Tag Archives: gold

Eastern Sierra Aspen Color Reports Starting (9/24/09)

If you are really trying to follow the evolution of eastern Sierra fall color – most aspens – your best bet is to find some of the primary sources yourself and start following them. However, I’m going to continue to post a few here from time to time – and before long I should be able to start posting some of my own reports.

  • Inge Fernau posted an extensive description of her one-day marathon trip to Bishop Creek, including some photographs that will help those who know the areas already extrapolate a bit. Inge’s site is always worth a visit, and few post more thoroughly on the aspens.
  • The calphoto site is typically a great source of current information about the fall color in the eastern Sierra… but this season there doesn’t seem to be much info there yet. I’m hopeful that this many change in the next few days.
  • The Eastern Sierra Fall Color group at Flickr has a lot of information, both in the form of text and in images that will give you some answers to the “where?” and “when?” questions.
  • Greg Boyer’s One Horse Studio site is featuring frequent updates including one from the middle of the current week that sounds somewhat optimistic.

Remember a few things about finding and shooting aspens:

  • Conditions can vary a lot as you travel north/south and low/high. If you hear a poor report about one spot, you cannot necessarily extrapolate that to the whole range. Be prepared to move if your “perfect spot” isn’t in condition.
  • How you shoot the trees matters a lot. Sometimes a grove that seems to be almost green will appear to be quite yellow/gold if you go around to the other side for some backlight.
  • Time of day matters a lot #1. It is really tough to shoot them effectively in harsh, midday sun on a cloudless day. Early and late are often better, and shooting on the sun/shade boundary is often very interesting – though you’ll have to be prepared and work quickly.
  • Time of day matters a lot #2. A spot that is flat and boring in the morning may shine in the evening, and vice versa.
  • Time of day matters a lot #3. Shooting in shady conditions is sometimes very effective. You can get past the problems with black shadows and blown highlights and get a very wonderful soft effect – though you’ll likely have to do some color balancing in post.
  • If you show up and there is a crowd in the spot you were heading towards – yes, it happens! – look around. There is often something slightly different nearby and shooting something other than “the obvious thing” often leads to more interesting shots. (One morning I arrived at North Lake intending to do the iconic “across the lake towards Piute Peak” shot only to find a few dozen photographers lined up tripod to tripod in “the spot.” I went a few hundred yards away… and came back with one of my very favorite aspen photos.
  • Think small. Big groves are spectacular, but sometimes one perfect leaf can make a better photograph.
  • Think beyond the trees. Part of the experience includes other trees, rocks, moving or still water, clouds, grass, etc.

Happy aspen hunting!

UPDATE: 9:00 p.m. – Sierra Impressions points out that there is a probability of a change in the weather pattern next week – in the direction of true fall-like weather. That could mean cooler temperatures (a possible hard freeze is mentioned), perhaps wind, and (outside chance) some precipitation. It is always good to keep an eye on this stuff, for a whole bunch or reasons:

  • light snow can create some really wonderful photographic opportunities, but
  • it can also temporarily close passes, and
  • challenge your adaptability to and knowledge of more challenging conditions.
  • wind can quickly bring down some aspen leaves. (One morning I arrived before dawn at North Lake to find beautiful leaves. A squall swept in and it blew and snowed lightly for about an hour. At the end of that hour the large grove across the lake had lost half of its leaves!)

Besides following the official weather service reports – I like to read the “weather discussion” pages for more details – it also can be fun and informative to follow the Mammoth Dweeb Report. Not only does this site include some interesting local information and a lot of background stuff, but you can have fun following the speculation about longer term patterns.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Psychedelic San Francisco Doorways

Psychedelic San Francisco Doorways

Psychedelic San Francisco Doorways. San Francisco, California. August 18, 2009. © Copyright G Dan Mitchell – all rights reserved.

A pair of very brightly painted yet terribly dilapidated doorways near the border of Chinatown and North Beach, San Francisco, California.

A question: If you are wandering about in The City (or the city ;-)  and carrying a camera, how can you not photograph something like this?

These wildly painted yet badly dilapidated doors are on a relatively nondescript street more or less along the boundary between Chinatown and North Beach.

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

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Cattails, Morning Light

Cattails, Morning Light

Cattails, Morning Light. Calero Hills, California. August 14, 2009. © Copyright G Dan Mitchell – all rights reserved.

Summer cattails in morning light at Castillero Pond, Calero Hills, California.

OK, this time no alpine scene from high meadows near the crest of the Sierra – instead a cattail growing along the bank of a small pond perhaps ten miles from my home at a place where I frequently hike. This morning I decided to get up early and head out here with no particular photographic goal in mind. When I arrived at the pond I thought I might photograph some birds – in fact, I just missed photographing my local egret, which flew away just as I was getting out my camera. So, instead of photographing the birds – and instead of continuing on for a longer morning hike – I spent more than an hour here photographing the cattails and patterns of summer grasses in the morning light.

Yesterday I visited SF MOMA to see two photographic shows – the photographs of Richard Avedon in one and the photographs of Ansel Adams and paintings of Georgia O’Keeffe in the other. As I looked at the out of focuse patterns of grasses, such as those in the background of this photograph, I thought about the colors and patterns of the O’Keeffe paintings.

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

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Reflection, Topsy Turvy Lake

Reflection, Topsy Turvy Lake

Reflection, Topsy Turvy Lake. John Muir Wilderness, Sierra Nevada, California. August 6, 2009. © Copyright G Dan Mitchell – all rights reserved.

Golden evening light from surrounding peaks reflects from the surface of rock-studded Topsy Turvy Lake.

This is my first photograph from my early August “backpack trip that almost didn’t happen but somehow worked out in the end.” Originally we had planned a week-long excursion into the far reaches of the upper Kern river drainage in the heart of the Sierra Nevada. However, for a variety of reasons those plans began to collapse a couple weeks before the trip – so three of us salvaged a shorter trip into the Sabrina Basin area above Bishop, California. Then, the night before this trip – while I was packing! – I cracked a tooth. At that point I thought that the trip was off for sure, but my dentist agreed to see me the next morning. By noon I had a temporary dental fix in place and I completed last-minute packing and other business and was on the road at 2:30, arriving to meet my hiking partners at Four Jeffrey Campground above Bishop at 9:00 p.m.

On top of all that, the Sierra weather forecast included the possibility of snow, in the form of an autumn-like weather system passing across the northern portion of the range. Undaunted – but equipped with a bit more cold weather gear than we might usually carry in August – we headed up to Blue Lake on the first day and then moved on to Topsy Turvy lake on day two. While it never did snow, it was very windy and quite cold on the first two nights.

This photograph of rock-filled Topsy Turvy Lake was made in the early evening when the light had already left the lake’s surface but was still illuminating the ridge to the east and creating striking and colorful reflections in the lake’s surface.

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

G Dan Mitchell Photography

keywords: topsy, turvy, lake, rock, boulder, morraine, water, ripple, surface, reflection, gold, evening, sunset, island, shore, talus, sierra, nevada, sabrina, basin, california, usa, landscape, scenic, travel, hike, backpack, camp, shadow, stock, john, muir, wilderness, area