Tag Archives: monochrome

Deserted Street, Orvieto

Deserted Street, Orvieto
“Deserted Street, Orvieto” — A narrow, deserted street in the Italian hill town of Orvieto.

It can be a challenge to photograph these narrow streets without people in a popular town such as Orvieto. One strategy is to photograph late in the day and even into the evening, but sometimes an even more promising approach is to go out very early. Most of the tourists aren’t out then, instead sleeping in before a leisurely breakfast in the morning or sitting in a restaurant in the evening. The difference is even greater in Orvieto, where many of the visitors only come for the day, heading back to their “home base” for the evening.

All of the streets here are narrow, but this is an even narrower side street. Unlike the familiar American grid street layout, there the narrow passageways curve and twist and take off in surprising directions. Several things in this photograph intrigue me. First, essentially everything you see is stone masonry, from the cobbled path to the walls and arches. Second, I suspect that these arches serve multiple purposes — both as passageways and to brace the facing buildings.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Piaggio Ape, Wall, Alley

Piaggio Ape, Wall, Alley
“Piaggio Ape, Wall, Alley” — A Piaggio Ape utility vehicle parked against a wall in an alley, Orvieto.

We spent several days in the hill town of Orvieto, Italy last summer. We understand that many visitors arrive on day trips from Rome, but we were ready for a few days in a smaller, quieter place after visiting bigger cities like Milan and Florence. One of the fun things about staying overnight in the “day trip” cities is that they become much quieter in the evening and early morning after most visitors depart! We were out on a random walk, exploring the fringes of the town, when I saw this scene.

Working on the photograph sent me off into a world I did not know about. I had seen these little three-wheeled utility vehicles elsewhere in Italy — they are very practical on these narrow streets — but I didn’t know what to call them. A quick search turned up the name “Piaggio Ape,” where “Ape” refers to “bee.” Further reading led to the history of the things. As I understand it they essentially began as Vespa scooters with three wheels, and were then adapted into small trucks and vans.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Far Desert Mountains

Far Desert Mountains
“Far Desert Mountains” — High desert mountain ridges sretch toward the horizon under morning clouds.

I know I am repeating myself, but one of the most impressive things about Death Valley National Park is the sheer scale of the place — the distances are huge. The only place I’ve experienced that impressed me the same way was the near-arctic in the Yukon Territories and Alaska. Here mountains go on, range after range, into the far distance. (As a friend of mine might point out, the haze here is an obvious example of “atmospheric recession.)

This photograph is also an example of why I’m a big fan of long focal lengths for landscape photography. Some will tell you that “landscape lenses” have short to normal focal lengths, and that wide-angle lenses should be your standard tools. I beg to differ. The truth? While I own ultra-wide lenses, I use them sparingly… and my favorite landscape photography lenses are often telephotos. Here I used a very long lens to compress the distance and to isolate a small, interesting section of much larger terrain.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Trona Pinnacles

Trona Pinnacles
“Trona Pinnacles” — Trona Pinnacles in early morning light.

Every time I visit Death Valley I pass close enough to these formations to see them standing in the distance, a striking sight in this otherwise flat valley where there was once a large lake. (They are tufa towers, formed when the area was submerged.) From time to time I detour to photograph them, but they have been a tough subject. I made this photograph on another of those detours, stopping between Ridgecrest and Death Valley before sunrise. The light proved to be challenging, but I had a few moments of lovely side-light shortly after sunrise.

The photograph is a liberal interpretation of the scene. Obviously, the subject is not really monochromatic, but I chose that route because it seems more dramatic. By the use of filters (here in software, but the effect is the same as we got in the old days with glass filters) I have accentuated the contrast in the sky to produce the effect that I had in mind when I photographed here.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.