Tag Archives: haze

Winter Haze and Trees, Central Valley

Hazy California Central Valley light on groves of trees as tule fog clears, Merced National Wildlife Refuge
Winter Haze and Trees, Central Valley

Winter Haze and Trees, Central Valley. Central Valley, California. December 11, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Hazy California Central Valley light on groves of trees as tule fog clears

In early December, 2012 I had my third opportunity of the season to photograph winter migratory birds. (The first time was last month when I made a quick foray to nearby Central Valley refuges, the second was shortly after that when I found myself with a free day in the Seattle area and drove up to Skagit Valley to photograph trumpeter swans and snow geese.) This was an especially great trip since not only were there birds about (Ross’s geese, a few odd snow geese, white-faced ibises, sandhill cranes, white pelicans, a few egrets and a single great blue heron) but the conditions turned out to be good almost all day and I was joined by a band of great folks: Michael Frye and Claudia Welsh, Dave and Charlotte Hoffman, and my wife Patty Mitchell. And what a day it turned out to be!

Things did not begin so promisingly. As Patty and I drove over from the south San Francisco Bay Area there was a lot of fog and continued to thicken until shortly after leaving Los Banos behind, where we encountered the classic pea soup Central Valley tule fog. Although it was so shallow that we could look up and see pre-dawn Venus and the new moon, ahead it was so thick that the road was barely visible in front of us. It was still thick when we reached the refuge and met the rest of the gang, and on the first part of our drive around the refuge the fog was so thick that we could barely seen any birds, although we could hear them. (One of the most mysterious experiences was hearing sandhill cranes nearby and being able to tell that they were airborne and moving but not see them at all until they would momentarily and briefly partially emerge from the murk and then just as quickly disappear.) Finally, as we came around the far side of the refuge we found a very large group of Ross’s geese close to the dirt road, and from here on things only got better. We had hours of shooting in the fog, which only slowly diminished and didn’t thin out enough to let sun through until probably noon or so. But this was actually a Good Thing, as on a perfectly clear morning the sense of mystery that fog imparts would have been missing… and the shooting probably would have been over in an hour or two. Instead, we continued until it was after 1:30, at which point we finally broke away long enough for lunch before returning for an evening shoot. Again, conditions that started out looking unpromising – the clouds of an incoming weather front were beginning to block the sky to the west – turned out to be perfect and even exceptional as the geese continued their show and the sky lit up brilliantly right at sunset.

I suppose that this photograph proves that I’m still a landscape photographer at heart. While looking around the refuge for birds, my eyes kept moving to the groves of large cottonwood trees and the smaller individual trees, many of which still held a bit of fall color. I’m also a really big fan of misty, hazy atmosphere, and we had that in spades. The fog did lift, but it left behind a beautiful luminous atmosphere and could glow in the right light.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Rain Squall, Monument Valley

Rain Squall, Monument Valley j- Distant mesas and towers of Monument Valley, veiled by a passing rain squall
Distant mesas and towers of Monument Valley, veiled by a passing rain squall

Rain Squall, Monument Valley. Monument Valley Navajo Tribal Park, Arizona, October 12, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Distant mesas and towers of Monument Valley, veiled by a passing rain squall

I have a bit of a surprising confession to make. Utah is not the only state in the American Southwest that I had not previously photographed. Although I have been in the state before, I had never photographed there prior to this year, when we made a quick pass though the upper portion of the state on a drive between Moab and Zion National Park. Several things explain this. First, as I’ve written before, I’ve long been a California landscape bigot – the “local” landscapes of ocean and mountains and deserts and redwoods and more have been, and continue to be, such a focus that I’ve felt little inclination to shoot elsewhere. More recently, as I discovered Utah, I felt a bit of an obligation to avoid Arizona for certain other reasons that I won’t go into right now.

That’s right. I’ve never photographed the Grand Canyon. In fact, I haven’t even seen the Grand Canyon except from the air while flying over the state. And, no, I had not seen Monument Valley either. As we left Moab and headed south, I was excited about seeing this new landscape, but a bit concerned about the potential for photography as a storm – and not just the afternoon monsoon – was moving through. Sure enough, just about the time we got near to Monument Valley the clouds thickened, the wind blew, and it began to rain in earnest. However, I soon caught sight of the towers and mesas of this valley in the distance, familiar from so many photographs I’ve seen, and I quickly realized that the rainy conditions were actually going to provide some very special light and effects. This photograph is a case in point. It was cloudy but not raining at my camera position. Just beyond, a passing squall was dropping rain across the desert terrain and muting and blurring the features, but beyond that the sun was shining on the stupendous distant formations, and beyond them broken clouds were moving.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Aspen Grove, North Bishop Creek

Aspen Grove, North Bishop Creek - An aspen grove along North Bishop Creek in late afternoon light.
An aspen grove along North Bishop Creek in late afternoon light.

Aspen Grove, North Bishop Creek. Eastern Sierra Nevada, California. October 3, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

An aspen grove along North Bishop Creek in late afternoon light.

While I like huge, expansive groves of aspens, I also like small, isolated groups, especially when set against the background of what I think of as sage brush country. This group of trees is actually part of a long, thin grove that stretches along a small dirt side road up in the Bishop Creek drainage. The grove and the road are on my “must visit” list for my annual aspen-chasing trips to the eastern Sierra, so by now I’ve learned a lot about the “personality” of this particular spot. Like a number of other spots to which I return each year, you might not notice anything spectacular about this grove – but by means of repeated visits I have learned where to look for certain little subjects: a creek that flows past boulders beneath colorful trees, a particular thick grove of very thin-truck trees, groves of trees that seem barely taller than I am.

I made this photograph in what might seem like unlikely lighting conditions. It was late afternoon, and the trees were back-lit. The sun was close to dropping behind the very tall ridge that lies above and beyond the border of the photograph, so the light was angling across the several background ridges running down into the valley, and lighting their upper edges. And, of course, the leaves glow when the light come through them from behind.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sea Stacks and Coastal Bluffs, Northern California

Sea Stacks and Coastal Bluffs, Northern California - Haze obscures sea stacks and bluffs along the rugged Pacific Ocean coastline of Northern California
Haze obscures sea stacks and bluffs along the rugged Pacific Ocean coastline of Northern California

Sea Stacks and Coastal Bluffs, Northern California. Mendocino Coast, California. October 30, 2011. © Copyright 2012 G Dan Mitchell – all rights reserved.

Haze obscures sea stacks and bluffs along the rugged Pacific Ocean coastline of Northern California.

I made this photograph almost a year ago, from just about the same location as a more recent photograph of this scene that I posted a month or so ago. The location is along the Mendocino County coastline of northern California, a rugged and beautiful section of the state. Here the coast highway travels very close to the water along high bluffs that overlook the Pacific, and this particular cove holds this two-peaked island or sea stack and is backed by receding coastal bluffs that extend out into the water. In the far distance the shoreline to the south curves gently back towards the west, creating a large and very shallow bay.

The personality of this land and seascape changes constantly. On a (rare) completely clear day, the view to the farther shoreline might be easier to make out, but on the many foggy days the foreground scene could well be completely obscured. On this morning, most of the fog had cleared back from the coast, leaving a softly hazy atmosphere that amplified the effects of distance, and the surf was creating low clouds of spray along the coastline.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.