Tag Archives: highway

Juniper Trees, Morning Light

Juniper Trees, Morning Light
Juniper Trees, Morning Light

Juniper Trees, Morning Light. Yosemite National Park, California. July 28, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Morning light falls on rugged Juniper trees growing in glaciated terrain near Yosemite’s Olmsted Point.

The Yosemite high country along (and beyond) Tioga Pass Road, which crossed the Sierra through the national park, is a land shaped by glaciers. The night before I had decided that the morning photography subjects would be in an area of granite domes, glacial erratics, small ponds, and rugged granite-bound trees in an area generally centered around the iconic Olmsted Point viewpoint.

My first subject, generally defined, was going to be an area of large granite slabs on a ridge that I knew would be hit by the early morning sun shortly after sunrise. I arrived in the general area after dawn but before the direct light arrived here, and I headed up the slabs to scope out possible subjects. The atmosphere was quite hazy, which can be a mixed blessing for photography. On one hand, distant subjects are muted an indistinct. On the other, the light on closer subjects can be diffused and soft, and this helps fill in shaded areas. It also means that more distant background elements can be muted both in contrast and color saturation. When I found this rugged cluster of old juniper trees, I looked for a composition that would catch the first light striking them from behind and also include a bit of the more distant exfoliated dome as background.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Two Gulls, Ocean and Horizon

Two Gulls, Ocean and Horizon
Two Gulls, Ocean and Horizon

Two Gulls, Ocean and Horizon. California Coast North of Santa Cruz. July 12, 2010. © Copyright 2011 G Dan Mitchell – all rights reserved.

Two sea gulls glide along the top of coastal bluffs above the Pacific Ocean north of Santa Cruz, California.

Since I’ve related the basic story previously – more than once – I’ll keep it short this time. Since I live within an hour or less of the California coast, I head over that way frequently to photograph. Among my favorite subjects are the pelicans that travel up and down (but mostly, for some inexplicable reason up) the coast, riding the updrafts along the tops of coastal bluffs. I had some free time on this day, so I headed over with photographing the birds as one of my possible goals.

When I got to this familiar spot, there were no pelicans. (Eventually a few did fly past, but this was not a good day for pelicans.) Before moving on to other subjects I thought I’d at least stay here a while and practice the skills involved in photographing these birds in flight since even though there were no pelicans, there were plenty of other obliging birds. Most of the time it is difficult to get two gulls in the frame once they get close and start to fly past, but these two hung close enough together to be in the same frame, and their low trajectory placed them right in front of the deep blue water, with the fog-softened horizon near the top of the frame.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Gull, Sky, and Fog

Gull, Sky, and Fog
Gull, Sky, and Fog

Gull, Sky, and Fog. Pacific Coast Near Santa Cruz, California. July 12, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

A solitary gull flies above California’s Pacific Ocean coastline with a fog bank and blue sky beyond.

With some free time earlier this week, and the excuse of driving my son to a summer-session class at UC-Santa Cruz, I headed north from Santa Cruz looking for things to photograph. Because there was a lot of fog, even in the middle of the day, fog was one of my general subject ideas. And I almost always make at least a quick stop at a couple of bluff-top locations that I know of where shore birds often glide by very close as they ride the updrafts from the ocean winds. It turned out that my first stop was precisely one of these locations. With nothing else specific in mind at this midday hour, I figured I would at least spend a bit of time honing my skills and tracking and photographing birds in flight.

Although sea gulls are not necessarily my favorite subjects, there sure were plenty of them to practice on! At the spot I picked, they first become visible perhaps 10-15 seconds away as they come around the edge of a bluff to the south. As they approach they tend to vary their altitudes, with some dropping low enough that they disappear behind the cliff and others going so high that only their shaded undersides are visible. But a few come very close at almost eye level.

I almost always learn something new when I photograph birds in flight and this session was no exception. While in retrospect it seems like one of those “Well, duh!” realizations, I figured out that really strong winds tend to upset the birds ability to remain level, and for this reason they are constantly adjusting to remain level. From moment to moment the wings move into interesting positions or they find themselves tilting wildly to get back on course. This is much more interesting than what they do in benign conditions, where they often seem to just… coast.

So, add one more thing to watch for as they fly past. This isn’t an easy thing, and I have the greatest admiration for those who are really great at photographing birds in flight – or “BIF,” as some call them. The first challenge is simply to keep the moving birds in the viewfinder when using a long focal length lens. (I advise practicing the process of simply following the birds without even firing the shutter at first.) But that’s not enough. You must also attempt to keep the bird(s) in a position within the frame that is aesthetically interesting and which will position the target under the active AF points on the camera. Easier said than done! Then there is the matter of trying also be aware of what the bird is doing – watching wing and head position and so forth. On top of that, you ideally also want to be aware of the what else is in the frame – sky, clouds, water, other birds – and factor that into the decision about when to press the shutter. There are exposure challenges, too, especially with birds like this gull that have white on their backs… and this portion of the bird is in direct sun.

Let’s just say that – for me at least – it takes a lot of exposures to get a few shots that I like.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Freeway Overpass, Townsend Street

Freeway Overpass, Townsend Street
Freeway Overpass, Townsend Street

Freeway Overpass, Townsend Street. San Francisco, California. July 8, 2011. © Copyright G Dan Mitchell – all rights reserved.

Freeway overpass crosses the train tracks along Townsend Street near the Caltrain station, San Francisco.

In the middle of a long string of landscape photographs from the Sierra Nevada, today I present a photograph of… what appears to be a trashed and abandoned area beneath a freeway overpass. I’m guess that at least a few people reading this might be perplexed.

While I absolutely love going to and photographing wild and scenic areas – and as a resident of northern California I’m fortunate to live close to some pretty amazing such places – those are not the only photographic subjects that I find interesting. The explanation is complicated and would require me to discuss a whole range of things including from the nature of beauty (e.g. – “beautiful” and “pretty” are not the same thing), the relationship between the concepts of “natural” and “civilized, the belief that part of what a photograph might do is show a thing in a way that the viewer might not otherwise consider, and even the practical effect on all of my photography from photographing more than one thing. Heck, I also just like to visit San Francisco and other urban areas and wander around!

This time of year I make regular trips to San Francisco, usually taking the train into The City fairly early in the morning and then wandering on foot wherever my interest leads me. On this morning I was up before 5:00 a.m., out the door to catch a bus at about 5:25, on the train a bit before 6:00, and walking out of the San Francisco Caltrain station a couple minutes after 7:00 a.m. As the train approached the station I noticed a number of freeway overpasses – the same sort of structures that were used so effectively in San Francisco Opera’s recent production of Wagner’s “Ring” cycle, which affected me visually as well as in the other expected ways. So as soon as I got off the train I headed back along Townsend to this little space beneath the 6th Street exit ramp from highway 280 and photographed in the very same “golden hour” light that I would look for if I were in the Sierra.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.