Tag Archives: shadow

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Morning, Ellery Lake

March 17, 2011 G Dan Mitchell Leave a comment

Morning light on Ellery Lake and surrounding mountains near Tioga Pass.

Yosemite National Park visitors who enter or leave the park via the Tioga Pass Road route are familiar with the sub-alpine lakes just east of the pass including Tioga Lake, Ellery Lake, and many smaller ponds. Ellery Lake – which is made a bit higher by a dam on its outlet stream – is the last lake before the drop-off into Lee Vining Canyon, and a place that people often stop during the summer months. Even during the very early and late season it is a popular place – in the early season right after the road opens you can often see back-country skiers on the steep slopes above the lake.

I rarely pass this particular cove near the upper end of the lake without stopping. However, I have also found it a tricky photographic subject! Very early light is blocked by the very tall ridge whose lower slopes are seen in the distance in this photograph. It is often quite windy. Late in the day the color of the light can be special, but it also tends to be almost directly behind the photographer and to leave some deep foreground shadows. There are other places like this – they seem like they should be photographic “slam dunks,” but they turn out to be more difficult than they appear. Or maybe it is just me! :-)

In any case, on this late June morning I had earlier finished photographing in the Mono Lake area and was heading back up towards Tuolumne Meadows. And, as always, as I drove around the curve above this cove I caught a view of the lake out of the corner of my eye and couldn’t resist stopping.

G Dan Mitchell Photography | Flickr | Twitter | Facebook | Email
Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Desert Pool, Panamint Range, Morning

March 13, 2011 G Dan Mitchell 4 Comments

A salt spring pool on the salt flats in Death Valley reflects winter dawn light on the east face of the Panamint Range.

Sometimes I hear people describe how they think or imagine that landscape photography is done, and I wonder where they get their ideas. I will acknowledge that there are many ways to shoot landscape, ranging from working very slowly and carefully to produce a single image, to shooting like crazy and seeing what you end up with. But often people dismiss approaches closer to the latter and assume that the former is the “right way” to shoot landscape.

In my experience it isn’t quite that simple. Sometimes the experience is like certain others in which long stretches of time during which one seemingly accomplishes nothing or perhaps just looks and thinks are suddenly followed by quick and intense spurts of work that come almost as a surprise and may be over as quickly as they begin. This little morning shoot in Death Valley along the edge of a the salt/mud flats where the water from a small salt spring spreads across the flats and forms shallow pools was one of these. Very early in the morning, well before dawn, it was difficult to know what the best shooting option might be. There were clouds in the sky that promised to block the dawn light and everything seemed gray and flat. I wandered a bit, not sure where or what to shoot, and finally, more or less by chance, ended up at this spot that I had visited earlier on this trip. It occurred to me that even if the light wasn’t great I could possibly find a photograph that included this water. So I stopped and began to unpack in no particular hurry.

As I walked across the wash toward the area of the spring, much to my surprise it began to appear that there might be some interesting dawn light after all. I quickened my pace and headed toward the area of the shallow pools, and when I arrived there a moment later I could see some color on the top of the Panamint range. I quickly found a decent foreground pool and as the surprising light worked its way down the front of the range I began photographing. I first made several exposures at much shorter focal lengths, including a larger portion of the sky and the foreground. Then I quickly moved the tripod to place this pool in the center of the frame and hold the reflection of the range. I had little time to contemplate as the light was changing very quickly. I had just enough time to find my composition and make a few exposures, and within moments the light was gone.

Photographs: Architecture, Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects

Yellow Building With Dark Windows, Star Trails

March 4, 2011 G Dan Mitchell 2 Comments

Night photography of an old yellow building with dark windows against a backdrop of dark sky with star trails, Mare Island Naval Ship Yard, California.

This is probably a fairly conventional image of Mare Island buildings in some ways and it includes the ever popular star trails! One aspect of doing night photography – especially when exposures are measured in minutes rather than seconds, much less fractions of seconds, and double-especially when you must wait for a second dark-frame exposure to complete – is that you have a lot of time to stand around and observe and think about what you see. A whole lot of time. Before I made this photograph, I had made one of a nearby wall with some interesting windows and a door and illuminated by some light that passed through some intervening stuff, producing interesting shadows. The alley where I was shooting was quite dark, necessitating fairly long exposures, so as I made that previous photograph I had perhaps 10-15 minutes of “standing around time,” during which I was able to observe my surroundings pretty closely.

Lately one subject that I’ve been experimenting with is the upper stories of buildings, shot from below and with sky beyond. Near where I was shooting and next to a nearby alley was this large (apparently) concrete building with dark windows, and its pointed prow against a backdrop of relatively dark sky. I noticed that this section of sky held more bright stars that some other areas and that if I lined things up just right I could position some to either side of the point at the corner of the building.

More Night Photography

Photographs: Architecture, Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Yellow Buildings, Shadows, Moving Clouds

March 3, 2011 G Dan Mitchell 2 Comments

This seems to be the week for photographs involving a combination of preparation and serendipity. I made an unsuccessful attempt to photograph these buildings a year or so ago. I managed to get spooked and learn a little lesson in the process. Most of the time night photography is a quiet, peaceful, and slow experience. There are often very few other people around, and in the darkness you can be entirely alone. Much of the work is done slowly – wandering around looking for compositions in the near darkness first, and then waiting for long exposures to complete. On that first attempt with this subject I had set up in an abandoned parking lot next to these buildings and was standing quietly by my tripod when I heard the sound of a fast-moving car. A sixth sense told me to pay attention… and in seconds a car came speeding around the corner of a nearby building and into the parking lot! I don’t think I’ve ever grabbed my gear and run so fast! (The resulting photo is sort of funny and captures my panicked escape after perhaps 2/3 of the exposure had completed – the image of the buildings is there, but superimposed on it is a wild pattern of light formed as I spun around, carrying the camera without even taking time to close the shutter.)

Since then I wanted to try photographing these buildings again. Late in the evening of this recent shoot I noticed translucent clouds passing overhead. When such clouds are lit from below and have a chance to moving during long exposures they form interesting patterns. I quickly headed toward that same notorious parking lot… and this time found a safer spot on a raised sidewalk, which also gave me a better angle on the buildings. The clouds were moving away and to the right, so I had to work quickly to get set up and start exposures. The first one (not shown here) was a slightly wider shot. Then I thought about the zig-zagging angles and shapes of the buildings roof lines and corners and noticed that the same shapes were mirrored in the shadow cast by a nearby building. With this in mind I decided to try a tighter crop on the buildings, and I ended up with this photograph.

(Edited and updated in January 2025)

More Night Photography

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.