Tag Archives: pink

Two Cranes, Sunrise

Two Cranes, Sunrise
Two Cranes, Sunrise

Two Cranes, Sunrise. San Joaquin Valley, California. January 1, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Two cranes fly in front the rising sun above San Joaquin Valley wetlands

On New Years Eve 2013 I arrived back in the San Francisco Bay Area from New York after 10:00 PM. 8 hours later (2 hours of unpacking, four hours of sleep, and two hours of driving) I was in the Central Valley, where I met friends to greet the (literal) dawn of 2014 in the company of wild birds. We arrived before sunrise to find light fog drifting about and to hear the sounds of thousands of birds coming from every direction.

We made a few initial photographs before dawn from very close to our meeting location, and then we headed out into this wildlife area to find locations from which the birds (geese, cranes, herons, pelicans, and more) would be more visible. A few minutes later I looked over my left shoulder to see the very first sliver of the sun barely glowing through the layers of fog as cranes and other birds flew across the horizon above the marshland. I quickly found this spot where there was a small tree and where a bit of the further water was visible and I photographed though the sunrise, until the sun rose above the low mist and became to bright to include in the frame. There was a constant flow of birds across the scene – sometimes hundreds of them and sometimes, as in this scene, only a few.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Colorful Pebbles, Layered Sandstone

Colorful Pebbles, Layered Sandstone
Colorful Pebbles, Layered Sandstone

Colorful Pebbles, Layered Sandstone. Point Lobos State Reserve, California. February 17, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Two colorful pebbles rest on layered shoreline sandstone, Point Reyes Reserve

As I mentioned in an earlier post, when I visit Weston Beach at Point Lobos I often spend some time wandering around near the edge of the water, looking for interesting bits and pieces of “stuff” washed up by the winter surf. The stuff can range from small stones to kelp. Many of the stones are, not surprisingly, well-rounded from being rolled around in the surf. Occasionally a very colorful stone will show up… but here I got lucky and found these two, one deep blue and the other an intense pink-burgundy, sitting side by side in an indentation in the textured and layered shoreline sandstone.

It takes a bit of luck–and some observation–to find such things, but that isn’t quite enough. The light has to be right, too, and that isn’t always a sure thing here. It can be foggy, though that wasn’t the concern on this mid-February winter day. Since we arrived well into the morning hours, it was quite possible that as the sky cleared we would find the light far too harsh. However, luck was with us, and a high, thin layer of clouds moved in and muted the intensity of the light. I framed up this little composition and just waited for subtle changes in the light that would provide a soft shadow that was filled in with soft light.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Tree and Fog, Dawn

Tree and Fog, Dawn
Tree and Fog, Dawn

Tree and Fog, Dawn. San Joaquin Valley, California. February 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A solitary tree reflected in the still surface of a San Joaquin Valley pond beneath winter dawn sky

This in another of those photographs that reminds me that much of what happens in a photograph is not subject to planning. We had traveled to the Central Valley to photograph migratory birds and the flat and often atmospheric landscape of this area, and we were anxious to be here since these seasonal conditions are not likely to last a whole lot longer this year. It was crystal clear as we drove into the valley but, not unexpectedly, we began to encounter thick ground fog ten or fifteen minutes before reaching our goal. It was still dark when we arrived, with just a hint of coming light to the east, and soon friends joined us and we started looking for photographic possibilities.

Our friends Michael and Claudia drove ahead as we readied our cameras, and by the time we caught up with them I saw that Michael had left the vehicle and taken off for the edge of a nearby pond, were he was barely visible silhouetted in the fog against the very early light in the sky. I made a “photographer at work” picture of him in this scene (shared here earlier), and only then started to wander that direction of myself. Unless it is the sort of fog that sits heavily and doesn’t move, fog is one of the most ephemeral and transitory atmospheric conditions. It changes continually, becoming thicker and thinner, transmitting more or less light, becoming thinner here and thicker there, and glowing with varying levels and colors of light. When I reached the edge of the water it was thick and glowing with deep pinkish-purple colors of dawn light. I found a composition that included a solitary tree and some foreground reeds and made a few photographs. This one was just a moment later in the series, but by now the fog had thinned slightly to provide a view of higher clouds to the east and the intense colors had become more subtle.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Rocks, Sand, Wood

Rocks, Sand, Wood
Rocks, Sand, Wood

Rocks, Sand, Wood. Death Valley National Park, California. December 12, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Colorful detritus of rocks, sand, and wood along the desert floor of Death Valley National Park

Death Valley National Park is landscape on the gigantic scale and a landscape of extremes. Elevations range from below sea level to over 11,000′ At the right time of year you can stand in 90 degree or hotter temperatures in the lowest place and look up to see snow on the highest peaks. It is well-known that the heat and aridity are extreme. The scale of the place is stupendous. When I first traveled in the park it reminded me, perhaps in a surprising way, of monumental landscapes that I had seen in The Yukon and Alaska, where the land seems to go on farther than one can see. Because there is so little vegetation, the geology of this desert landscape is laid bare, and rugged strata are easy to see.

But there are also surprises right underfoot. At the right time during the right years (and this photo was not made at such a time) small plants and wildflowers emerge and insects and other small critters can be seen. Some of these intimate landscape scenes seem more mundane, but they also tell stories worth hearing. This small patch of earth is at the base of some small, eroded hills along the east side of Death Valley where I have stopped from time to time. It is not an obviously special place – there is no parking lot or sign. The first time I went there to photograph in the evening I looked down and noticed the dense collection of multi-colored rocks, dead plants, and sand, and now when I go back there I seem to always end up looking for the same thing. The curving bit of dried wood was once a plant eking to a life at the edge of the main valley. These rocks are likely evidence of the surprising role that water plays in the formation of this landscape, having been washed down from those various strata and formation high in the Amargosa Range, leaving traces of blue, pink, purple, tan, and green minerals. And below and mixed in with all of this is the omnipresent sand, deposited and moved to and fro by Valley winds.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.