Embarcadero Center and Ferry Building near the San Francisco waterfront on a foggy morning.
This is another photograph that I’ve been sitting on for a while – first while it languished as a raw file between last July and early this year when I did my annual review of the previous year’s images, and then after post-processing as I posted photographs from Death Valley, the Sierra, and the coast. It has been sitting on my desktop long enough.
The photograph was made from the dock side of the San Francisco Ferry Building, looking back over the building past its iconic tower towards some of the modern buildings in the Financial District. The light was very interesting – there was still, obviously, the usual summer morning overcast where I was. However, behind me and out over the Bay the clouds were breaking up and the light was starting to come in at a low angle from off the bay, providing a glow to features like the windows of the tall background building.
This photo was made while walking streets in San Francisco and shooting mostly “old school” with just a 50mm prime.
Man sitting on steps in front of tattoo parlor below the Golden Eagle Hotel, San Francisco.
Last summer, on one of my “walking shoots” in San Francisco, I wandered into a less-than-lovely area of The City – though it has its points of visual interest, for sure. I named this photograph after the Golden Eagle Hotel at least partly because I assume that the dilapidated green apartment building above the colorful (in many senses) shops at street level comprise the “hotel.” Another reason is that I wasn’t sure I wanted to title a photograph “Tattoo” or “Naughty Laundry!” (I don’t know what the “Naughty Laundry” place is, and I probably am better of keeping it that way! :-)
In a sense, every photograph I make is “about” something, though often they are simply about the qualities of the subject or subjects themselves. You could certainly look at this image that way. I was certainly intrigued by the juxtaposition of the very colorful and closely packed shops and the very drab apartments above. The building itself, which may have seen better days, is interesting to me architecturally. What is with the little round windows, with their thick frames, between the conventional rectangular windows? And despite having some interesting San Francisco qualities, the building is terribly run down. A close look reveals peeling paint, wires running here and there, painted over spots of what might have been graffiti, and so forth.
Then there is that guy sitting on the step of “Goldfield’s Original Broadway Tattoo Studio.” There are no other people in the scene, and my recollection is that there really weren’t many people around. He sits, face downward and headphones on, apparently completely engrossed in whatever technology he holds in his hand, and apparently also completely disassociated from his environment. You can find a lot of people like this today.
Black and white photograph of the ruins of an abandoned mining cabin high in the Panamint Mountain Range of Death Valley National Park.
There are a number of things that make Death Valley National Park, to the best of my knowledge, rather unique. One is the extensive history of human habitation inside the park boundaries, quite a bit of which is visible – though some takes a bit more effort and attention to spot. The history of mining in the park is well-known, and many of the icons of the park have connections to this history. If you visit Furnace Creek, for example, you cannot miss the displays of old wagons and so forth used to move ore out of the Valley. It doesn’t take a lot of careful study to figure out that many park roads originated in an era of prospecting and mining. There are several well-known examples of structures left over from that era in and around the park, too.
It is largely because of this history that many areas of this national park are (or have been – some are now reverting to wilderness status) accessible by gravel road or four-wheel-drive routes. I would argue that you can’t really get to know this park if you just stick to the paved roads and the points of interest that they access. If you drive any of these other routes and keep your eyes open you will often be surprised by the left overs from relatively recent mining and prospecting, much of which isn’t really written about or described in the usual guides to the park. (And I’m not going to offer specific details about where to find such places here, since I don’t want to be even a little bit responsible for damage to them. If you do visit, treat them with care and respect.)
As I drove along a gravel road in one of the many mountain ranges of the park, returning from a site that is somewhat well-known, I began to notice evidence of fairly recent mining and prospecting. Faint tracks depart from the main “road” and cross valleys and hills, here and there tailing piles and mine entrances are visible, and sometimes you come across old structures such as cabins, storage bunkers, or wooden towers above mine entrances. I spotted the ruins of this old cabin above the road at one point and decided to walk up and investigate.
I’m almost always surprised at how “modern” many of the traces found at these places seem to be. I guess I am expecting something from the 1800s, but quite a few of these places look like they were build and occupied much later than that. I find modern things like linoleum flooring or modern-looking nails or electrical wire in many of them. There obviously isn’t much left of this cabin now, but from the detritus lying around near it and the form and materials found here, it must have been a reasonably comfortable place to live. As I walk around such places I often try to imagine what it must have been like to wake up every morning in this silent desert and head out for another day of physical labor.
Night photography of an old yellow building with dark windows against a backdrop of dark sky with star trails, Mare Island Naval Ship Yard, California.
This is probably a fairly conventional image of Mare Island buildings in some ways and it includes the ever popular star trails! One aspect of doing night photography – especially when exposures are measured in minutes rather than seconds, much less fractions of seconds, and double-especially when you must wait for a second dark-frame exposure to complete – is that you have a lot of time to stand around and observe and think about what you see. A whole lot of time. Before I made this photograph, I had made one of a nearby wall with some interesting windows and a door and illuminated by some light that passed through some intervening stuff, producing interesting shadows. The alley where I was shooting was quite dark, necessitating fairly long exposures, so as I made that previous photograph I had perhaps 10-15 minutes of “standing around time,” during which I was able to observe my surroundings pretty closely.
Lately one subject that I’ve been experimenting with is the upper stories of buildings, shot from below and with sky beyond. Near where I was shooting and next to a nearby alley was this large (apparently) concrete building with dark windows, and its pointed prow against a backdrop of relatively dark sky. I noticed that this section of sky held more bright stars that some other areas and that if I lined things up just right I could position some to either side of the point at the corner of the building.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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