Tag Archives: ridges

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Mountains, Sky, and Water

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Mountains, Sky, and Water
“Mountains, Sky, and Water” — Desert mountains and hazy light above Lake Manly, Death Valley.

Many of my Lake Manly photographs look out into Badwater Basin, across the lake, and towards the Panamint Range rising in the west. For this photograph I found a camera position a bit north of the “usual spot” and pointed the camera south to including the sequence of desert mountain slopes beyond the lake. This view includes the interrupted reflections of those slopes along with salt flats along the edge of the lake.

This photograph is related to another I shared recently that also featured layers of desert mountains extending into the far distance. Both feature “atmospheric recession,” in which haze lightens more distant features and obscures their details. In addition to elements such as converging perspective lines, this effect also can suggest depth and distance.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Receding Desert Ridges

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Receding Desert Ridges
“Receding Desert Ridges” — Desert ridges recede into the distance, Death Valley.

The desert is a fine place to photograph basic geological forms and effects of light. At first glance this may appear to be a monochromatic photograph, but it is just that the colors are so soft and subtle, being muted by the desert atmospheric haze. That haze is also responsible for the lighter tones of the distant mountains — an effect known as “atmospheric recession.”

Now, weeks after I made the photograph, I can only recall the location in general terms. It certainly was not an iconic spot nor a location where most people would stop. But these patterns speak to me, and I’m fascinated by the conjunctions and relationships of lines and by the layers of tonality in a such scenes.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Window Formation, Desert Mountains

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Window Formation, Desert Mountains
“Window Formation, Desert Mountains” — Desert mountains beyond a teardrop-shaped window in a rock wall, Death Valley.

Death Valley National Park is full of popular and famous attractions that are quite accessible — Mesquite Dunes, Badwater, Zabriskie Point, to name a few. But there’s far more to this immense park than the popular spots. There are equally worthy things to see everywhere, including in some rather remote locations. This is one of those sights, and the odds are that you would be alone here if you were to visit.

The feature is an impressive tear-drop shaped “window” in a wall of rock that stands on the inside of a sharp bend in the canyon. Beyond, further canyon walls rise above the wash, and in the far distance we see the highest peaks of the Panamint Range, including 11,000’+ Telescope Peak.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Desert Mountain Sunset

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Desert Mountain Sunset
“Desert Mountain Sunset” — Golden hour light on desert mountains, Death Valley.

The final full day of our pre-Christmas visit to Death Valley was mostly not ideal for photography. A winter storm was approaching, and most of the day was quite gray. We managed to get out and photograph in some canyons, but by mid-afternoon the prospects were deteriorating rapidly, and we decided to take a break. Somewhat later, without warning, there was a brief clearing before sunset… so off we went to take advantage of the light!

The best light appeared to be well north of us, so we loaded up the vehicle and headed that way. By this time the light was evolving quickly, partially as a result of the changing atmospheric conditions but also because it was late in the day. When I saw the colorful light on these somewhat distant, rugged mountains I stopped and put a long lens on the camera so that I could capture the scene before the light faded.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.