A broken window in a brick wall with cinder blocks behind, High Line Elevated Park, New York.
This odd window set against a solid cinder block wall was alongside the High Line Park in the Chelsea area of Manhattan. I am always intrigued by odd brick patterns, including those where someone has painted the bricks. The image of the smashed window “opening” to a solid wall was also compelling, and in a larger print there are some very interesting patterns, colors, and textures in the broken glass and the bits of paint on the window.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Detail of a wall in Chelsea along 10th Avenue near High Line Park, New York featuring ivy, bricks, and a face.
I was on the move when I grabbed this shot, so I can’t say with precision where I made it. I think it was along 10th Avenue roughly in the same area as the Standard Hotel along the High Line Park – I sort of recall looking up to see some people coming out of the hotel at about the time I made this photograph.
The face first caught my attention. I think that it is a somewhat worn poster or similar attached to the surface of the wall near this junction between two buildings, hence the division between brick and not-brick. The rich textures of worn concrete with some graffiti painted on it, the two colors of brick wall, the staring face with the intense eyes, and the incongruous growth of lush green ivy were a surprise on this very urban bit of sidewalk.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Black and white night photograph of pipes, shadow, and a brick wall at the historic Mare Island Naval Ship Yard near Vallejo, California.
This is an example of the sort of thing I was looking for during my night photography shoot near the end of May at the historic Mare Island Naval Ship Yard near Vallejo, California. The place is well-known among night photographers for its interesting and impressive abandoned (mostly) structures, some of which are very old. The most striking subjects for most shooters involve the massive ship yard equipment that towers above old brick factory buildings. I’ve made my share of photographs of those wonderful subjects!
But on this visit I resolved to not shoot the familiar large buildings and structures, and to instead look for odd little vignettes of the place that I had overlooked in the past. This pipe standing against a brick was was actually hard to really see in the very dim artificial light in the alley where it is located, but I thought that the pipe and its shadow on the brick wall might be interesting. At the time I made the exposure I wasn’t certain if it would end up being black and white or color, but after working with it in post I’m happier with this monochrome version.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Concrete bunker walls with painted sheet metal panels in evening light – Mare Island Naval Ship Yard.
I think I’ll go ahead and classify this as a night photograph, though it is on the margin of what qualifies. If you notice from the technical data that it is a 30 second exposure, you may be more convinced. Almost every time I do night photography at the historic Mare Island Naval Ship Yard across the water from Vallejo, California I start near this collection of concrete bunkers near the so-called “historic core” of the ship yard. I’ve long been intrigued by these mysterious looking structures and the foliage that now is beginning to grow around and top of them, but it has been difficult to figure out the right light for shooting them. On this visit we gathered at about 8:00 p.m. which happened to be a few minutes before sunset. As twilight came on it seemed like I might get an interesting combination of fading light from the dusk sky and some artificial light, so I wandered off among the bunkers and shot for a while. The painted-out grafitti was something that I hadn’t see here previously, but the paint patterns in tones of blue – augmented by the blue-ish evening light – seemed to make an interesting contrast with the rough and weathered texture of the concrete walls.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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