Tag Archives: path

Photographs: Netherlands, Photographs: Travel, Photographs: Urban/Street

Amsterdam Bike Lane

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Amsterdam Bike Lane
Cyclists on a bike lane on a cloudy day in Amsterdam

Amsterdam Bike Lane. © Copyright 2018 G Dan Mitchell – all rights reserved.

Cyclists on a bike lane on a cloudy day in Amsterdam

This photograph is partly about bicycles and Amsterdam, partly about that interesting and dark sky, partly about Amsterdam architecture and buildings that lean, and partly about that guy in the foreground. This summer was our first visit to Amsterdam. We stayed just outside of the central city and walked a few blocks to get to the well-known areas each day. For many years I was a very active cyclist in the US, but this is an entirely different scene. Almost no lycra, dropped handlebars road bikes, few mountain bikes… and lots of people in street clothes riding very utilitarian bikes… and parking them everywhere. Somehow the intersecting types of traffic — foot, transit, canal, bicycle, car — seem to coexist here, though it can be quite confusing at times for a first-time visitor.

This day’s light was remarkable. There was thin sunlight, but there were also some lovely dark clouds in the sky. If memory serves, we were in light rain later that evening as we ate dinner outside. We ended up talking to a couple who live in Amsterdam about many things. I confessed that I had initially been mildly disappointed to find the cloudy weather when we arrived, expecting it to be sunny. They more or less laughed and pointed out that this was the more typical sort of conditions. (They claimed that I would not see blue sky. That turned out to be wrong… but only by a little bit!)

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Nature, Photographs: Sierra Nevada

Early Autumn Color, Lake and Mountain

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Early Autumn Color, Lake and Mountain
Early autumn color along the shore of a Sierra Nevada alpine lake

Early Autumn Color, Lake and Mountain. © Copyright 2018 G Dan Mitchell – all rights reserved.

Early autumn color along the shore of a Sierra Nevada alpine lake

One of the pleasures of photographing from a backcountry base camp is that I can roll out of my sleeping bag and climb out of the tent… and start photographing almost at my doorstep. We camped near this lake for a full week, and on several mornings and evenings I explored it, gradually pushing out my boundaries, traveling a bit further along and beyond its shoreline, and getting to know it in different light at various times of day.

I made this photograph on one of those morning walks, when I set out slowly towards the far opposite end of the lake near its outlet stream. I was in no hurry, taking time to observe and photograph as I walked. Eventually I made it to that further point, photographed a bit there, and turned around to start back toward camp, continuing to photograph. The lake remained in the shadow of the tall ridge to the left long after sunrise, and as I walked back the first beams of light reached the shoreline. In this photograph a lakeside willow bush is catching some of that first light.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Night, Photographs: San Francisco, Photographs: Urban/Street

Path Above San Francisco

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Path Above San Francisco
A person walks on a path through a grove above the night lights of San Francisco

© Copyright 2017 G Dan Mitchell – all rights reserved.

A person walks on a path through a grove above the night lights of San Francisco

This is another of my handheld night photographs, something I’ve been experimenting with for a couple of years now. Newer high ISO small handheld cameras make it possible to work without a tripod in the urban landscape, essentially doing street photography in the (near) darkness. While there are some compromises in pure image quality — more noise to deal with in post, and greater potential for motion blur, working this way makes in possible to photograph in ways that just aren’t possible with a tripod. I can move quickly and respond to changing subjects more readily, and I’m less of an obvious intrusion on the scene.

This photograph might seem like one for which a tripod would be appropriate. I can’t argue with that on a technical basis. But I point out that between the time I saw this person walking along the path and the time I made three quick exposures was measured in seconds. With a tripod-mounted camera I simply would not have been able to make the photograph.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Nature, Photographs: New York City

Sunday In The Park

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Sunday In The Park
Visitors to Manhattan’s Central Park on a sunny summer afternoon

Sunday In The Park. New York City. July 2, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Visitors to Manhattan’s Central Park on a sunny summer afternoon

I love the natural landscape, especially my familiar “friends” of the Sierra Nevada, the California coast, the redwoods, the western deserts, and others that are close enough to me that I regard them as part of my greater neighborhood. But I also love cities. The differences between the two worlds are obvious — loud and fast versus quiet and still, lots of crowds versus solitude, a constructed world versus a natural one. But they are not, perhaps, as entirely separate as we might think. When we visit either of these worlds we invariably bring at least some of the world we left behind. (Sometime when I feel like writing a lot more about the topic, I may share some ideas I have about the dangers of regarding the natural and human worlds as being altogether separate and distinct.)

In any case, we were again in New York earlier this summer, partly for the city itself and partly (mostly?) to visit family. We ended up in Central Park more than once, and on the last visit I think we sort of got to experience the park a bit as the “locals” do, when we put together a picnic with our “kids” and staked out a spot in Sheep Meadow to join the New Yorkers on the Fourth of July. Perhaps because that which seems natural is here so overwhelmed by that which seems constructed, it seems like at least some New Yorkers may almost feel more strongly about their local “natural spaces” than folks do in less urbanized environments. This photograph was made on an earlier walk through the park, when we traveled along paths that took us past this small but very popular lake.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.