A section of brick wall above old roofs is painted bright orange, Chelsea, New York City.
This photograph was made from the High Line Elevated Park in morning light. If you like the textures and colors and machinery and forms of dense and old urban structures, there is a lot to see and photograph from the High Line. I made a photograph of the same under-construction area in the far right of this frame (not completely visible) a year ago, but that was at a very different time of the day. On this morning, the odd patch of bright orange paint on the brick wall (and the smaller bit around the door frame) got my attention, so I leaned as far as I could toward the edge of the walkway and made a photograph unobstructed by the guard rail.
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A tree and granite slab are lit by brilliant sunset light from a dissipating evening thunderstorm, Yosemite National Park.
This was another of those sometimes-surprising bursts of evening Sierra color that results in effects so gaudy that they almost seem unreal – but this is real. I was camped down in a valley among trees so I wasn’t initially expecting much in the way of spectacular sunset photography. Instead, I planned to take advantage of the early shadows in the valley and get some evening photographs under soft light without any direct sun at all. I first worked some moving water where the nearby river flowed across granite slabs, and then I contemplated photographing some small plants in deeply cracked and patterned granite. As a worked my way across this granite, I remembered a small tree on the other side of the bowl that had looked like an interested photo subject a few days ago, so I walked over to that area where the tree stands in a shallow granite bowl.
Earlier in the afternoon I could see huge thunderheads building up to my east, but they did not move far enough west to affect me with anything more than a bit of gray sky. However, as the clouds built up to higher elevations, their tops began to take on the familiar “anvil” shape and the upper portions of the “anvils” began to spread to the west and out over my position. This is a classic setup for potentially spectacular evening sky color. Near sunset the clouds can pick up intense red/orange coloration from the sun setting in the west. At the same time, the storms begin to dissipate, creating semi-transparent “curtains” of virga (falling rain that doesn’t reach the ground), unusual shapes along the bottoms of the clouds, clouds emerging out of the gray murk as the sunset light picks them up.
As I arrived at my little tree, I quickly lost interest in that subject as the cloud light show began. First the bottom of the thunderhead began to turn brilliantly orange and red. Then the lower reaches of the small storm began to produce very unusual cloud shapes including mammatus clouds. Virga produced a brightly colored by semi-transparent scrim. It quickly became so bright that the red/orange colors began to wash the granite bowl, and I turned my camera from the little tree to the uphill granite surfaces and the clouds above.
In this vertical format image the tip of a small tree extends above the top of a dome-like area above me, and the brilliant light from the clouds washes the dome with color. The colors here have not been “amped up” in post – in fact, I’ve actually toned some of them down a bit!
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A metal wall near the World Trade Center site reflects the colors of surrounding buildings and passers-by.
During our recent visit to New York City we spent some time at the World Trade Center site. This is the third time we have been there. The first was right around New Years 2000, when we did the typical tourist thing and went to the top of the WTC at night and looked over the city. It was an innocent time, wasn’t it?
The second visit was not until a year ago after our oldest son moved to Brooklyn and got a job working within a few blocks of the site. After nearly a decade of media coverage of the events of 9/11 and all of the associations connected with that event, walking up to the actual place was a powerful and sobering experience. At that time, there was nothing much to see other than what appeared as a giant empty space occupied by cranes.
This year things were different in many ways but the same in many others. The area is now a hotbed of activity, with impressive new buildings soaring skyward, construction workers and equipment everywhere. From the right vantage points, portions of the site are beginning to show signs of what the place will become when it is finished – we could even see an area where new trees are planted. As we walked a circle around the area though, reminders of what happened there are still to be found, both small and large. The memory of coming upon a nearby fire station with its poster filled with the photographs of scores who lost their lives on that date affects me even now as I write this.
This photograph was made as we walked along what I recall as the north side of the site, past the new tower that is rapidly becoming the tallest structure in lower Manhattan. A busy sidewalk travels through here, squeezed between the construction area and existing buildings. This metal wall was on one of those buildings, and it is colored by reflections of people passing by, buildings, and sky.
Distorted and colorful reflections on the metal surface of the Frank Gehry-designed EMP Museum in Seattle, Washington.
I made this photograph, and a series of them of this subject, during a visit to Seattle back in 2006. After seeing the exhibits at the EMP Museum, I spent some time wandering around the Frank Gehry designed building and looking for photographs.
Seattle seems like a great place to photograph architecture – you are almost guaranteed soft light! Here I had a mostly cloudy sky with a few spots of blue sky, so the basic light was very nice. In addition, the building itself is, in places, one giant fun house mirror. In this shot the reflective panels are picking up their own coloration, some clouds and blue sky, and some extremely distorted reflections of nearby carnival rides – and all of that stuff is set off against the sky blue curving shapes projecting from the building at the upper right. Some of the colors reflected in the wall panels are so colorful as to almost be over-saturated, and with the strange distortions they create the effect seems almost hallucinogenic! Is there any color that cannot be found somewhere on that wall?
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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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