A dense grove of aspens along Dunderberg Road in the eastern Sierra Nevada.
If you passed by this grove along the rough, gravel Dunderberg Road you might not even think to stop – in many ways it seems a lot like many other aspen groves along in this part of the Sierra and along this road. However, I once stopped in this spot the first time I drove this road and for some reason the location has become one of those that draws me back. This time I arrived very late in the afternoon, just as the sun was slipping behind Dunderberg Peak to the west, leaving the trees in shaded early evening light. This section of the grove is remarkable for the thickness of the trees – you might not guess from the photo, but trees are not all that tall. It also is more open than some groves of this size and it isn’t quite as cluttered with non-aspen plants that sometimes make it difficult to find a composition.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Black and white photograph of a “sliding rock” on a cloudy morning at the Racetrack Playa, Death Valley National Park, California.
The weather gods were not on my side during my visit to the Racetrack Playa in Death Valley near the end of March. My plan was to shoot sunset and sunrise, and in between to do night photography. As I drove out there on the terrible washboard gravel road my hopes were high – I saw some interesting looking clouds that looked like they might even form into lenticular clouds. When I arrived I shot a bit in decent light at the “Grandstand” feature near the north end of the playa.
Unfortunately, the good light was short-lived. Before I left the Grandstand a high, thin back of clouds spread across the sky. It stayed in the evening (tantalizing me with some bits of clear sky far to the west), blocked the full moon all night, and was still there when I wandered out onto the playa in the morning to do some early shots. It never did really clear, and I came back from the playa with far fewer good images than I expected. (I shouldn’t have been surprised. I’ve had uniform great luck with lighting on every previous visit, so I was probably due for less than great light.)
In order to make this photograph work I did quite a bit of post-processing, some of which I anticipated when I made the exposure. First of all, I realized that getting everything from the very close rock to the distant ridge in focus would be a problem. So I made three exposures, “focus bracketing” them with one focus on the far ridge, one focused on the rock, and one focused in between. I made a blend of the three exposures in post, keeping the most focused portions of each.
Because the light and colors were fairly flat I decided to go with a black and white interpretation. The conversion was fairly straightforward, but here I also decided to indulge in a bit of post-processing. I duplicated the background layer, turned it into and “overlay,” and added some Gaussian blur. With a bit of dodging, burning, and work with curves, the image ended up where I imagined it would.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Technical Data:
Canon EOS 5D Mark II
Canon EF 24-105mm f/4 L IS USM at 80mm
ISO 200, f/16, 1/10 second
keywords: sliding, moving, gliding, rock, stone, racetrack, race, track, playa, cracked, mud, earth, ground, cloudy, mountain, hill, barren, desert, rugged, track, trail, black and white, monochrome, death valley, national, park, california, usa, north america, landscape, nature, travel, scenic, stock
Black and white photograph of a sunlit wall with textured glass windows along a street in San Francisco, California.
Yet another of the “it is sort of street photography and sort of urban landscape” photographs, this one made on a walking loop that took me through a good part of downtown San Francisco, and finally through the Tenderloin to the Civic Center. I made several photographs of the obscure glass windows of this street-level window along the sidewalk. In this one I wanted to work with the converging lines of the window frame and the vertical lines of the bits of wall between the windows.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Newly fallen leaves litter the ground among softly lit trunks of aspen trees in a grove near Conway Summit in the eastern Sierra Nevada, California.
During my one hour (!) of fall aspen photography in the eastern Sierra on Sunday, I spent most of the time in one small grove of trees up the road to Virginia Lake from highway 395 at Conway Summit just north of Lee Vining. If you leave 395 and head up the road to Virginia Lakes, this is the first grove you encounter on your left – not far up the road and at a point where a small dirt road heads off from the main paved road.
I’ve photographed this grove before, but frequently I’ve arrived a bit after the peak. If anything, on this visit I was possibly a few days early. There were still a good number of green leaves in the grove, and across the road another large grove was completely green. However, here there were some great colors ranging from green to red and orange and yellow. I wandered up the hill through the grove and came to this spot where the ground was relatively clear but partially littered with fallen leaves, and a clear view of the many interesting shapes of the tree trunks was available.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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