Tag Archives: light

Desert Pond and Sierra Nevada Dawn

Desert Pond and Sierra Nevada Dawn
Morning mist rises above a high desert pond reflecting the lower slopes of the eastern Sierra Nevada near McGee Creek.

Desert Pond and Sierra Nevada Dawn. Owens Valley, California. October 9, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Morning mist rises above a high desert pond reflecting the lower slopes of the eastern Sierra Nevada near McGee Creek.

On the second morning of my first fall color to the eastern Sierra this autumn, having been less than astonished by this year’s color so far, I decided to head instead out into Owens Valley to shoot back toward the mountains and to shoot some subject in Owens Valley itself. I started at this little lake a few miles east of highway 395, where great reflections of the range lit by morning sun area often seen. This photograph looks across the small lake towards McGee Creek Canyon. (McGee Creek isn’t a bad place to look for aspen color…)

I arrived here before sunrise and was set up and ready to go before the first light hit the peaks in the area of Mt. McGee and Mt. Morgan. As I stood (freezing!) by the shore of this small lake, waiting for the light that I knew was coming, a truck came up the lonely road to this place, passed the pond, made a u-turn, and slowed down by my vehicle, which was parked along the main road. My first thoughts were “this is either another photographer or someone who is checking out my car… for purposes I don’t want to think about.” However the vehicle kept going. A few moments later I discovered that this was a photographer, and he and his dog took up a position along the far shoreline. A few days later I was looking through an online landscape photography forum and I came across a photograph that looked like it had been shot from about that photographer’s position, and in which the conditions looked darn near identical to what I saw that morning. I contacted the photographer and found out that, indeed, he was the person I had seen that morning. (If you wonder why we didn’t touch base on the scene… a) we were both busy shooting the entire time, b) we were on opposites sides of the lake, and c) even though I yelled a greeting he didn’t hear.)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Alcatraz and Yerba Buena Islands, San Francisco Bay, Foggy Morning Light

Alcatraz and Yerba Buena Islands, San Francisco Bay, Foggy Morning Light
Alcatraz and Yerba Buena Islands, San Francisco Bay, Foggy Morning Light

Alcatraz and Yerba Buena Islands, San Francisco Bay, Foggy Morning Light. San Francisco, California. March 21, 2009 © Copyright 2009 G Dan Mitchell – all rights reserved.

San Francisco Bay morning fog over begins to break up over Alcatraz and Yerba Buena Islands and the San Francisco Oakland Bay Bridge.

I made this photograph back around the start of spring in 2009. I recall shooting from the Marin Headlands back toward the Bay as the fog began to break up, still obscuring the view but allowing beams of light to begin to come through the gloom and light up portions of the Bay. Alcatraz Island is at upper left and beyond that is the Treasure Island and Yerba Buena Island complex.

Many things intrigued me about this scene. Although it is in shadow still, Alcatraz stands out as the clearest object in the scene. The patterns on the water were amazing, created by a combination of the normal surface waves, the wakes of ships that had passed, and the mottled and mixed lighting of areas of fog and sun. Beyond the main subjects and over the East Bay shoreline around Oakland, light beams come down from the clearing fog.

This photograph is also an example of why I save and later review all of my raw files. Either because I don’t understand the image when I first make it or perhaps I move on to the next project too quickly sometimes it is not unusual when a photograph “slips through the cracks” and I end up overlooking it. This was one of those photographs… which I now find hard to understand.

G Dan Mitchell Photography
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Windows and Reflected Light, Industrial Building

Windows and Reflected Light, Industrial Building
Windows and Reflected Light, Industrial Building

Windows and Reflected Light, Industrial Building. New York, New York. August 22, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

A double-reflection of late light from an adjacent building appears in the upper story of this window-covered industrial building near the High Line Park in New York City.

This is another of my photographs from New York City’s High Line Park, made during my late August visit to the city earlier this year. For those who may not know, the High Line is a relatively new (and still under construction) urban park in Chelsea that is “elevated,” being built on the bed of the old elevated railway that passed through here. The park is tremendously popular, especially on summer evenings.

Aside from being a pleasant place to walk, the High Line affords some interesting views that are usually not quite this accessible. There are not to many places where you can walk through a busy urban environment such as Manhattan for a mile or so, out in the open, a couple of stories above street level, with largely unobstructed views of subjects near and far, and above and below. Here the park passes between some taller buildings that are closely spaced, creating an interesting lighting situation. (Oddly, it is a kind of lighting that I often look for when shooting landscape or nature subjects.) The sun is behind the building in the photograph, so the building is largely lit by light from the open sky plus light reflected from the building behind my camera position. You can see that other building in the windows here, the upper floors in direct sun light and the lower in shadow.

G Dan Mitchell Photography
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Morning Light on Shoreline Trees

Morning Light on Shoreline Trees
Morning Light on Shoreline Trees

Morning Light on Shoreline Trees. Yosemite National Park, California. September 19, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Early morning light illuminates shoreline trees, meadows and rocks at McCabe lake, with talus and forest-covered slopes beyond, Yosemite National Park.

We were camped at this lake for several days, and by this morning I had developed a pretty clear idea of what I wanted to photograph at different times of the day. My main interest in the early morning was in shooting almost straight back into the sun as it rose above the ridges to the east and began to backlight the lodgepole pines around the lake, especially those along the rocky and meadowy shoreline on the west and south sides. So on this morning, my second-to-last at this lake, I was up reasonably early and off to the other side of the lake before sunrise.

Once I reached the other side of the lake I had two tasks in mind. One was to make a few photographs in the very soft light before the sun reached this area. The other was to find and remember several compositions that might well work when the sun actually arrived. Around the west end of the lake I found several that lined up some of the small shoreline peninsulas and the rocks along the shoreline. After photographing those low light subjects for a while, I noticed that the light was beginning to strike a few trees along the west end of the lake, so I quickly got back in position to start doing the photographs as the sun began to arrive.

This morning presented one slightly unusual shooting challenge. For so late in the season there were a lot of bugs flying around the edges of the lake, including a surprising number of mosquitos. Unfortunately, the same light that so nicely picks up the edges of the backlit trees… also nicely highlighted all of the flying insects along the shoreline! These insects can show up in photographs as hundreds of small to larger blurring streaks – which must be laboriously and individually cloned out in post. Fortunately, I have a way to deal with this and make the process a little easier. I made two exposures of each composition, separated by a second or two. Since it was windless, the trees barely moved at all – but the bugs did move. Since their traces appear at different places in the two images, I can superimpose them in Photoshop and then mask out each bug in the upper image, substituting the corresponding bug free portion of the image from the layer below. It is still a bit of work, but not nearly as bad as trying to clone all of these problems out.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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