Tag Archives: sky

Abandoned Pier, Dusk

Abandoned Pier, Dusk
“Abandoned Pier, Dusk” — The pilings of a long-abandoned pier on the Pacific coast near Davenport, California.

Besides being a matter of hours from the Sierra Nevada and less than a day’s drive from places like Death Valley, I can be at the Pacific coast between San Francisco and Santa Cruz in barely more than a half hour. Yesterday it looked like evening conditions might be interesting so I headed over there in the late afternoon. As I crossed the mountains on my way there I was pleasantly surprised to see low clouds over the ridges and some higher clouds over towards the ocean, which got my hopes up for some sort of spectacular evening light. However, when I actually got the the coast the conditions were not as interesting – mostly clear with just a bit of cloudiness on the horizon, and no interesting haze or mist over the water. Either that or I just wasn’t “seeing it” this time. So, after stopping for a cup of coffee, I headed up the coast from Santa Cruz and stopped at several of the usual locations, but didn’t make a single exposure. At the northernmost point on my drive I stopped right by the water and it looked like interesting light might be five or ten minutes away… and then the sun dropped below some low clouds near the horizon and the light died!

I think I’ve learned to go with the flow when this happens. I react in several ways. One is to look around for subjects other than those that I thought I was there for. With that in mind I thought about photographing shore birds… but there was only one forlorn seagull down near the water. I saw an interesting pool of water on the beach and thought it might play into a seascape photograph, but the flat light and cloudless sky was not working. I remembered a spot a bit further south where I had once shot some shoreline shoals from the top of a steep cliff at sunset, so I quickly drove up that way… and couldn’t find them!

I had one final thought. On the way north I had seen a group of photographers on the bluff near the northern edge of Davenport. I had stopped, leaving my camera equipment in the car, and quickly dashed out to where they were set up to see what was so interesting. Below their position were the four remaining supports from an old pier that washed away many years ago. It looked interesting and I recognized the structure from photographs that others have made from down on the beach – but I hadn’t been up for the steep descent to the beach so I had driven on after making a mental note about a position from which I thought a photograph might be made. Now I realized that if I went straight there that I might be able to make some long exposures in the dying light and perhaps frame them so that they only contained the structures and the open sea. So, off I went.

I arrived just before the moment of sunset and, sure enough, the group of photographers I had seen earlier was still there. I grabbed my gear and quickly walked out to the point I had scoped out earlier, which was some distance from where they were set up. I framed up this composition and then photographed right though sunset until there wasn’t really enough light to keep shooting. (The group at one point looked like they thought the show was over and they were going to leave, but I think they saw me continuing to shoot and decided to stick around almost as long as I did.) The light just kept getting more interesting as it faded. Although it was too dark to really see the image as it appears here, I knew that this three minute exposure (intentionally lengthened by choosing a small aperture and low ISO) would smooth out the surface of the water but still show the shadows and reflections of the old pilings.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Glacier Point and Ground Fog in Ahwahnee Meadow, Autumn

Glacier Point and Ground Fog in Ahwahnee Meadow, Autumn
Glacier Point and Ground Fog in Ahwahnee Meadow, Autumn

Glacier Point and Ground Fog in Ahwahnee Meadow, Autumn. Yosemite Valley, California. October 31, 2010. © Copyright G Dan Mitchell – all rights reserved.

Thin morning ground fog floats above the dry autumn grasses of Ahwahnee Meadow below the granite cliffs of Glacier Point, Yosemite Valley.

During the cooler and wetter months of the year, ground fog often forms in the meadows of Yosemite Valley. Ahwahnee Meadow is one of the places I like to photograph these conditions, and since this was the morning after a damp and rainy day, I arrived here very early in anticipation of conditions that might produce the fog. It was very cold when I arrived, certainly below freezing by at least a few degrees. At first the fog was much denser and a bit deeper. I have photographs from this earlier pre-dawn period when a herd of deer passed through the meadow. Eventually, as the sun rose high enough that the light beams began to clear the mountains to the east of the Valley, the first light began to strike the upper slopes and walls of Glacier Point. As this happened and the air began to move and the temperature stopped dropping, the fog began to thin. This photograph was made shortly before the fog actually dissipated completely, and thin streamers of mist are broken up by clearer areas.

I have to admit that I do not know what the foreground plant is. (Hint: I won’t mind even a tiny bit if someone wants to write and tell me! :-) Cottony tufts are found at the top of long stems, growing out of odd shaped pods. I shot this with a very wide angle lens so that I could include some of this foreground foliage and the fill width of Glacier Point.

On a technical note, this image incorporates a blend of two exposures. Portions of the sky at the left side of the frame were very bright, while much of the rest of the scene was in shade and a lot darker. Almost the entire frame is from the 1/15 second exposure, but I have manually blended in a bit of the 1/40 second exposure in the area of cloudy sky at upper left in order to retain a bit of detail there. Also, though it should be obvious, this was shot with an ultra-wide angle lens – a 17mm focal length on a full frame DSLR. If you are at all familiar with this location in the Valley you will recognize that this is a bit of an unusual view.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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North Lake and the Sierra Crest, Fall

North Lake and the Sierra Crest, Fall
North Lake and the Sierra Crest, Fall

North Lake and the Sierra Crest, Fall. Sierra Nevada, California. October 2, 2010. © Copyright G Dan Mitchell – all rights reserved.

Brilliant gold and red fall aspens ring the upper shore of North Lake as the Sierra Crest towers above.

Somewhat past the “golden hours” of first light I investigated a hill above this lake as a possible shooting location. Because this was a morning of mixed clouds and sun, the time for good light was more extended than it might otherwise have been. The clouds began thicker and gradually began to thin, and as they did so the mixed sun and cloud shadows moved continually across the landscape, spotlighting different parts of the scene. This was one of those situations that puts the lie to the notion that the landscape is a fixed and static thing – from my perspective the entire scene was in a constant state of flux and photographing it required full attention. Here most of the shadows had cleared from the scene, with the exception of some over the foreground lake and a few scattered among the peaks, and beams of light slanted into the scene to light up the grove of brilliantly colorful fall aspens.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Aspen Color, North Lake

Aspen Color, North Lake
Aspen Color, North Lake

Aspen Color, North Lake. Sierra Nevada, California. October 2, 2010. © Copyright G Dan Mitchell – all rights reserved.

Colorful autumn aspen colors surround the shores of North Lake with the Sierra Crest beyond.

I should probably hand out sunglasses and an Official Icon Alert warning with this one. Yes, it is that North Lake.

Later on this morning, after shooting elsewhere around the lake in the early hours, and after the workshop shooters had mostly moved on (after all, the good light was gone… ;-), I decided to cross the outlet stream and see about climbing up a hill above that lake that I had been thinking about. I found an easy trail along the side of the lake, but then had to more or less bushwhack my way up the slope to get above the tops of the very red lakeside aspens, which is no easy task when carrying a large photo pack and a good size tripod. (Once up there, I discovered a very easy trail going straight to my position. Sigh.)

Although it was no longer the “golden hour” and the morning was well along, there were scattered clouds. These shadows from these clouds moved rapidly across the landscape, sometimes producing almost uniform shade and sometimes lighting up some features while leaving others less visible. When I see conditions like this I often imagine the perfect positioning of the clouds and the light effects they produce – some primary feature caught in the spot light of a beam of sun, others in sunlight muted by thin clouds, and any spots that happen to be a bit too bright and distracting miraculously muted by a perfectly placed shadow. Yeah, right. But if I watch and wait long enough, something interesting almost always happens, and sometimes the moving clouds do momentarily solve composition and exposure problems. Here, the light on the bright red trees in the foreground is momentarily diminished by a passing cloud shadow and the shoreline trees are in sunlight… and the big cloud at upper left is reflecting on the surface of the water just beyond the foreground trees.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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