Tag Archives: sky

Detail, EMP Museum, Seattle

Detail, EMP Museum, Seattle
Detail, EMP Museum, Seattle

Detail, EMP Museum. Seattle, Washington. July 30, 2006. © Copyright 2006 G Dan Mitchell – all rights reserved.

Distorted and colorful reflections on the metal surface of the Frank Gehry-designed EMP Museum in Seattle, Washington.

I made this photograph, and a series of them of this subject, during a visit to Seattle back in 2006. After seeing the exhibits at the EMP Museum, I spent some time wandering around the Frank Gehry designed building and looking for photographs.

Seattle seems like a great place to photograph architecture – you are almost guaranteed soft light! Here I had a mostly cloudy sky with a few spots of blue sky, so the basic light was very nice. In addition, the building itself is, in places, one giant fun house mirror. In this shot the reflective panels are picking up their own coloration, some clouds and blue sky, and some extremely distorted reflections of nearby carnival rides – and all of that stuff is set off against the sky blue curving shapes projecting from the building at the upper right. Some of the colors reflected in the wall panels are so colorful as to almost be over-saturated, and with the strange distortions they create the effect seems almost hallucinogenic! Is there any color that cannot be found somewhere on that wall?

G Dan Mitchell Photography
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Eroded Gullies at Zabriskie Point, Morning

Eroded Gullies at Zabriskie Point, Morning
Eroded Gullies at Zabriskie Point, Morning

Eroded Gullies at Zabriskie Point, Morning. Death Valley National Park, California. April 6, 2006. © Copyright 2011 G Dan Mitchell – all rights reserved.

Low angle morning light illuminates a tortured landscape of eroded gullies at Zabriskie Point, Death Valley National Park.

I recently “rediscovered” this photograph while undertaking a major review of the past eight years of my raw files. (And, yes, that task is just about as much fun as you might imagine. It would actually be pretty unbearable except that every so often I find some photographs that I had perhaps forgotten or overlooked, and I also come across images that remind me of experiences that took place some time ago.)

This photograph was made, as virtually anyone who has visited the spot recognizes, by pointing my camera about 90 degrees to the left of the classic Zabriskie Point views. Timing was important, as the early light is just skimming across the tops of these tortuously eroded gullies, picking out the ridges between them but leaving the lower sections in shadow. But good fortune also played a role here. Death Valley is usually a clear blue sky kind of place, but on this morning I had clouds! At dawn, if I recall correctly, the clouds actually interfered with the light a bit. But as the sun rose the clouds provided a more dramatic background than plain blue sky and created some softer and diffused light that gave just the right sort of dynamic range for photographs.

On a technical note, if you are viewing this in the right web browser you can mouse over the image and see a summary of basic EXIF data. (Sorry, but this feature only works in web browsers – if you are viewing email, etc. you’ll need to visit the version at my blog to see the EXIF.) If you do check the EXIF you might notice that this photograph was made with a very humble example of photographic technology, the Canon Digital Rebel XT. This camera is a 8MP cropped sensor “consumer” camera that I acquired when I first tested the waters of DSLR photography. (I had actually used digital cameras back in the 1990s, but not for serious photographic work.) Those who wonder which of today’s current DSLRs might enable them to produce interesting and effective images might consider what could be done with such a humble camera. ;-)

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Owens Valley Sky

Owens Valley Sky
Owens Valley Sky

Owens Valley Sky. Owens Valley, California. August 6, 2005. © Copyright 2011 G Dan Mitchell – all rights reserved.

Dramatic thunderstorms begin to build above Owens Valley, flanked by the White Mountains and the eastern Sierra Nevada range.

If there is any good news about starting to run out of space on my hard drive, it might be that it encourages me to begin the process of reviewing my tens of thousands of archived raw image files, and that leads me to look through files that I haven’t revisited in a long time – and during this process I find photographs that I had forgotten about. Not only is it worthwhile to rediscover these photographs that ended up buried in the archive, but it is also a chance to recall some of the trips on which the photographs were made.

This photograph is yet another (of many!) that wouldn’t have happened at all if it were not for a whole unpredictable series of events and circumstances. I’ll make the story as short as I can, but it is still a bit involved. Almost every summer I share a long pack trip with a group of my friends. In 2005 we had come up with a 14-day trip along a good portion of the John Muir Trail between roughly the Ediza Lake area and Bishop Pass, which included one of the very few sections of the JMT that I had not hiked. We started at Agnew Meadow, headed up past Shadow Lake, turned south on the JMT, stopped at Reds Meadow, continued on to the Duck and Purple Lakes area… where I started to feel like I might be coming down with some sort of bug. Discretion being the better part of valor and all that, I decided that the prudent thing was to bail out of the trip and exit to Mammoth Lakes since the idea of getting sick on the fourth day of a 14-day hike with a large group was not appealing.

So I hiked out. Ironically, once I crossed the pass to head down to the Mammoth area, I recovered – but it was now too late to rejoin my group since they would be two days ahead of me on the trail at this point. Since I was back at my car now and feeling just fine I figured that I might as well do something else before heading home, so I decided to drive up into the White Mountains and visit the Bristlecone Pine forest. On the way back down from the Whites I just happened to pull out at this spot where the high desert terrain was extra green around a creek, on an afternoon when monsoon conditions were leading to a buildup of afternoon clouds above the Sierra, the Whites, and Owens Valley between the two ranges.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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High Line Park, Evening

High Line Park, Evening
High Line Park, Evening

High Line Park, Evening. New York City. August 19, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Evening along the High Line Park as thunderstorm weather approaches, New York City.

This was a fun photograph to make and a bit of a challenge. I decided to shoot with just a 50mm prime as we walked the Highline Park in New York City, trying to keep things simple and shooting quickly and handheld. Our plan was to be there a bit more than an hour before sunset so that we could see and photograph the evening light. That didn’t quite work out…

About the time we started walking at the south end of the Highline we noticed a big electrical storm developing over the water in New Jersey. While the giant storm to our west spoiled our chances of sunset light, it created other interesting opportunities as the sky darkened. In fact, it becomes so dark an hour or so before sunset that hand held shooting was becoming difficulty, even at ISO 800, f/2 or f2.8 and as low as 1/15 second! But because there was still some light, as streetlights and other lighting came on there was still enough illumination to register the unlighted or less lighted areas – it was almost like doing night photography without the need for the tripod or the super long exposures!

This shot was handheld, probably at the lower end of the range of my ability to shoot this way, but there was enough light to still make the sky and buildings visible, yet give the appearance that the scene was largely artificially lit.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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