Tag Archives: reaches

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Lower Panamint Mountains

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Lower Panamint Mountains
The lower reaches of the Panamint Mountain Range at the edge of Death Valley.

Lower Panamint Mountains. © Copyright 2021 G Dan Mitchell – all rights reserved.

The lower reaches of the Panamint Mountain Range at the edge of Death Valley.

This photograph is my excuse to return to an old theme of my posts about Death Valley National Park. For a place with a reputation so connected to aridity and heat, the clear evidence of the role of water in the formation of this landscape is abundant. In fact, it is hard to locate any place in the park where water had not played an important role. (The repetitive pattern of dips and rises on any drive across “level” roads here is a fine reminder of the importance of flowing water.)

I made this photograph from a vantage point high in the Panamint Mountain Range, from which I could look down at the vast alluvial fans formed by material that was once above the present-day upper reaches of the range. These fans go on for miles, and the amount of material they contain is nearly incomprehensible. More durable material still sticks up above the surface of the material, and washes and gully cut across their surface nearly everywhere.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Winter Desert Evening

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Winter Desert Evening
Evening quiet comes to a wide desert valley in the northern reaches of Death Valley National Park.

Winter Desert Evening. © Copyright 2012 G Dan Mitchell – all rights reserved.

Evening quiet comes to a wide desert valley in the northern reaches of Death Valley National Park.

Mostly this scene brings back a memory of utter silence and solitude at the end of a day that had been quite full. I had started far away in a very different part of Death Valley National park, photographing in locations where there were quite a few other people. In the late morning I broke camp and headed north, eventually driving many miles on a long gravel road, over some hills, and out on another road across flats to arrive at this place. There were a few people there when I arrived, but they soon departed.

So I had this entire immense valley to myself for the evening, the night, and the following early morning. I wandered slowly, making photographs along the edge of dunes, until the sun set. I continued photographing as the light became soft and everything became utterly still.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

High Country Desert Canyon

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High Country Desert Canyon
High Country Desert Canyon

High Country Desert Canyon. Death Valley National Park, California. April 6, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A back-country gravel road twists through the upper reaches of a colorful mountain canyon, Death Valley National Park

The gravel back-country road might be hard to spot in this photograph, but if you look closely near the lower right you may see it twisting around a bend before crossing the canyon behind the rocky prominence at the bottom of the frame. The road begins in desert sagebrush country, then rises to cross the Amargosa Range before descending, sometimes precipitously, down toward the main Death Valley.

Some things about photographing this subject are easy and obvious, but others are a bit challenging and require some attention and then some resistance to trying to turn the scene into something it isn’t. What is easy about this subject? I am endlessly fascinated by winding canyons with overlapping ridges that descend toward the bottom of the canyon, creating a back and forth weave of form. Here the canyon winds from right (at the top) to left to right to left to right to left and, finally, back to the left. And the colors and textures are remarkable, ranging from the very dark rocks at the bottom, through the much lighter slopes right above to the rather reddish rock in the far, upper portion of the canyon. What is hard about it? In many ways, it is easy to pass right through such an area and overlook what it offers, since there really is not single, central, and iconic “thing” to focus the attention. Instead, I almost have to remind myself to slow down, to stop, and to just look… and finally the way to photograph such subjects begins to reveal itself. In addition, because the color palette of this land is so subtle, including mostly pastel shades that subtly contrast with one another, it is important, I think, to resist the ever-present temptation to hype it up into something it isn’t.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

Lone Tree, Autumn Snow

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Lone Tree, Autumn Snow
Lone Tree, Autumn Snow

Lone Tree, Autumn Snow. Bishop Creek Area, California. October 8, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Morning sun shines on a lone tree on a rocky ridge after early autumn snow storm dusted the upper reaches of Bishop Creek Canyon, California.

This was the first clear morning after several days of early season snow in the Sierra Nevada. Earlier that morning I had driven the still unplowed road up to North Lake and photographed there for several (very cold!) hours, starting before sunrise. As the sun rose higher and I decided to drive back down the road, possibly to some lower elevation groves that are first hit by morning sun at a later hour. The road leaves North Lake and makes a few twists as it descends toward a long traverse of the hillside above the valley holding the town of Aspendell.

As I crossed this section of the road, two things happened. First, and somewhat oddly for a semi-isolated gravel road on a snowy day, a number of vehicles came up the road at about this time. This forced me to pull out alongside the narrow road and allow them to pass – after which I watched several of them get stuck on the slippery road just above my pull-out point. This, of course, brought the traffic to a dead stop while the flat-landers figured out how to drive their fancy AWD (!) vehicle on snow. Second, as I stopped here I caught sight of this interesting tree slightly below and off to the side of the traverse, on a hill still covered with fresh snow and backed by the shaded talus slope on the other side of the valley. Being stuck for a few minutes anyway, it seemed like a fine idea to take the camera and tripod out again and photograph the tree while waiting!

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.