Tag Archives: print

Photographs: Architecture, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Glass Facade

July 29, 2012 G Dan Mitchell Leave a comment

The reflecting glass surfaces of a downtown San Francisco Tower.

This is another photograph exploring the unreal nature of large urban buildings, especially those almost entirely covered in glass. As in a few of the other recent photographs of this subject, I chose to move very close to the base of the building and shoot almost straight up, lining things up so that the upper edge of the building is barely within the boundary of the frame. The building is an otherwise not-all-that-unusual one along lower Market Street in San Francisco. (I’m terrible about identifying the buildings – I really need to start taking some notes or at least photographing addresses!)

There are three things that caught my attention about this building and this composition. First, the glass wall at the right, which is perpendicular to the main facade of the building, produces a reflection that creates a false impression that the building is symmetrical. But what you “see” of the “right side” of the building is actually the left side in reflection – the actual extent of the building to the right cannot be seen from here. Second, reflected light from windows in another building casts patterns of lighter areas on the vertical, fluted columns that extend straight to the top of the building – and this is also reflected in that perpendicular wall on the right. Finally, while the surface of the building is essentially the reflected image of the sky, the differing reflectivity of alternative vertical rows of windows creates a subtle banding in the lightness of the sky reflection.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Seaweed and Sandstone, Weston Beach

July 28, 2012 G Dan Mitchell Leave a comment

A twisted piece of seaweed tossed onto sandstone rocks at Weston Beach, Point Lobos State Reserve.

Bits of sea life-like this illustrate one of the great reasons to walk slowly and carefully along the shoreline with eyes wide open. I photographed this section of dried seaweed just as I found it, lying on this stratified bit of sandstone on Weston Beach at Point Lobos. It is hard to imagine how a plant that, I presume, might have been fairly straight underwater, ended up in such a wonderfully twisted shape and to sit on this bit of rock with its own shallow curve.

I was a bit surprised to find this and some similar nearby examples on this beach. I’m used to coming here in the high-wave months of winter, when storm surf can cast all sorts of interesting things far up on the beaches and beyond the usual high-water line. But at this time of year the surf is often a lot calmer, as it was on this day, and I don’t expect to see nearly as much “stuff” washed up.

Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Towers and Sky

July 27, 2012 G Dan Mitchell Leave a comment

Whether or not it is apparent, this photograph is the result of some simple shooting and some significant post-processing work. The shot was made handheld during an early evening walk through a portion of San Francisco’s financial district. In addition to looking for the usual street stuff, I was giving my attention to what was above me. I made a series of photographs of very tall buildings, shooting almost straight up and from very close to the bases of the buildings. In “street” style, I was working with a 50mm prime and framing subjects within the constraints of that lens. (Since the subject comes up in this context from time to time… no, I’m not making any statement about the “right” lens to use for street. Sometimes I just like to work with a prime. Sometimes I like to work with a zoom. Sometimes I like both!)

When photographing these subjects in this way, the vertical shooting angle and closeness to the buildings can eliminate the reflections of other buildings and let each structure be seen apart from its surroundings to some extent. In this photograph, the windows (almost) do not reflect anything but sky. In order to emphasize the presence of those windows I chose to apply a blue (!) filter in post, which also had the effect of making the sky almost perfectly white, especially after some curves adjustments. I applied a few other processes as well to get the look I was after here – but those can be my secret!

For probably 90% or more of my photography, I’m pretty much a tripod kind of guy. Working without the tripod, walking through urban areas, and responding somewhat quickly (as least compared to some of my landscape work) to subjects, and then moving on – all of this can be a welcome change from my more typical shooting style.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

Photographs: Desert, Photographs: Nature, Photographs: Northern California, Photographs: Owens Valley

Three Towers, Morning

July 26, 2012 G Dan Mitchell Leave a comment

Three tufa towers in morning light, surrounded by wind-blown patterns on the surface of Mono Lake, California.

In mid-July I was in the Tuolumne/Tioga Pass area of the Sierra for a few days of photograph. In the end, I decided to stay over one extra night so that I could drive down to photograph around Mono Lake early in the morning before heading home. I was up before dawn, quickly in my car, and down to the shoreline of Mono Lake before sunrise. My first objective was to try to photograph sand tufa formations – not the more famous tufa towers. I found what I was looking for, and spend the sunrise period photographing them in first light. However, this opportunity quickly ended, so I turned my attention to the lake itself, along with its surroundings of low hills.

While the tufa towers are the iconic visual symbols of Mono Lake, I have some other and perhaps strong associations with the place. Most of them are connected to a time of day, early morning, when I most often visit. They involve near silence, broken only by the sounds of the many gulls and other birds that are found in and around the lake. In my memories, the air is still, and it is warm, the warm of early an early desert morning that holds the smell of sage and dust. And while the moment of sunrise is what I often go there to find, in the end it is the light that comes a bit later that sticks most in my mind. This light is bright – almost too bright to look into if the lake is hazy – and it is blue with distance. This is the light that I saw on this morning, with a bit of very light breeze forming slight patterns on the surface of the lake near three isolated tufa towers.

G Dan Mitchell Photography

Tag Archives: print

Glass Facade

Seaweed and Sandstone, Weston Beach

Towers and Sky

Three Towers, Morning

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.