Kelp bed and fog off the coast of Point Lobos State Reserve.
I haven’t posted one of my “minimalist seascapes” in a while, so here is a new one. The photograph was made on a quiet day at Point Lobos a few weeks ago – at least it started out quiet with fog and somewhat gentle surf. A certain amount of post-processing was done on this image in order to get the particular misty effect and somewhat leaden quality of light and color.
While the photograph was made at Point Lobos, something similar could have been produced at many places along the California coast on a day like this one – the image is completely devoid of the typical elements of Point Lobos photography.
Three photographs of a ground squirrel along a shoreline trail at Point Lobos State Reserve, California.
Since I don’t quite think these photographs warrant separate posts, consider this to be my first three-for-one offer on the blog – three photographs in one post! I had taken a break from seascape photography on my recent visit to Point Lobos State Reserve south of Carmel and at the upper limit of what we might think of as the Big Sur coast. I was at the top of a bluff overlooking the “point of the sea wolves,” the actual spot that gives this park its name, and was trying to photograph the rather small number of pelicans that were coming past from time to time. (This was an odd day for photographing pelicans – fortunately that wasn’t the main reason I was at Point Lobos. Ten or fifteen minutes would go by with no pelicans at all… and then a giant flock or 30 or more would cruise by and be gone.)
So, I was parked at a spot along this trail on top of the bluff, waiting for interesting birds to come by when a couple stopped to look, too. As they stood there, this squirrel emerged from the brush and came right up to them – obviously not the wildest wild animal around. (Later I had to chase it off the bench that my camera bag was sitting on.) Since there weren’t any bird in photography range and there was a very close squirrel, and since I was standing there with a 100-400mm zoom on my camera, I figured I might as well get some close up shots for my gallery. This seemingly well-trained squirrel (is there a squirrel modeling school somewhere?) went quickly through a delightful sequence of poses: first all fours on the ground and looking quizzically to my right; then up on hind feet to eat a seed; and finally lowering the paws holding the seed to look ever so cutely at something to the right.)
So, now I have squirrel photographs.
California Ground Squirrel #2California Ground Squirrel #3
A rocky peninsula drops into the ocean on a foggy morning at Point Lobos State Reserve.
On this morning it was foggy and drizzling at Point Lobos and there was a surprising amount of surf for a summer morning. When I arrived shortly after the park opened, there were few other people about. With the moving water and the low light conditions, I decided that this was a good time to do some work with long daytime exposures, so I got out my 9-stop neutral density filters and went about looking for compositions.
After shooting down closer to the water in the cove to the left of these rocks, I wandered up a trail along the shoreline that took me to a point that was a bit higher above the water. As I looked back I saw that the rocks that defined the cove that I had been shooting appeared to head straight out into the water towards a distant peninsula and then submerge – a rather different take on this feature.
By using this filter I was able to get an eight-second exposure in this light. Longer would have been better, but the light was beginning to come through the fog a bit and I didn’t have much choice. With an exposure this “short” I had to be a bit careful about timing the shots, trying to get the right amount of water breaking over the rocks.
Morning light shines through the forest on the rocky shoreline of Lower Young Lake, Yosemite National Park.
The three Young Lakes are among my favorite places in the Yosemite back-country, and I visit them pretty much every summer. As I did when I made this photograph, I most often to in the last season – I like to visit after Labor Day weekend, when the crowds begin to diminish, the weather is a bit cooler, fall colors begin, and everything in the Sierra seems to slow down in anticipation of the coming winter.
On this visit I camped for something like three nights at the lower lake, and thus had time to photograph throughout the basin at different times of day. On this morning I got up early as I usually do, and spent a good part of the morning photographing along the shoreline of this lake, starting in the area near where most people camp and where the trail passes along the shoreline. A bit later I crossed the outlet stream and followed the rocky shoreline around to the far shore where the forest opens into rocky meadows near the main inlet stream.
In the photograph, the early light is coming from behind the trees in the shoreline forest and glancing off the tops of the boulders on the shore and in the shallow water. There were two photographic challenges in making this photograph. First, the dynamic range between the brightest sunlit spots on the rocks and the darker areas in the forest is extreme. In some cases I might resort to blending multiple exposures as a way to deal with this issue, but here I was able to recover enough detail from a single frame. The second issue relates to the color of the light. Specifically, while the sunlit areas have a fairly warm quality, the light in the shadows on the rocks and in the shaded areas of the forest turns out to be distinctly blue in a photograph. In fact, these areas end up looking much more blue than you would think if you were there – this has to do with the way our minds process what we see to make it more like what we think it should be… if that makes any sense. In any case, the decisions here ended up being about how much blue would be the right amount.
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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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