it is, indeed, picturesque… the place names are not. Coal Chute Point? The Pit?)
The light in this photograph is somewhat subdued, at least in comparison to some of the photographs you might see of such a place, typically shot in the evening when the sky is at its most colorful. (Yes, I’ve certainly made my share of those photographs at Point Lobos, too!) But this light had a different sort of appeal, and it continuously changed during my half day there. When I arrived some fog was just clearing near the coast. It was a strange pattern – fog way inlands that looked more like the typical winter valley tule fog than the summer coastal fog. In fact, as is frequently the case in winter, it was clear at the coast. But somewhat surprisingly there was a regular old fog bank lurking a ways off the shoreline – and later in the day it moved in on the coast. Along with this there were high, thin clouds from a weather front that was passing well to the north. These conditions can still provide directional light but light which is softer and can fill in the shadows a bit – making it possible to shoot in places and at times of the day when the light might otherwise be too harsh. For this photograph I decided to “go wide,” and shoot with a 24mm focal length of a full frame DSLR to accentuate the distance between the foreground beach and the distant horizon and to include the full width of the curving wave as it broke on the beach.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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