Tag Archives: silhouette

Wetlands Tree, Tule Fog

Wetlands Tree, Tule Fog
A wetlands tree in thick autumn tule fog.

Wetlands Tree, Tule Fog. © Copyright 2022 G Dan Mitchell.

A wetlands tree in thick autumn tule fog.

Believe it or not, this is a color photograph, made on a late-autumn morning in California’s Great Central Valley. The dense tule fog did not simply reduce visibility — it also drained the color right out of the landscape. Foggy landscapes can have color — the blue tones of thick fog in the very early hours, and the warmer tones of shallow fog glowing in sunrise light. But in this case it was a bit later, and the colors of the earliest light had faded and backlit fog glowed and muted the color.

When photographing a subject like this I find myself on a fine line between not enough fog and not enough detail. Sometimes the fog is so thick that a subject that seems visible in person has so little contrast that it almost is invisible in a photograph. But too much definition and the mystery of the fog diminishes. Here I think I have hit the middle ground — there’s perhaps just enough detail to delineate the broad features, but many fine details are missing or softened.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Headlands and Mist

Headlands and Mist
Morning mist floating among headlands on the Big Sur coast.

Headlands and Mist. © Copyright 2022 G Dan Mitchell.

Morning mist floating among headlands on the Big Sur coast.

This photograph shows of the features that sets the Big Sur coast apart — along much of its length the land drops precipitously from tall headlands directly into the ocean. This cuts off easy access to the ocean in these areas — helping maintain the wild quality of the coast here. These headlands and cliffs also produce an extraordinarily dramatic meeting of land and sea.

Although this photograph comes from a well-known and easily accessible location, similar scenes are found all along this central section of the California coastline. I photographed somewhat early in the morning when the sun was still ascending over the coastal mountains, casting shadows on the cliffs and the edge of the water. A bit of thin fog increases the atmospheric recession between the sections of headland cliffs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Watching the Parade

Watching the Parade
A figure in dark clothes waits behind baricades for the 2022 Manhattan “Columbus Day” parade to pass.

Watching the Parade. © Copyright 2022 G Dan Mitchell.

A figure in dark clothes waits behind baricades for the 2022 Manhattan “Columbus Day” parade to pass.

The light in urban areas is often special in different that what we find in the natural landscape. A feature in common among both types of landscape? The light matters. A feature that is different? The reflective surfaces in urban canyons reflect light in almost any direction to produce striking effects. Here we not only have some direct sunlight that backlights the main subject, but tons of reflected light creating fascinating patterns on the sidewalk and in the street.

A critique of this photograph could be, I suppose, that we cannot see the faces of the subjects. But in this case that is part of what makes it work. The central figure, dressed almost entirely in very dark colors, appears to be quite tall, an effect amplified by perspective and the smaller figures to the left. The person’s body language is fascinating, too, and I think I see a few parallels to that of the central figure in “The Scream” by Edvard Munch.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

The Ridges Beyond

The Ridges Beyond
“The Ridges Beyond” — A series of Eastern Sierra ridges leads to the east beyond a backcountry lake in morning light.

Because variations on this particular scene comprise a significant portion of the photographs I made during our August Sierra backcountry sojourn I have been trying to release them somewhat gradually. However, even though I shared a quite different version of the view from this camera position just a few days ago, here’s another. This one is, obviously, a near-panorama rendition that takes in the far edge of “our” little lake, its outlet, surrounding ridges, the more distant scene, and some beautiful morning clouds. The whole scene is softened by a bit of backlit morning haze.

Sometimes I’m immediately certain of what a photograph will look like as I make the exposure. But other times I’m less sure and I reserve judgment, perhaps making multiple exposures that will work for any of several possible directions I might take with the subject. That was the case with this scene — multiple “takes” were required not only for that reason but also to ensure that I’d be able to work with some rather extreme light contrasts between the shadowed foreground and the very bright clouds and sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.