Tag Archives: morning

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Creosote, Dunes, Shadows

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Creosote, Dunes, Shadows
A clump of creosote among dunes shadowed by early morning light.

Creosote, Dunes, Shadows. © Copyright 2019 G Dan Mitchell – all rights reserved.

A clump of creosote among dunes shadowed by early morning light.

This photograph comes from nearly one year ago on the 2019 edition of my annual early spring visits to Death Valley National Park. (There will be no spring visit this year, what with shelter-in-place orders and so forth — fortunately I was there in January.) The late March and early April time frame is often ideal for wildflowers and for splitting the difference between winter cold and the unbearable heat that arrives in spring. Is there a downside? Yes. Lots of other people seem to have the same idea, and the number increases every year.

The sand dunes are an unending source of photographic opportunities. I prefer to photograph them either very early in the morning or during the sunset to early dusk time periods, when the light goes through remarkable transitions. My favorites include the subtly colored dusk hours and the moments of first/last direct sun, when the light is warmly colored and there are transitory shadows. I usually steer clear of the most popular ares of the dunes, generally finding more interesting things out along their boundaries.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Structures and Objects

Silos And Shadows, Morning

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Silos And Shadows, Morning
California Central Valley silos in morning light.

Silos And Shadows, Morning. © Copyright 2019 G Dan Mitchell – all rights reserved.

California Central Valley silos in morning light.

This photograph might serve as an example of an approach I sometimes take when photographing, especially when the subjects I had in mind may not present themselves or at least not present well. Basically, I have a backup plan, and I’m happy to switch gears and improvise if my primary subject either isn’t working or isn’t at its best. That was the case on this morning when I had traveled to the Central Valley to photograph birds. I did that, but then I decided to head down a narrow country lane looking for whatever I could find, and in this case the search uncovered some agricultural subjects.

It is always a question whether to stay with the subject you came for or to switch to another target of opportunity. To be honest, I cannot recommend one over the other — I do both, and it is hard to rationalize why I choose one over the other. Sometimes, quite honestly, it is mainly a hunch. If you stick with a subject that isn’t quite working you may eventually find a way to make it work, or perhaps that light you hoped for will appear. On the other hand, you could just as easily wait and find that nothing changes!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Curving Beach, Fog

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Curving Beach, Fog
Fog retreats to the shoreline above a curving beach near Point Sur

Curving Beach, Fog. © Copyright 2019 G Dan Mitchell – all rights reserved.

Fog retreats to the shoreline above a curving beach near Point Sur.

This is the same location where I made a couple of other recently posted photographs — a spot along the Pacific Coast Highway not far from the town of Big Sur, where a long, curving beach runs out toward a peninsula that has long been the home to an iconic California light house.

Much to my surprise, I encountered really beautiful conditions on this morning visit to the area. The forecast had called for essentially clear conditions, but I was instead greeted by a persistent fog bank that remained right along the coast, stubbornly intruding into the hills in some locations, while pulling back and allowing sunlight over the ocean in others. This scene was dynamic as I photographed it, with the fog intermittently rising and falling or drifting across this scene, located near the delta of a river that empties into the Pacific near the small hill sitting on the beach.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

First Light, Sierra High Country

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First Light, Sierra High Country
First light touches Sierra Nevada peaks and reflects in the surface of an alpine lake.

First Light, Sierra High Country. © Copyright 2019 G Dan Mitchell – all rights reserved.

First light touches Sierra Nevada peaks and reflects in the surface of an alpine lake.

The photography, of course, is the main excuse for our trips to places like these. We go to some lengths to put ourselves in locations like this for days or longer — lots of advanced planning, solid backcountry travel to get there, and then a week or more of living in tents. But the advantages are many. Obviously the “scenery” is often right outside our tent doors, and when great light happens we are essentially right there. Because we are there for a significant period for time we can more carefully and completely explore our surroundings, finding hidden gems, figuring out best times for various subjects, and returning to them as necessary. We also have the time to slow into the natural backcountry rhythms, where it seems that we have much more time to do all of the important things — photography, of course, but also sitting a looking or having a look discussion with colleagues/friends.

This view was literally steps from my tend, set on what seemed almost like a large peninsula nestled within the curve of the lake. After our first sunrise here it became apparent that the intensely colorful first light would be a fleeting subject. Due to the surrounding geography, this first color would initially spread across the summit of this ridge… but then quickly lose its color. This was a quiet morning, with little wind, so I decided it was time to stake out a camera location and photograph the first light reflected in the lake.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.