Tag Archives: north

Photographs: Central California, Photographs: Nature, Photographs: Northern California

Reeds and Reflected Sky

January 30, 2013 G Dan Mitchell 2 Comments

Reeds and blue sky reflected in the surface of a San Joaquin Valley pond

This image could serve an example of how puzzlement, patience, and good luck can lead to a photograph. I have looked at precisely this clump of reeds perhaps a half-dozen times, thought about how I might photograph them, but could not make it work. They grow in a marshy pond in a San Joaquin Valley wildlife refuge, near a spot where I almost always stop at least once each time I visit. The usual reason for stopping at this precise spot has little or nothing to do with these plants, and more to do with the wildlife that might be around or with the interesting light that often appears here at certain times of the day.

When I have stopped here to photograph those other things, or perhaps just to look around, I have noticed the reeds and wanted to photograph them, but remained puzzled about how to make the photograph work. It may seem odd that such a simple subject would be challenging, but it is hard to find a sight line to one clump that isn’t interrupted by others, the water is often a bit stirred up by wind and birds, and getting the right reflections and light on the water is a challenge. But each time I think about it, and I had even tried a few previous photographs. But this time I had some luck on my side. First, it was a very calm and still morning, so the surface of the water was almost glass smooth, with just very subtle ripples. Second, the morning fog and haze distinctly muted what could otherwise be an overpowering blue in the reflection from the sky. (I’m almost embarrassed to admit it, but I didn’t even go back to my vehicle to get a tripod to make this shot, instead just shooting it handheld.)

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Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Wildlife

Cranes and Geese, Morning Fog

January 29, 2013 G Dan Mitchell 2 Comments

Sandhill cranes and Ross’s Geese in flight through clearing morning fog, San Joaquin Valley

While I still cannot resist the challenge of trying to get a good, sharp photograph of a bird filling the frame, more and more I’m interested less in individual birds and more in their environment and their place in it, along with trying to evoke a sense of what these places are like. I think these photographs are meant more to be suggestive than descriptive, and I’m happy if not everything is quite clear to see. (I can tell you that being in these places, not everything is clear either!)

The fog was playing interesting games with us on this morning. This location often seems to be foggy, even when nearby areas are clear, probably because it is low and very wet. Compared to some mornings, it was not as foggy as it can be when we arrived, and it was possible to see some distance as we drove the gravel road that circles the marsh. We found a likely area to stop and photograph birds, including cranes, geese, pelicans, ducks, and more. Close to sunrise, it suddenly became more foggy, to the point that many nearby objects were obscured – even though the fog was so shallow that birds flying just above it were illuminated by weak dawn light. This photograph is one of a series I made as small groups of sandhill cranes came towards us from across a pond. Handholding the camera I tracked them as they approached, trying to make exposures as they moved into position against any sort of interesting background. Here that background turned out to be a few other birds – mostly geese – and some clumps of reeds barely visible in the fog.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Autumn Leaves, Sand

January 27, 2013 G Dan Mitchell Leave a comment

The thing that most often first catches my attention in the bottom of slot canyons, such as this small one in the Zion National Park high country, is the way that they twist between closely spaced vertical walls. There is virtually nothing quite like this in our experience. But the thing I notice first is not necessarily the thing I remember most. I often wonder how others might regard my photographs, since I know that they cannot share the full context of the images that I know from being in these places. (I’ve often said that we, as the photographers, are perhaps the least able to see our own work objectively, since we cannot easily put aside these non-photographic things that are no longer present in the purely visual medium within which we work.) When I think of these canyons I think of the sound, often deadened by the sand and perhaps by vegetation, and of the feeling of the air, which always different from the feeling of the air outside the canyon – most often cooler when the “outside” air is warm but also warmer when the canyon provides shelter from cool-season winds. And it those canyons with water flowing through them, there is the constant, though often gentle sound of water flowing and trickling.

I also usually end up slowing down and looking at many small things that might not first be seen – the leftover pattern of water than may have flowed through weeks or months earlier, place where the sand has been marked by the passage of a small animal or by grass moving across its surface in the breeze, the mixture of rocks that must have come from distant places, plants growing in odd cracks in the rock, patterns in the rock walls, the passage from one rock layer to another, and more. On this fall day it had been windy and lots of autumn “stuff” was littering the canyon floor, which here was pink sandstone sand, further colored by the glowing light reflected from the red rock canyon walls.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Pines and Sandstone Cliff

January 26, 2013 G Dan Mitchell Leave a comment

A sparse forest of pine trees in front of a towering sandstone cliff, Zion National Park

This could be one of those “don’t forget to look around” photographs – a reminder to look beyond the most obvious thing that you (and others) might have stopped for. The photograph is from Zion National Park, made on my late October visit when we passed through on the way to shoot further east in Utah. The specific location is a well-known automobile pull-out that features a large and impressive nearby geological feature, with signage around the parking lot mostly about that thing. And it is an interesting and worthy site, but one that I’ve struggled to see as a photograph. In fact, the whole area right near here has been a bit this way – a very interesting place where I’ve stopped a few times, but also one where I’ve had a difficult time seeing how to photograph the attractive features found here.

From this location, trees growing on a middle-distance rise can be seen. I’ve also looked at them before and wondered how or whether they could make a photograph. Those trees are the trees in this photograph. What seemed different this time was the result of interesting and changing lighting conditions. The light was coming from the side and a bit behind the trees, so it highlighted the branches and even created just a tiny bit of that glow that I often look for with this subject. In addition, there were broken clouds about, and they were being blown past fairly quickly by a brisk wind – so the light was in a constant state of change. One moment the trees were in a cloud shadow, and the next they were in sun. When they were in sun, the foreground and background might be in sun, too, or in shade, or even some combination of the two. I love these conditions since so many things are (fleetingly) possible with the light. My approach is to make some guesses about what might with the light, find a composition that I think will work, and then pay careful attention to what is happening. This photograph was exposed during a lucky instant when the clouds shaded the background sandstone cliff, and the slightly cloud-muted sun shone on the trees.

G Dan Mitchell Photography

Tag Archives: north

Reeds and Reflected Sky

Cranes and Geese, Morning Fog

Autumn Leaves, Sand

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.